This post relates directly to its companion in Pt 1. Both articles feature the remarkable cube dial dated 1689, now preserved inside the Grade I listed church of St Nicholas, Trellech, Monmouth – the original and a fine recent (2007) wooden replica. You can find images of the original dial and each of its faces, with detailed descriptions, HERE. The location is 5m S of Monmouth 51.7459 / -2.725 / SO500054
DIAL . 2007
The images of Face 4 below illustrate a frequent experience with cube dials. Invariably, prevailing conditions preclude more than 3 faces being properly photographed. One face will always frustrate all attempts to get a decent photo. Furthermore, it is very difficult to improve a poor photo – it just becomes a different kind of poor. Quite often the only answer is to make the image B&W to catch detail .With apologies, this is what has emerged from the darkroom.
Below the dial are inscriptions on the substantial columns, with carvings that relate to the 3 features of historical importance to the village and its community: Tump Terret; Harold’s Stones; and Virtuous Well.
GRADE I † Early C14 with earlier origins; reconstruction & restorations 1890s. An exceptionally fine and well preserved medieval church (Cadw); One of the finest churches in the county (PEV). Coat-of-Arms of Charles II dated 1683. Weathercock of 1792. You need no further recommendation. 5m S of Monmouth. 51.7459 / -2.725 / SO500054
DIAL
St Nicholas . Trellech . Mon – Cube Multidial
A wonderful C18 cube dial dated 1689, the gift of Lady Probert. Once, it stood in the village near the school. It was moved in 1895 and one source suggests that a concrete cast was made. The Latin inscriptions on the dial are descriptive of 3 features that are of historical importance to the village: Tump Terret; Harold’s Stones; and Virtuous Well. The details (PEV) are:
The detailed BSS record adds further details, including the full Latin motto on S, N & E faces: EUNDO HORA . DI…EM . DEPASCIT (The Hour Itself Consumes the Day).
Also included are the inscriptions on the square stone below the dial: 1. Terret Tump – O QUOT HIC SEPULTI (O How Many Buried Here); 2. Harold’s Stones – HIC FUIT VITOR HAROLD (Here was Harold Victorious); 3. DOM MAGD PROBERT OSTENDIT (Lady Maud Probert set this out to view).
DIAL DETAILS
SOUTH FACE
WEST FACE
NORTH FACE
EAST FACE
PART 2 will examine the excellent modern wooden replica (out)standing in a small field by a crossroads. It has been beautifully designed and is a dial of distinction in its own right.
GSS Category: Cube Dial; Multiple Dial
All photos Keith Salvesen; Pevsner extract Gwent & Monmouthshire; BSS records; church noticeboard
The collection of the National Museum of the Middle Ages is housed in a wonderful building, at one time an abbatiale. There is some debate about the dates of the origins and the building of the Hôtel; and of later rebuilding / restoration. The large sundial on the south wall of the courtyard is dated 1674. This was the reign of the Sun King (1643 – 1715), and a sun with its rays was an obviously fitting theme for the times.
DIAL
The lines on the dial face are carefully graduated and the hours marked with Arabic numerals. Several lines terminate in arrows, suggesting a busy schedule of mainly forenoon masses.
MOTTO
NIL SINE NOBIS. A. B. F. 1674.
The inscription is usually translated as Nothing [Exists] Without Us. Margaret Gatty (1809-18730, in her comprehensive work The Book of Sun-Dials, gave the Cluny dial an unusually detailed entry:
NIL SINE NOBIS. A. B. F. 1674. Nothing exists without us.
A dial on the wall of a courtyard on the south side of the Hôtel Cluny, Paris, had this inscription. The word nobis referred to the rays of the sun which were represented on its face. The Hôtel Cluny, a very beautiful specimen of rather elaborate fourteenth century Gothic architecture, was bought in 1625 for the abbess and nuns of Port Royal, and was known as Port Royal de Paris. It was re-established by Louis XIV. in 1665, on a fresh basis, and was looked upon as schismatic by the community of Port Royal des Champs. This dial must have been erected in the time of the first abbess of the new foundation, Sœur Dorothée Perdreau, who held office till 1684.
Cluny Museum and its sundial: detailed entry by Margaret Gatty
SCALLOP SHELLS and HERALDIC MOTTOS
The scallop shells are interwoven with two inscriptions (or possibly a single one in two parts) which deserve a mention as part of the overall design. The shells themselves evidence an ancient Pilgrimage route that passed close by – the long Rue St Jacques is a few meters to the North.
