The attractive gardens of the Van Loon Museum contains 3 very different dials. In the centre is an armillary sphere (C19?). By the steps is a complicated early scaphe dial dated 1582. I have included B&W images, which can sometimes be useful for seeing details on multiple dials. The third dial with a weather vane is high up in the centre of the upper gallery overlooking the garden. I am trying to find out a date for it.
ARMILLARY SPHERE
SCAPHE DIAL 1578
VERTICAL DIAL AND WEATHER VANE
GSS Categories: Armillary Sphere; Cube Dial; Multi Dial; Scaphe Dial; Modern Dial; Amsterdam Dial
GRADE I † C13 et seq, on early C12 site. Gradual development but (unusually) with little obvious C19 workBHO. Good C16 bench ends. S porch built c1440, originally thatched, with the polar scaphe sundial added later, see LINK. The multiple scratch dials of St Margaret are shown below. DEH recorded 4, but there are several more. 5m NW of Yeovil; just S of dread A303. 50.9746 / -2.7156 / ST498197
DIALS
I visited St Margaret some time ago and have mislaid my notes on the various locations. The dials are all on the S side and all but one are in predictable locations though a couple are not easy to see. Most are on buttresses. One dial (3) is quite high up and would be easy to overlook. There are enough dials for me to skip – and for you to be spared – analysis of each one individually (for the time being at least).
DIAL 1
On the buttress at E end of the church
St Margaret . Tintinhull . Som – Scratch Dial
DIAL 2
On the same buttress as dial 1
St Margaret . Tintinhull . Som – Scratch Dial
DIAL 3
High on a buttress, E end
St Margaret . Tintinhull . Som – Scratch Dial
DIAL 4
S buttress
St Margaret . Tintinhull . Som – Scratch Dial
DIAL 5
On the buttress E of the Priest’s door
St Margaret . Tintinhull . Som – Scratch Dial
DIAL 6
Close to Dial 5
St Margaret . Tintinhull . Som – Scratch Dial
DIAL 7
S buttress
St Margaret . Tintinhull . Som – Scratch Dial
DIAL 8
S buttress near doorway
St Margaret . Tintinhull . Som – Scratch Dial
DIAL 9
E of porch
St Margaret . Tintinhull . Som – Scratch Dial
DIAL 10 (?)
According to the very useful resource Sundials On The Internet, the smallest known scratch dial is at St Margaret’s, location unspecified. It measures a mere 2 inches in height. Possibly it is the hole below. There is a very similar one at Leintwardine Shrops that has been deemed a dial, though it’s just hole with a couple of minimal indentations around it. I saw no other candidate, and had I not known about the 2″ dial I would have passed this by without a second glance.
St Margaret . Tintinhull . Som – Scratch Dial… the smallest recorded?
GRADE II* † Saxon origins, mentioned DB, no remnants remain. Nave dated c1180; rebuilding ± 1200, chancel added; tower added then or soon after. Mid-Victorian restorations; shingled spire rebuilt 1913. Much of interest within the church – see HERE for highlights. 6m NE of Guildford. 51.2509 / -0.5052 / TQ044512
DIALS
There are 4 dials, each of significance. On the S wall of the chancel, there is a wonderful dial framed in ashlar stone as if to emphasise its qualities. Inside the church – not just inside the porch – are 3 dials cut on the same stone. Interior dials are almost inevitably the result of relocation and are scarce enough (cf THORNFORD); 3 together must be very rare.
