Multiple Dials – GAUDIUM SUB SOLE . SUNDIALS . MEDIEVAL TO MODERN

CREECH ST MICHAEL . SOM . ST MICHAEL – Scratch Dials

Published on January 6, 2023January 7, 2023 by Rolling HarbourLeave a comment

ST MICHAEL . CREECH ST MICHAEL. SOM

GRADE I † C12 origins, mainly C13; C15 perp additions and C19 restoration. A most attractive building, highly praised as an uncommonly interesting church PEV. Called All Saints until C16. Traces of C17 wall paintings. 6 bells, earliest 1590. Additional dials found. 5m E of Taunton. 51.0224 / -3.0355 / ST274252

DIALS

DEH visited St Michael in Sept 1913 and noted a group of 3 dials on W side of the porch. He recorded All three of these dials are close together, very poor in construction, and one or other of them is probably only a copy dial, but the lines of all have been added to, and it is difficult to say which is the original. Dial 2 is the least explicable.

There are 3 other dials (one is debatable): 2 on E side of the porch, in much the same position as Dials 1-3; 1 on the W window jamb of the whitewashed chapel. This last is in good condition comparatively; and the more precise design suggests it was the latest and presumably superseded the others in accuracy and legibility.

DIAL 1

DEH: 152. (1) This dial is on the w. side of the s. porch, 4 feet 8 inches above the ground. The noon line is 4 inches in length, the style hole is filled, and the aspect is s. by 8° e.

A fairly conventional morning dial with 9 (10?) lines, with the lines marking (roughly) Tierce and noon cut deeper. It’s difficult to interpret the pocks, if that is what they are. Several correspond with the relevant radials; the vertical seems to have a 2nd pock lower down (Mass time marker?). Possibly they were added later.

DIAL 2

DEH: 153. (2) This dial is close by the side of No 1. The noon line is 4 inches in length, the style hole is filled, aspect as above.

Dial 2 is confusing. How did that mish-mash of lines, hole-infilling, and extensive repair come about – and when? There’s no doubt that in the mix is a very basic dial with 2 lines curving left that appear to radiate from the mortar line above.

The 4 quite deep and almost parallel incisions just below the 2-line dial are problematic. It’s hard to see them as part of the overall dial design on that stone. And 4 verticals in a row would make a poor marker for noon. Also, it does not seem that they would converge at the same position as for the identifiable dial. In fact, seen on their own, they might be taken as an apotropaic mark of the grid and pock kind (though they are not convincing in that respect either).

DIAL 3

DEH: 154. (3) Six inches above No. 2, a dial with noon line 3 inches in length, the style hole filled, aspect as above.

This morning dial has 3 lines that radiate from the stone overhang, There is a small hole at the apex where presumably a thin style was inserted. The upper line ends with 2 clear pocks, and must have marked the most significant Mass time of the day (in this case, Tierce)

DIAL 4

A rough, eroded, and damaged dial on E jamb of the porch, level with dials 1 – 3. There are 6 detectable lines, 2 very faint. Again, a morning dial, with Tierce marked with a pock. The filled gnomon hole is big, but that may have occurred over time.

DIAL 5

This small dial is in the corresponding position opposite dial 3. It is simpler and less well defined, with a small style hole and 3 detectable lines radiating from the hole, only one being easily visible. It might be classified as ‘doubtful’ but for its relationship to dial 3 on the other side of the entrance, which I think upgrades it to ‘plausible’.

DIAL 6

This attractive dial, originally completely encircled, has survived the passage of time rather better than the others. There are 18 lines that make up a 3/4 circle, with a deeper cut noon line and a large style hole. The angles between the lines are somewhat random but I expect that the dial was effective as a marker of the progress of the day.

The way in which the dial stone has been cut to fit the space could suggest that it was relocated. In a way it might make more sense if rotated 90º clockwise, but testing that theory using a photo didn’t look right.

