APOTROPAIC / RITUAL PROTECTION MARKS

Marian mark . St Nicholas . Sydling St Nicholas . Dorset

RITUAL PROTECTION MARKS & GRAFFITI

APOTROPAIC, MARIAN, WITCH, & MASONS’ MARKS

This is a huge topic, an area of study connected with scratch dials by location (church walls) and time (medieval period), but a largely separate field of interest. In addition there are masons’ marks, yet another sub-heading in the list of incised shapes and letters found on church stonework. It would be hard to for an amateur to specialise in all such marks.

These medieval marks cut into stone both inside and out are interpreted in a number ways. There is considerable debate about their specific meanings, symbolism, and purpose. I’m taking the easy route at this stage by generalising them as ‘Witch Marks’. I know that may strictly be incorrect, but it works for me while I investigate further. There’s only so much intellectual kudos to be gained from dropping ‘Apotropaic’ into everyday conversation. Or room to write it.

MARIAN & OTHER MARKS . CHURCH OF THE ASSUMPTION . HOLNEST . DORSET

Church of the Assumption . Holnest . Dorset – a large number of Marian V V and other marks

There is broad agreement that the various marks, from the crude to the complex, have the purpose of protecting a church from evil. Marks may proclaim a church’s sanctity with passive protection – ‘thou shall not pass’ (eg the Marian marks of the ‘Virgin of Virgins’ above). Alternatively they are designed actively to frighten away and repulse the force of evil – ‘get thee gone’. Or these passive and active properties may be combined by means of multiple marks or even in one device. Triangular shapes are believed to represent the Trinity. Add a small swivel-eyed grimacing goblin, and Evil will be repulsed or vanquished.

APOTROPAIC MARK . HEAD WITHIN TRIANGULAR FORM . ST MARY . RIMPTON . SOM.

St Mary . Rimpton . Ritual Protection Mark . The Trinity enclosing a face to protect and to frighten

Church marks other than dials are strictly outside my self-imposed dial remit. However, inevitably I photograph some of the more striking ones. Some, like these, will end up on this page.

SMALL FACE BY THE ENTRANCE DOOR . ST MARY MAGDALENE . BATCOMBE . DORSET

St Mary Magdalene . Batcombe . Dorset – mark by the main door of a remote church

SNAKE . ST OSMOND . MELBURY OSMOND . DORSET

WITCH MARK . ST MARY . RIMPTON . SOM.

Witch Mark . St Mary. Rimpton . Som.

MARIAN MARKS . ST PETER . STOURTON CAUNDLE . DORSET

Marian Marks . St Peter . Stourton Caundle . Dorset

APOTROPAIC RECTANGLE . ST MARTIN . CHESELBOURNE . DORSET

Apotropaic Rectangle . St Martin . Cheselbourne . Dorset

MARIAN MARK . ST MARY . CHARMINSTER . DORSET

Marian Mark (and other marks) – note the dot ends of the Vs . St Mary . Charminster

HEXFOIL WITCH MARKS . ST MICHAEL . BLACKFORD . SOM

St Michael . Blackford . Som. – Hexafoil (single)

GEOMETRIC PROTECTION MARKS . ST PETER . STOURTON CAUNDLE . DORSET

APOTROPAIC CARVING . MONTACUTE . SOMERSET

A little carving high up on the nave – not a mark, but presumably a protection feature (see Rimpton above)

St Catherine . Montacute . Somerset – apotropaic carving

OLD ST PETER . STOCKBRIDGE . HANTS

St Peter Old Church . Stockbridge . Hants – Marian and other marks / graffiti; date 1692

ST CUTHBERT . CLUNGUNFORD . SHROPSHIRE