DIAL 1
POSITION Relocated from a buttress to the S wall of the chancel, enclosed by a surround of 4 stones set into the local flint and described elsewhere as …marred by the addition of an inappropriate stone frame (an arguable view?). BSS notes a possible inversion based on variations in the size of the dots; but that would nullify the point of the emphatic noon line design. Unless the 4 pocks were added later of course…
DATE The dial seems so sophisticated in design and execution that I had thought it ±C15. However BHO records a stone on which is cut an early circular sundial probably of the 12th century; it has three circles and is divided in twenty-four spaces by radiating lines; four dots mark the hour of noon and a small cross that of six p.m. A Surrey survey records Dated c 1180 by Johnston (1900, 74), SyAC, 21 (1908), 83-100. This date certainly corresponds to the construction of the nave / the additions soon after. So this is a very early dial probably dating from the construction of the church in its present form and clearly merits its prominent location and ashlar protection.
DEREK RENN in his research on the dials of Surrey considered this dial to be the most elaborate in the county, describing it as three concentric circles divided by 24 equidistant radii, having drilled holes at the intersections, as well as on the arms of an external cross and beside another line at right angles to the cross.
HOW THE DIAL WORKS AS A CALENDAR
DR also explains ingeniously how the dial might have worked: This would function best as an equatorial dial… mounted in the plane of the equator with its upright pointer parallel to the earth’s axis and not vertical, but even then little more than one-half of the dial would be necessary. A possible explanation is that the dial also functioned as a calendar: a peg was moved daily from hole to hole, the cross marking the point at which the peg progressed to the next circle. Another peg counted the number of complete circuits of the ‘board’ for the year on the four separate holes, with the odd days as well. In arithmetical terms: 24 x 3 x (4+1) – 360, +(4+1) = 365
DIALS 2 – 4
These 3 dials are closely grouped on a single stone on the north face of the west jamb of the south doorway. It would be interesting to know where they were originally located, and when / why they were moved to their present position with a purely decorative function.
DIAL 1 has 7 lines including the horizontals in a late a.m. to early p.m. formation. They are rather untidily incised and only 6 are clearly distinguishable. They are within a very faint perimeter curve, with 3 extending beyond it.
DIAL 2 has 5 lines radiating from a large (for its size) style hole. The lines are interestingly formed: 2 lightly cut a.m. lines; 2 deeper cut p.m. lines and extended noon line. The incisions of the latter 3 are unusually decorative, with one being slightly wedge-shaped. Overall, it seems clear that the afternoon was the most important time for daily religious purposes.
DIAL 3 is fully encircled with one clear line roughly corresponding to Tierce. The other 2 (3?) are faint and rudimentary in comparison. Another large style hole completes the design.
GSS Category: Scratch Dial; Multiple Dials; Early Dials
All photos: Keith Salvesen. Research material: usual resources BLB HE BHO &co; David Ross; Derek Renn
GRADE II † C13, C14, C15, restored 1863 (T.H.Wyatt); tower restored 1988. A sad history of disrepair (C15, C17), but nowadays a most attractive and surprisingly secluded church. One bell (of 6) is C15. A cluster of votive / pilgrim crosses externally. Midway between Salisbury and Shaftesbury, N of A30. Note: the church is some way past the centre of the village – persevere. 51.0654 / -2.0068 / ST996295
DIALS
St George is a multi-dial church. There are certainly 6, plus one candidate that is debatable and may have a different function entirely. I have a note of an 8th dial, and seen a passing reference to one. Unusually, there are 5 dials spread over 2 adjacent stones, a rare proximity of so many.
DIALS 1 – 3
St George . Fovant . Wilts – Scratch Dials 1 -3
This group of dials are all cut on a single stone. It looks as if the simplest dial (3) was superseded by a similar more detailed one (2) ; and that both were eventually made redundant for practical purposes by a relatively sophisticated replacement (1).
DIAL 1
Dial 1 has 10 lines (including the horizontals) that radiate from the filled gnomon hole, within a semicircle. The spacing of the lines is rather haphazard and it is quite hard to relate their positions to specific hours. One line in LRQ has a cross, presumably to emphasise the afternoon Mass time Nones. In LLQ there are 4 (perhaps 5) holes denoting an important part of the day for observance. The positions of the radials on the 2 earlier dials beneath Dial 1 rather confirm this theory. Is the horizontal line above the semicircle part of the dial? There is a short vertical line from its centre – a short ‘midnight’ line? – that suggests some connection but not one that would assist marking the passage of the day. Probably a later addition, purpose unknown.