GSS Category: Scratch Dial; Mass Dial

All photos: Keith Salvesen

FOVANT . WILTS . ST GEORGE – Multiple Scratch Dials

Published on December 1, 2022December 1, 2022 by Rolling HarbourLeave a comment

GRADE II † C13, C14, C15, restored 1863 (T.H.Wyatt); tower restored 1988. A sad history of disrepair (C15, C17), but nowadays a most attractive and surprisingly secluded church. One bell (of 6) is C15. A cluster of votive / pilgrim crosses externally. Midway between Salisbury and Shaftesbury, N of A30. Note: the church is some way past the centre of the village – persevere. 51.0654 / -2.0068 / ST996295

DIALS

St George is a multi-dial church. There are certainly 6, plus one candidate that is debatable and may have a different function entirely. I have a note of an 8th dial, and seen a passing reference to one. Unusually, there are 5 dials spread over 2 adjacent stones, a rare proximity of so many.

DIALS 1 – 3

This group of dials are all cut on a single stone. It looks as if the simplest dial (3) was superseded by a similar more detailed one (2) ; and that both were eventually made redundant for practical purposes by a relatively sophisticated replacement (1).

DIAL 1

Dial 1 has 10 lines (including the horizontals) that radiate from the filled gnomon hole, within a semicircle. The spacing of the lines is rather haphazard and it is quite hard to relate their positions to specific hours. One line in LRQ has a cross, presumably to emphasise the afternoon Mass time Nones. In LLQ there are 4 (perhaps 5) holes denoting an important part of the day for observance. The positions of the radials on the 2 earlier dials beneath Dial 1 rather confirm this theory. Is the horizontal line above the semicircle part of the dial? There is a short vertical line from its centre – a short ‘midnight’ line? – that suggests some connection but not one that would assist marking the passage of the day. Probably a later addition, purpose unknown.

DIAL 2

Dial 2 is simple dial with a homespun attempt at incising a perimeter. It has 3 strong lines LLQ, each ending in a pock. The noon area is a confusion of trace / eroded lines with pocks that extend further round the approximate circumference, signifying the early afternoon hours

DIAL 3

Dial 3 is a rustic-looking little dial, presumably the earliest of the group. Although from a distance it seems to be just a pair of stubby lines descending from the style hole, close inspection suggests shallow pocks on a curve beyond the noon line – others perhaps hidden by the lichen. If so, it is more sophisticated that it looks at first sight. But for the size of the style hole, it is a candidate for the ‘smallest dial’ category, of which Tintinhull is supposedly the leader

DIALS 4 – 5

Both dials are together on the same stone, immediately W of the dial stone of dials 1 – 3.

DIAL 4

Dial 4 is hard to analyse in detail because of lichen. The style hole is filled. There is a semicircle – again with an inexact curve – and a hint that there was once a full (misshapen) circle. It is just about possible to make out 12 lines, of which only 6 or 7 are distinct. There are no visible pocks.

DIAL 5

Dial 5 is the only dial with all lines in LRQ: an afternoon dial (but see also dial 8). There are 6 lines, of which 5 radiate directly from the style hole. The line at (roughly) 1pm, if part of the dial, passes to L of the hole.

DIALS 1 – 5

DIAL 6

Dial 6 is different from the other dials, and relatively uncomplicated. The style hole is quite high on the dial stone. There are no radials, simply a gentle curve of several pocks either side of noon. There are 7 in all, and presumably the central one marked noon. There’s a significantly clearer image than mine via the first link below!

DIAL 7 -v- NOT A DIAL

There is debate as to whether this design is a dial, or was incised for some other purpose. Two concentric circles with a hole at the centre are not rare for a dial but one would expect to see lines – even just a noon line – and / or dots around the perimeter of the inner circle. Being sited at the W end, it would only be effective late in the day. Again, this is not particularly unusual where a church has been rebuilt stones relocated – Rimpton, Lillington and Stockbridge are examples.

Sometimes it helps to interpret a possible dial – one that may have been re-sited – by rotating the image. It could be argued that the two small pocks equidistant either side of a notional the noon line indicate a simple rather elegant double-ringed marker of the passage of time in the later part of the day. Alternatively it could be a straightforward dial with two pocks that was moved from the S side to W end. Anyway, it looks more dial-ish with this orientation.