The heraldic mottos are said to read, firstly: Servire Deo Regnare Est – To Serve God Is To Reign; MG suggests, without much conviction, that the other (or part of it) may be as shown below.
With very rusty Latin and a bit of internet work, I can’t make either interpretation fit the scrolls we can see. Possibly they relate to a different part of the Musée, and the shell one(s) are different. I’ll have to leave the reader to try to puzzle this out (all suggestions welcome).
GSS Category: Early Sundial / Vertical Dial; French Sundial; Sundial Motto
Credits: all photos Keith Salvesen – please seek use permission for these detailed ones; Musée Cluny for the Unicorn
BRYMPTON d’EVERCY . SOMERSET . CUBE DIAL with BALL FINIAL
Brympton d’Evercy is a fine Somerset country house with a long history of intertwined families down the ages. For more on the house & grounds, see HERE. The chapel of St Andrew has scratch dials that are featured HERE. The estate is a mere 2m W of the clatter of Yeovil yet hidden away in its own parkland, and best reached by map reading, satnav or luck. 50.9361 / -2.6847 / ST519154
CUBE DIAL(GVII)
The long (75m) balustraded south terrace looks out over parkland with a small lake. The dial dates to mid-C19, probably added ± 1860 as part of the design for the terrace building project. If the dial is older, it must have been relocated. HE describes the ashlar retaining wall with chamfered plinth, capped with a stone balustrade with intermediate piers on which are set a variety of urns and other ornaments, and in the centre of the long western section a block sundial with ball finial, on which is inscribed LAT 50-56, 17.30, having sheet metal gnomons, 2 of which are broken. The 4 gnomons are shown together further down this page.
SOUTH
The motto on the S face of the dial reads PEREUNT ET IMPUTANTUR, which Gatty gives as ‘they perish and are reckoned’. Its original form as a Martial epigram directly references the sun’s involvement in this process.
GRADE II † Large Cube Dial on a tall column. BLB / HE give the most complete descriptions: Date uncertain, probably C17 or early C18; 1st recorded 1781. Ashlar. Tall quatrefoil pier on plinth, with ring and moulded capital supporting cube with dials and gnomons to each face, reeded domical (domed) cap. An unusual feature whose origin is unknown, removed in 1781 and re-erected to the west end of the cathedral in 1785, removed and sold in 1881, and returned and re-erected on its present site in 1929.
Lichfield Cathedral – Cube Dial on Column
BHO notes: A sundial near the south doorway of the cathedral was removed in 1781 and re-erected in 1785 at the west end in order to regulate the clock on the tower. It was removed in 1881 and passed into private hands. It was returned to the cathedral in 1929 and placed on a pedestal in its present position south of the nave.
The clock in question was (without going into detail) probably the first Cathedral clock, which was in position by 1491. BHO suggests that the original clock was still in place in early C17 and probably not replaced or superseded by another clock until late C18. If so, the dial’s removal and re-erection in 1780s would have been to regulate the original clock.
Lichfield Cathedral – Cube Dial on Column
The handsome domed dial has a single gnomon on each face. The gnomons and lines obviously differ on each side. Numerals are Arabic rather than Roman.
Assuming the Cathedral conforms to the usual church orientation, the Cube’s angle in its position on the S side of the building is some 45º out of true from what might be expected. Presumably the explanation is that the cube was originally cut for a different position, and after several relocations its present position and orientation provides optimum accuracy. Any other suggestions would be welcome.
St Anne . Ancroft . Northumberland – James Towill Geo cc
GRADE II* † C11th-century, built by monks of Holy Island as a chapel of ease. C13 / C14 pele tower added as protection from incursions by Scots. C19 restorations. At some time (? when the tower was built) the fine Norman entrance was blocked. Extensive views from the tower’s parapet. 3m S of Berwick-upon-Tweed. 55.7001 / -1.998 / NU002451
A weathered C18 vertical dial with a short gnomon that casts a very visible shadow. The shape of the dial stone, with its pedimented square, is very pleasing. The lines are enclosed in a frame, with Arabic numerals from 6 to 6 around its edge. The use of Arabic numerals rather than Roman suggests a later dial of this period. 9 lines are detectable, some only just. Only 6 numerals are clear. I can’t make any sense of the remains of the inscription. I wondered if some of the sandstone – especially LLQ – is repair or natural deterioration. Expanding this very good photograph, I think the latter: the dial is showing the signs of its age.