DIAL 2
Dial 2 is simple dial with a homespun attempt at incising a perimeter. It has 3 strong lines LLQ, each ending in a pock. The noon area is a confusion of trace / eroded lines with pocks that extend further round the approximate circumference, signifying the early afternoon hours
DIAL 3
Dial 3 is a rustic-looking little dial, presumably the earliest of the group. Although from a distance it seems to be just a pair of stubby lines descending from the style hole, close inspection suggests shallow pocks on a curve beyond the noon line – others perhaps hidden by the lichen. If so, it is more sophisticated that it looks at first sight. But for the size of the style hole, it is a candidate for the ‘smallest dial’ category, of which Tintinhull is supposedly the leader
DIALS 4 – 5
Both dials are together on the same stone, immediately W of the dial stone of dials 1 – 3.
DIAL 4
Dial 4 is hard to analyse in detail because of lichen. The style hole is filled. There is a semicircle – again with an inexact curve – and a hint that there was once a full (misshapen) circle. It is just about possible to make out 12 lines, of which only 6 or 7 are distinct. There are no visible pocks.
DIAL 5
Dial 5 is the only dial with all lines in LRQ: an afternoon dial (but see also dial 8). There are 6 lines, of which 5 radiate directly from the style hole. The line at (roughly) 1pm, if part of the dial, passes to L of the hole.
DIALS 1 – 5
DIAL 6
Dial 6 is different from the other dials, and relatively uncomplicated. The style hole is quite high on the dial stone. There are no radials, simply a gentle curve of several pocks either side of noon. There are 7 in all, and presumably the central one marked noon. There’s a significantly clearer image than mine via the first link below!
DIAL 7 -v- NOT A DIAL
There is debate as to whether this design is a dial, or was incised for some other purpose. Two concentric circles with a hole at the centre are not rare for a dial but one would expect to see lines – even just a noon line – and / or dots around the perimeter of the inner circle. Being sited at the W end, it would only be effective late in the day. Again, this is not particularly unusual where a church has been rebuilt stones relocated – Rimpton, Lillington and Stockbridge are examples.
Sometimes it helps to interpret a possible dial – one that may have been re-sited – by rotating the image. It could be argued that the two small pocks equidistant either side of a notional the noon line indicate a simple rather elegant double-ringed marker of the passage of time in the later part of the day. Alternatively it could be a straightforward dial with two pocks that was moved from the S side to W end. Anyway, it looks more dial-ish with this orientation.
DEH noted that this line-less, pock-less design – a hole at the centre of one or two circles – is not uncommon. He suggests that such configurations may have been dials with the details painted within the circles or on the circumference. This was a common practice and can still be seen in a few churches where there is a dial within the porch, cut next to the pre-porch main doorway. West Camel is one example; Chilthorne Domer nearby even has 2.
Local research (see below), originally in conjunction with Tony Woods / BBS, suggests this may in fact be a form of Consecration Cross or ‘event’ mark. That may well be so. However while these often have double circles, crosses generally (always?) do actually feature a cross or at least some form of incised device.
Consecration Crosses within concentric circles – St Andrew . Yetminster . Dorset
DIAL 8?
As mentioned earlier, I have a note of – and seen a reference to – an 8th dial. It may have been this faint spidery design with its shallow style hole, the lines all LRQ. If it is a dial at all – on balance I am 66% in favour.
These links will take you to two excellent analyses of the dials by Fovant village online resources. Both are interesting in their own right; the second link provides a good overview of the whole community.