DEH noted that this line-less, pock-less design – a hole at the centre of one or two circles – is not uncommon. He suggests that such configurations may have been dials with the details painted within the circles or on the circumference. This was a common practice and can still be seen in a few churches where there is a dial within the porch, cut next to the pre-porch main doorway. West Camel is one example; Chilthorne Domer nearby even has 2.

Local research (see below), originally in conjunction with Tony Woods / BBS, suggests this may in fact be a form of Consecration Cross or ‘event’ mark. That may well be so. However while these often have double circles, crosses generally (always?) do actually feature a cross or at least some form of incised device.

CONSECRATION CROSS

DIAL 8?

As mentioned earlier, I have a note of – and seen a reference to – an 8th dial. It may have been this faint spidery design with its shallow style hole, the lines all LRQ. If it is a dial at all – on balance I am 66% in favour.

These links will take you to two excellent analyses of the dials by Fovant village online resources. Both are interesting in their own right; the second link provides a good overview of the whole community.

FOVANT HISTORY INTEREST GROUP

FOVANT VILLAGE

GSS Category: Scratch Dial; Mass Dial; Consecration Cross

Credits: all photos Keith Salvesen; thanks to the Fovant church research groups

WOLFETON HOUSE . DORCHESTER . DORSET – Multiple Sundial

Published on November 9, 2022December 5, 2022 by Rolling HarbourLeave a comment

WOLFETON HOUSE . DORCHESTER

Wolfeton House (sometimes Wolveton) is a fine Grade 1 Elizabethan manor house with medieval origins. It stands amidst the the water meadows of the River Frome near Charminster, just N of Dorchester. Admired by Hardy. For more about the house, its history, and how to stay in the Gatehouse (dated 1534) see:

DORSETLIFE ✣ HISTORIC HOUSES ✣ LANDMARK TRUST

SUNDIAL

Some time ago we went to Wolfeton in connection with the the Pevsner Buildings of England series. I was able to photograph this most interesting sundial, though with a rather rustic camera and in low light. The dial is not in the optimum place for its primary purpose, but with its pleasing symmetrical design it suits where it stands.

INSCRIPTION

The inscription is an intriguing mystery. At the time I was less engaged with dials, or I might have made more effort to record the details and to take a decent photo. As it is, I cannot make much sense of it. The initial letter U… could perhaps be the start of Umbra? But that assumes the words are in Latin. I have checked the main motto resources including Gatty (original, and revised & expanded); and various less comprehensive sources. I will add the translation if I can make any more sense of the text. Meanwhile, any ideas would be welcome. Actual knowledge, the more so.

ADDENDUM *

UMBRA VIDET UMBRAM
VIVE HODIE.
A shadow marks the shadow.
Live to day.

As it turns out, Gatty did record this dial, attributing it to a neighbouring village Bradford Peverell rather than Charminster. She noted the inscription is somewhat defaced. The dial was possibly erected by George Purling about 1815-20, when the garden was laid out). The same motto is on the tower of Broughton-Gifford Church, near Melksham,

HOW THE DIAL WORKS

This is a polar dial, with the end edges of the cross pieces acting as gnomons (cf the polar dial at Tintinhull). The dial should be oriented so these point north, ie with the inscription on the south face. However, it is clearly not orientated like that, so it now acts as an interesting garden ornament. John Foad (BSS) has kindly marked up a photo to show how the dial would work if correctly positioned.

DATE

The inscription might give a clue to the dial’s date. My amateur guess is that it is somewhere between mid-C18 and early C19.