St Anne . Ancroft . Northumberland – Walter Baxter Geo cc
GSS Category: Vertical Dial; Old Dial; Gnomon Design
Credits: Erika Clarkson for introducing me to this church and for her photos that begat this post, so to speak; James Towill for his photo of St Anne’s uploaded to Geograph cc; Walter Baxter for his excellent close-up of the dial uploaded to Geograph cc and for his specific use permission to reproduce it full-size
The attractive gardens of the Van Loon Museum contains 3 very different dials. In the centre is an armillary sphere (C19?). By the steps is a complicated early scaphe dial dated 1582. I have included B&W images, which can sometimes be useful for seeing details on multiple dials. The third dial with a weather vane is high up in the centre of the upper gallery overlooking the garden. I am trying to find out a date for it.
ARMILLARY SPHERE
SCAPHE DIAL 1578
VERTICAL DIAL AND WEATHER VANE
GSS Categories: Armillary Sphere; Cube Dial; Multi Dial; Scaphe Dial; Modern Dial; Amsterdam Dial
GRADE I † Founded by St. Aldhelm in AD 705 as a Saxon Cathedral, Sherborne Abbey became a Benedictine monastery, and following the Dissolution of the monasteries, a Parish Church of some splendour. Of all the architectural features, the astonishing [earliest majorPEV] fan vaulting is arguably the finest. This is not the place for discussion of the merits of the church. The Wiki entry is a helpful source for an overview of SHERBORNE ABBEY
St Mary the Virgin . Sherborne Abbey . Dorset
The large Vertical dial at the E end is impressive and visible from some distance. The Old Shirburnian Society records:
The south-facing vertical dial on the south-east end of Sherborne Abbey was erected in 1745 by Sherborne School at a cost of £5.5s.0d. It was built by the Sherborne architect Benjamin Bastard (1690-1776), son of Thomas Bastard of Blandford Forum.
The modern gnomon is effective and casts an attractive shadow; it could be argued that its style and fixings do not quite do justice to a C18 dial.
St Mary the Virgin . Sherborne Abbey . Dorset – Vertical Sundial
The gallery above might suggest overuse of saturation, but the photos – at various distances to show other features – were taken on an iPhone on a bright sunny early winter’s morning, and are un-enhanced (not always the case, I must admit). We were fortunate enough to be married in this glorious building.
GRADE I † Early C13 chancel with trace transepts (BHO); C14 crossing tower; C15 south chapel and nave; restoration mid-C19 (Ferrey). A most unusual late C17 octagonal dial; 6m SW of Blandford Forum, just off the main road to Dorchester (12m). 50.8004 / -2.234 / ST836001
VERTICAL DIAL C17
The remarkable vertical dial is located at the apex of the S Chapel gable. It dates to late C17 (BHO). The lines radiating from the top end of the gnomon are reminiscent of a scratch dial. The dial is canted for accuracy, and deeply enough to accommodate a rare E dial. Both gnomons are unusual, not least by being more toothed than merely serrated.
THE EAST DIAL
It is very unusual (and possibly unique) to bother to delineate the east or west edge of a canted dial; and really quite strange to use such a tall gnomon, which will only cast a shadow for an hour or two at most.JF / BSS
John Foad (BSS) kindly marked up a close-up of the E. dial to show how it would have worked. He writes: It should have diagonal hour lines on it, though there is probably only room for a couple, as it will only see the sun briefly around 6 each morning. There is a suggestion in the records that there were at one time 2 raised lines, but a magnified image reveals no surviving evidence.
Malmesbury House . St Ann’s Gate . Salisbury . Wilts – Vertical Dial 1749
The Close in Salisbury has plenty to recommend it besides a central building for which superlatives are inadequate. Malmesbury House (GV I) by St Ann’s Gate has a particular claim to fame in sundial terms, with the context succinctly explained in the image below. 51.0659 / -1.7938 / SU145296
The very fine sundial on the house is dated 1749. The motto is part of the familiar speech taken from Macbeth Act 5 Scene 5 as Macbeth reacts to the news of Lady Macbeth’s death. It’s not exactly uplifting.
Below is a short text from the Gospel of St John. The dial itself is in very good condition. My amateurishness precludes any meaningful interpretation of the scientific aspect. I will add any significant details in due course.
Malmesbury House . St Ann’s Gate . Salisbury . Wilts – Vertical Dial 1749
GAUDIUM SUB SOLE . SUNDIALS . MEDIEVAL TO MODERN 