St Nicholas . Dinnington . Som. (Geo / Sarah Smith )
ST NICHOLAS . DINNINGTON . SOMERSET
GRADE II † Established C12, first recorded 1207; mostly C15; restoration 1863. C13 (?) font. Originally the chapelry to nearby Seavington St Mary. Very pretty, both the building and the dial. 5m NW of Crewkerne. 50.9113 / -2.8505 / ST403127
DIAL
St Nicholas . Dinnington . Som. – Scratch Dial
DEH visited in August 1915 and added a note to his often largely measurement-based record.
There is a full complement of 24 lines, with areas of erosion, radiating from the gnomon hole in the centre of the dial stone. I am not clear which added lines DEH refers to. I infer that the dial may have been a hemisphere marking dawn to dusk only from the horizontal 6-to-6 lines. Then perhaps for reasons of aesthetics / symmetry an upper hemisphere was cut to match it.
St Nicholas . Dinnington . Som. – Scratch Dial and 180º rotation
There’s another conundrum concerning the 4 terminal pocks in UR quadrant (above). If the dial is in its original position (L), they would have been useless and indeed pointless. But if the dial stone was at some stage at 90º or (more likely and convincingly) 180º from its present position, they would be effective as daytime Mass markers. In the rotated image (R), the pocks are in the right place to emphasise forenoon Mass.
GSS Category: Scratch Dial; Mass Dial
All photos: Keith Salvesen, except header image Sarah Smith / Geo /
GRADE II* † C13 origins (nave, chancel), considerable enlargement late C15. Norman font, trace wall paintings. Now in the care of CCT. Adjacent to Seavington St Michael and 4m E of Ilminster. 50.9306 / -2.851 / ST402149
DIALS
DEH visited St Mary in Sept 1912 on one of his early dial research expeditions in Somerset☩. He recorded a single dial on a buttress (Dial 1). BSS does not have a specific record for St Mary. I wasn’t prepared for the multi-dial display on either side of the porch..
☩
DIAL 1
St Mary . Seavington St Mary . Somerset
Dial 1 is described by DEH in more detail than usual:
This dial is on a buttress half-way between the s. porch and chancel. It is about 5 feet 5 inches above the ground, the noonline is 3 1/2 inches in length, the style hole is 1/2 an inch deep to the top of the metal shank which is still within it, and about 1/2 an inch in diameter. On the noonline, close to the stylehole, is a hole for a peg, and there is another at the extreme end of this line in the next stone. There is also a peg-hole on the mass line.
There are 7 lines, starting with the horizontal 6am. The noon line seems to be a close double line, with noon itself being between them (as other churches in the area). There’s also a hint that it extends to the stone below, with a small terminal pock. The deeper cut line in the lower right quadrant presumably marked the main Mass of the day. No metal shank was evident.
St Mary . Seavington St Mary . Somerset
PORCH DIALS
Numbering needs correction at some time… 8 & 9 should be in the same row as 4 – 7; 10 & 11 should replace 8 & 9
DIALS 2 & 3
On the W side of the door are 2 adjacent dials on the same stone and of a similar design. Both seem to have been complete circles, now eroded. The larger has a very small style hole. The smaller has a couple of pocks but whether they relate to its function is not clear.
St Mary . Seavington St Mary . Somerset
☩
DIALS 4 – 6
On the E side of the door are 3 dials in a row on a single large stone, one with a string of pocks. Dials are shown in order left to right.
Dial 4
Dial 5
Dial 6
☩
Dial 7 (?)
Completing the line of small circle dials on the stone is a hole lower R. No definite lines / pocks are readily discernible but a photo enlargement suggests faint lines at 11 and 1. A damaged area just above the mortar line might mark extended noon line. There’s a faint impression of a circle. Is this a dial? The hole is in a logical place on the stone and would match the other 3 dials in scale.
☩
Dial 8 ?
On the quoin stone next to Dial 7, another similar hole without noticeable markings. In close-up it’s hard to make much of it – faint evidence of a circle, perhaps? – except that it fits the overall picture of a line of small encircled dials.