*Wolfeton House . Dorchester . Dorset – Multiple Garden Dial*

GSS Category: Multiple Dial; Old Dial; Garden Dial

All photos: Keith Salvesen; *John Foad BSS for additional material / expertise (see Addendum)

WILTON . WILTS . COUNTY CROSS – Multiple Dial

Published on August 16, 2022August 18, 2022 by Rolling HarbourLeave a comment

COUNTY CROSS . MULTIPLE SUNDIAL WILTON. WILTS

Passing through Wilton on a tedious A30 journey, I paused to visit St Mary**, a partial ruin in the historical Market Place in the centre of the town. On the E side of the churchyard was a tall monument. On closer inspection it turned out to be large multiple dial, badly eroded and damaged. And as with cube dials, it is rarely possibly to get clear shots of every side of a multiple dial. Later investigation revealed much more of interest, considered below.

BLB dates the structure pre-C18. It is hard to imagine how the dial must have looked originally, or the shape of the various elements, or the location and angles devised for the metal gnomons. There appear to be 6 scaphe dials, and plenty of angles for casting shadows. It’s hard to read much more than that. Fortunately BSS has records of the fine dial at Moccas, Herefs for comparison. It has a broadly similar design, and is in superb condition.

In a way, though, the dilapidation of the Wilton multiple dial goes rather pleasingly with the ruins of the adjacent church.

COUNTY CROSS

In due course I researched the dial in more detail, discovering that it had at times been known as County Cross. The informative BLB entry makes it clear that there is much more to the structure than its function as a sundial.

Grade II Pre-C18. An undatable jumble of forms in stone. The octagonal base with 4 seats is probably mediaeval (it is illustrated in a drawing of Wilton done circa 1568), possibly also the square pillar above this. The upper parts are probably C17 and include a heavily sculpted block, possibly a cross or more probably a sundial on corner cannon balls with above, also on corner cannon balls, a moulded base for the C17 godrooned vase which caps this structure.

A print of St Mary by Kershaw & sons (active 1850-80) offers a rather idealised version of the Cross / sundial.

St Mary and County Cross, Wilton . c1850 . Kershaw (RarePrints)

**ST MARY’S CHURCH . WILTON

The remains of the C15 church of St Mary are in the historic Market Place in the centre of Wilton. Listed Grade II*, it was declared redundant in 1972 and is in the care of CCT. Only the chancel, part of the nave, and 3 arcade arches are left. It is an attractive grouping. Not to be confused with the very fine C19 ‘Italianate Church’ on the A30 to the West. 51.0801 / -1.8628 / SU097312

GSS Category: Multiple Dial; Scaphe Dial

Photos: Keith Salvesen; Moccas archive BSS; RarePrints

CAIUS COLLEGE CAMBRIDGE – GATE OF HONOUR SUNDIAL

Published on February 10, 2021February 10, 2021 by Rolling HarbourLeave a comment

Gonville and Caius College Cambridge – Sundial over the Gate of Honour

This handsome modern set of dials was installed in 1963 as part of the 400th anniversary celebration of the college’s re-foundation by John Caius. There are 6 vertical sundials, arranged in 3 pairs placed round the hexagonal tower. They were designed by astronomer and Fellow, Dr Message, and the Junior Bursar Dr Powell. The bronze dial faces are painted with vitreous enamel. They replace the original set of sundials dating from 1557, of which only traces remained.

There is something very satisfying about this set of dials. The symmetry, the proportions, the materials, and the design all seem to work in harmony. Cambridge colleges have many sundials between them, many original and ancient (Queen’s College sundial is a perfect example). Of the modern dials, the Gate of Honour is adorned by arguably the finest.

The college has three gates that represent the stages of academic life: matriculation, entered through the Gate of Humility; undergraduate life, with regular passage through the Gate of Virtue during a student’s career; and finally graduation, with students passing through the Gate of Honour to the Senate House to receive their degrees.

Gonville and Caius College is one of the oldest colleges of Cambridge University. It was founded in 1348 by Edmund Gonville, who has suffered the cruel fate of rarely being mentioned nowadays; the college is almost invariably referred to simply as ‘Caius’, after John Caius, the man who re-founded the college in 1557 at a time when it had fallen on hard times.

52.2057 / 0°7’1″E / TL447584

GGS Category- Modern Dial