☩
Dial 9
In the top R corner is a quite different type of dial, semi-circular with several lines and circumference pocks that more or less match hour line positions. It strays onto the adjacent quoin stone and there’s an impression that it might once have had a top half, with the stone later replaced.
☩
Dials 10 & 11
Both dials are immediately below the others, and resemble dials 2 & 3. 10 is an eroded (part) circle with no discernible style hole. 11 is a complete circle with a very small hole from which – originally or perhaps later – a single line curves downward.
GSS Category: Scratch Dials; Multiple Church Dials
Passing through Wilton on a tedious A30 journey, I paused to visit St Mary**, a partial ruin in the historical Market Place in the centre of the town. On the E side of the churchyard was a tall monument. On closer inspection it turned out to be large multiple dial, badly eroded and damaged. And as with cube dials, it is rarely possibly to get clear shots of every side of a multiple dial. Later investigation revealed much more of interest, considered below.
County Cross . Market Place . Wilton
BLB dates the structure pre-C18. It is hard to imagine how the dial must have looked originally, or the shape of the various elements, or the location and angles devised for the metal gnomons. There appear to be 6 scaphe dials, and plenty of angles for casting shadows. It’s hard to read much more than that. Fortunately BSS has records of the fine dial at Moccas, Herefs for comparison. It has a broadly similar design, and is in superb condition.
In a way, though, the dilapidation of the Wilton multiple dial goes rather pleasingly with the ruins of the adjacent church.
In due course I researched the dial in more detail, discovering that it had at times been known as County Cross. The informative BLB entry makes it clear that there is much more to the structure than its function as a sundial.
Grade IIPre-C18. An undatable jumble of forms in stone. The octagonal base with 4 seats is probably mediaeval (it is illustrated in a drawing of Wilton done circa 1568), possibly also the square pillar above this. The upper parts are probably C17 and include a heavily sculpted block, possibly a cross or more probably a sundial on corner cannon balls with above, also on corner cannon balls, a moulded base for the C17 godrooned vase which caps this structure.
A print of St Mary by Kershaw & sons (active 1850-80) offers a rather idealised version of the Cross / sundial.
St Mary and County Cross, Wilton . c1850 . Kershaw (RarePrints)
**ST MARY’S CHURCH . WILTON
St Mary and County Cross, Wilton
The remains of the C15 church of St Mary are in the historic Market Place in the centre of Wilton. Listed Grade II*, it was declared redundant in 1972 and is in the care of CCT. Only the chancel, part of the nave, and 3 arcade arches are left. It is an attractive grouping. Not to be confused with the very fine C19 ‘Italianate Church’ on the A30 to the West. 51.0801 / -1.8628 / SU097312
GSS Category: Multiple Dial; Scaphe Dial
Photos: Keith Salvesen; Moccas archive BSS; RarePrints
The secluded Monastery of Lluc is situated near Escorca in the Tramuntana mountains of Mallorca. It dates from the c13, and is famous for its Black Madonna, the discovery of which is said to have led to the monastery’s foundation . It is a place of pilgrimage. The location is remote and peaceful, though inevitably the monastery has become an essential stop on the tourist and coach party trail. We returned there recently, not having visited Mallorca for more than 20 years. The buildings were much as we remembered, but the parking and visitor arrangements were more regimented and complex. Before, one just drove down the narrow road from the main mountain road and parked in the forecourt area close to the buildings. Now, everything is (unsurprisingly) geared to a daily mass influx of people and their needs for sustenance and souvenirs. We were pleased to see that it is still possible to stay at Lluc in one of small rooms under a long covered walk where the monks once slept. You can even book a room for the night.
Lluc Monastery . Mallorca – Sundial
A short walk from the monastery, there is a path that leads up to a calvary and some great views. Along the way is an amazing multiple vertical sundial. It was designed by Rafael Soler, and carved in 1991. It displays with some style the evolution of sundials from medieval to modern. There are two historical dials, one solar dial, and two seasonal dials.
CANONICAL HOURS – LATINATE
This dial simply records the 3-hourly canonical divisions of the liturgical day (as with the early medieval mass / scratch dials), starting with midnight (top) and working counterclockwise round a central gnomon.
Lluc Monastery . Mallorca – Sundial (Canonical)
CANONICAL HOURS – BABYLONIAN / MALLORQUIN
A more complex dial, starting at noon shown as XXIV (I’m not clear why not XII) through to 21.00. The dial includes months and the signs of the Zodiac.
The centre dial shows true solar time. The polar gnomon (triangular) shows the hours, the pointer shows the date with the declination lines. The inscription MULIER AMICTER SOLE (Woman Clothed by the Sun) references an account in the Book of Revelations. You can find out more HERE
Lluc Monastery . Mallorca – Sundial
MEAN TIME DIAL (SUMMER /AUTUMN)
The two right-hand sundials are complementary and each covers two seasons. Presumably for a particular month, one dial will be reliable as to time and the ‘off-season’ one will not. The words are Catalan eg Hores Mitjanes = Mean Time; Estiu I Tardor = Summer and Autumn.
Lluc Monastery . Mallorca – Sundial
MEAN TIME DIAL (WINTER / SPRING)
Lluc Monastery . Mallorca – Sundial
BBS Record
The creation of these dials was obviously a labour of love and skill combined. There’s doubtless plenty more to be said about these sundials and the splendid ensemble but I decided not to get too technical – indeed, as an amateur I don’t understand enough to do so. The rather washed out appearance of the images was operator error – I had the camera on the wrong settings and didn’t realise until too late…
Lluc Monastery . Mallorca
GSS Category: canonical to modern multi-dial; sundial Lluc Mallorca
All photos: Keith Salvesen; snippet from BSS record
Original Credits: ‘Props to arby101ca and lumbricus, members of a geocaching & waymarking website called Groundspeak. They hiked to Lluc (respect!) and wrote informatively about these dials. I found relatively little elsewhere.
GRADE I † C12 and C13 origins on Norman site; nave, transepts and chancel arch rebuilt during early C14; N porch added late C14. Restorations 1871 and 1903-1909. Large and impressive (PEV). Fine interior, monuments, glass. Of equal note, the wonderful detached belfry with its hint of nordic influence – not to be missed. I have included a few images and notes at the end of this article. 52.2173 / -2.8929 / SO390580
DIALS
St Mary merits a collective noun for its dials. A confusion? There are obvious dials, plausible dials, doubtful dials, and 1 or 2 not previously noted as far as I can make out. On my visit I wasn’t equipped with details of dials I might expect to see, and I simply recorded the ones I found. All are on the S wall, starting from the W end. There are some differences from the BSS records.
DIAL 1
St Mary . Pembridge . Herefs – Scratch Dial 1
Dial 1 is a straightforward design among an attractive arrangement of stones. 7 lines, a couple emphasised, some faintly extended, hole in the mortar line.
St Mary . Pembridge . Herefs – Scratch Dial 1
DIALS 2 & 3
St Mary . Pembridge . Herefs – Scratch Dials 2 & 3
Dial 2 is the most interesting of them all, with its double square surround. There are 13 lines, spaced approximately evenly. Some of extend into or beyond the boxes, a couple are above the horizontal. BSS describes the dial as unique and suggests that it appears to be an attempt to follow the pattern for a sundial, but no evidence of sloping gnomon. The conclusion: a very mysterious dial.
Dial 3 is similar to dial 1, with 6 lines radiating from quite a deep hole where the stone meets the mortar line.
St Mary . Pembridge . Herefs – Scratch Dials 2 & 3
DIAL 4
St Mary . Pembridge . Herefs – Scratch Dial 4
Dial 4 is small and unobtrusive, just L of the doorway. The style hole is (slightly oddly?) in the top L corner rather than more prominently nearer the centre of the stone. There are 2 slender but clear lines, and 3 (4?) faint lines L of them.
St Mary . Pembridge . Herefs – Scratch Dial 4
DIAL 5
St Mary . Pembridge . Herefs – Scratch Dial 5
Dial 5 is below and to the left of dial 4. It is the most insect-like pattern I have come across – a line drawing might resemble a daddy-longlegs / cranefly. No line is straight, but within the wide variations in dial design and accuracy it would probably have served its purpose marking the passing hours. Unless it really is a carving of a cranefly…
St Mary . Pembridge . Herefs – Scratch Dial 5
DIAL 6
St Mary . Pembridge . Herefs – Scratch Dial 6
On darker stone and in shadow on a buttress, it would be easy to miss this dial. If it is one. At the time, I thought it was; and looking weeks later at the photos I still think so, just a noon line and what could be a Mass line.
St Mary . Pembridge . Herefs – Scratch Dial 6
DIAL CANDIDATES
BSS has a record of 2 dials that I didn’t notice
Here is a candidate for consideration. Two almost parallel lines that look deliberately scratched drop vertically down from an arguable style hole. I have come across a couple of similar dials – though each had some lines – where the vertical (noon line) was emphasised by being the space between two lines.
St Mary . Pembridge . Herefs – Scratch Dial 7?
ST MARY PEMBRIDGE: C13 BELFRY
PEV(Herefs p 542) considers this bell tower remarkable, and points out its structural relationship with Norway’s Stave Churches and Sweden’s Bell Houses. He dates it early C13, with later reconstructed in C17.
St Mary . Pembridge . Herefs – Belfry / Bell House
Charles Cotton’s Fishing House . Beresford . Staffs – Cube Dial
CHARLES COTTON’S FISHING HOUSE . BERESFORD . STAFFS
CUBE DIAL
GRADE II* The most famous and piscatorially significant fishing ‘hut’ in the world, in a clearing beside the River Dove, near Hartington. By a quirk of a bend in the river, the hut is in Staffs rather than Derbyshire. Single cell square plan in an Artisan Mannerist styleBLB SK127592
The inscription Piscatoribus Sacrum – a sacred place for anglers – gave rise to the hut’s reverential name among fishermen, The Temple. I can’t improve on this description from HE:
Charles Cotton’s fishing house is a unique building designed specifically for the sport of angling. It was an elaborate building in relation to its simple function, an expression of Cotton’s dedication to angling and to his entertainment of fellow anglers. Izaak Walton and Cotton’s The Compleat Angler was significant in the development and diversification of the sport from the 17th century. The fishing house is a fine preservation of Charles Cotton’s angling endeavours and its association with the popular work The Compleat Angler makes it of national significance.
Dated inscription, and intertwined initials of Charles Cotton & Izaak Walton on the keystone
CHARLES COTTON’S CUBE DIAL
A while back I spent a couple of days fishing on the Beresford beat of the Dove (to little effect). Just seeing the hut close to – let alone actually using it for its intended purpose – was an amazing experience. The weather was quite poor; the photos (taken on a basic pocket Canon) poorer still. I’ve had to do some work on the images, which I hope are now clear enough to be informative. 3 faces are featured; images of the 4th, away from the sun, were useless.
Charles Cotton’s Fishing House . Beresford . Staffs – Cube Dial
The dial is fixed to the apex of the hut’s roof. It is surmounted by a round finial, then a weather vane, and – a final flourish – a trout.
Charles Cotton’s Fishing House . Beresford . Staffs – Cube DialCharles Cotton’s Fishing House . Beresford . Staffs – Cube DialCharles Cotton’s Fishing House . Beresford . Staffs – Cube Dial
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GAUDIUM SUB SOLE . SUNDIALS . MEDIEVAL TO MODERN 