LYDEARD ST LAWRENCE . SOMERSET – Scratch Dial; Vertical Dial 1653

ST LAWRENCE . LYDEARD ST LAWRENCE . SOMERSET

GRADE 1 ❖ Saxon / Norman origins. Chancel and nave c1350, rest C15, restorations 1869 and late C20. A fine example of a Somerset church, most rewarding to visit. Early C16 screen, bench ends of note. Jacobean inverted font. Splendid doors that look entirely original. A bier and an interesting clock (not openly accessible). 10m NW of Taunton. 51.0819 / -3.2461 / ST128321

SCRATCH DIAL

The dial is easily seen on W side of the priest’s door. It is a pleasingly straightforward quarter dial marking 6 to noon. The line spacing is somewhat random, and there is some confusion around noon, with faint lines detectable.

DEH visited St Lawrence on Sep 27th 1913, one of his early expeditions. He noted: The stylehole is large and oval, and may have been made so in efforts to extract the style. It is hard to see why this should be done with no new style added; but it does show that the removal of the gnomon was more than a century ago, and not a recent act of vandalism.

VERTICAL DIAL 1653

BSS Record: The hours use XII for noon and IIII for four pm, and VI, VII and VIII am are written backwards (round the clock’), as is not uncommon. Around the gnomon are carved I HT S / WARDNES / 1653, the W of WARDNES being superimposed Vs, and the letters NE being conjoined, both presumably to save space.

The gnomon is an iron bar with a hooked tip, and the straight support has a curled spur on the upper side and its own hook at the top.

GSS Category: Scratch Dial; Mass Dial; Vertical Dial; Dated Dial

All photos: Keith Salvesen

MARTOCK . SOM . ALL SAINTS – Multiple Scratch Dials

ALL SAINTS . MARTOCK . SOMERSET

GRADE 1 Mid-C13 with earlier origins; expansion to C16; restorations by Ferrey and Scott 1860 and later. A most impressive Parish church with a 4-stage tower. Admired by PEV as one of the loveliest of Somerset churches on account of its splendid Perp. work on the nave; and for being remarkably airy and spacious. 50.9693 / -2.7687 / ST461191

DIALS

A most rewarding multi-dial church. As often, estimates of the number vary. DEH recorded 5 dials in June 1915 and included a photograph of the dial above in his book.

DIAL 1

DIAL 2

DIALS 3 & 4

DIAL 5

DIAL 6

DIAL 7

DIAL 8

DIAL 9

DIAL 10

DIAL 11

ARCS etc

Having recently written up Winterbourne Stoke and a few other multi-dial churches, I have decided not to include a plain arc as (part of) a dial unless there’s at least one other dial-ish feature – evidence of a centered hole in the mortar line; perceptible lines; pocks; and so on. I’ll still feature them but not as part of a dial count. Unless corrected of course – please do.

CONSECRATION CROSS OUTSIDE PORCH

The pride of Martock Church is its superb angel roof, installed in the first decade of the 16th century and completed in 1513. The roof design is a king-post style with tracery infill between the truss beams. There are central pendants from each cross-beam, above which rise beautifully carved figures. (David Ross, Britain Express)

200. (1) This dial is on the w. side of the s. porch. It is 6 feet 1 inch above the ground. The noon line is 3 3/4 inches in length, the style hole is 1 inch deep, and is in a joint. The aspect is s. by 5° e. (See No. 12.)

201. (2) This dial is under the first window E. of the s. porch. It is 4 feet 7 inches above the ground, the noon line is 3 inches in length, the style hole is 1 3/4 inches deep, and the aspect is s. by 15° e. Type 6.

Dial No. 2 is of the unique shape that exists at Tintinhull (224) and Swainswick (25).

202. (3) This dial is on the second buttress e. of the s. porch. It is 5 feet 9 inches above the ground, the noon line is 3 1/2 inches in length, the style hole is very shallow, and the aspect is s. by 15° e. Type 3.

203. (4) This dial is under the third window e. of the s. porch. It is 3 feet 10 inches above the ground, the noon line is 2 inches in length, the style hole is If inches deep, and the aspect is s. by 15° e. Type 10.

204. (5) This dial is on the fifth buttress e. of the s. porch. It is 5 feet 1 inch above the ground, the noon line is 5 1/4 inches in length, the style hole is 1 1/4 inches deep, and the aspect is s. by 15° e. Type 5c.

GSS Category: Scratch Dial; Mass Dial; Multiple Dial Church

All photos: Keith Salvesen

PUCKINGTON . SOM . ST ANDREW – Scratch Dial

ST ANDREW . PUCKINGTON . SOM

GRADE II* C13 (of which traces), C15, major C19 restoration. An attractive church to visit, close to Barrington Court NT. 50.9606 / -2.8884 / T377182

DIAL

DEH visited in Sept 1912 and recorded: The dial is on the W side of the Priest’s door… 2 early A.M. lines are all that show but the stone is badly weathered and others may have been on it.

The erosion is doubtless worse now. One can just about make out a short horizontal 6-line L side, and a trace line below. Without DEH’s pioneering scratch dial project, I doubt that this little dial would ever have achieved a later mention.

GSS Category: Scratch Dial

All photos: Keith Salvesen

STOCKLINCH OTTERSEY . SOM . ST MARY – Scratch Dial

ST MARY . STOCKLINCH OTTERSEY . SOM

GRADE II* Mainly C13, C14. Norman font. Alone on a hillside, accessible only on foot. Originally a separate parish from the close-by village of Stocklinch Magdalene; later amalgamated; now redundant and in the care of CCT.  3m NE of Ilminster. 50.9535 / -2.8813 / ST381174

DIAL

DEH visited St Mary in September 1912, one of his earliest field trips from Downside Abbey on his motorcycle in search of scratch dials. As he described it there is a doubtful dial on the E side of the Priest’s door. It is in a likely position, but the stone is so badly weathered that no lines can be traced upon it. To which I can only add even less so 100+ years later, especially with lichen obscuring scrutiny.

I include this record both because St Mary repays a visit for its location alone, and for completeness. Very close is the small Church of Stocklinch Magdalene, and it’s a short distance to BARRINGTON church with 4 scratch dials; and Barrington Court (NT) which has 2 outstanding pillar dials in the gardens.

On the same side of the priest’s door, 2 stones lower, is a smaller apparently drilled hole with some sort of lining (?), but also no dial-ish features.

GSS Category: Scratch Dial

All photos: Keith Salvesen

BARRINGTON . SOMERSET . ST MARY – Scratch Dials

St Mary . Barrington . Somerset

ST MARY THE VIRGIN . BARRINGTON . SOMERSET

GRADE l † C13 origins; mainly C15 with C19 slightly controversial restoration. Dec and Perp. A fine-looking church with a handsome octagonal tower (one of a number in the area). Picturesque PEV. Combine with Barrington Court (NT) – 2 remarkable pillar dials: one is a dodecahedron with pentagonal faces (post in due course). 4m N of Ilminster. 50.9592 / -2.8712 /  ST389181

DEH the pioneering Downside monk visited on Sept 10th 1912 on one of his early dialling expeditions using a motorbike to get around. He recorded 3 dials in a group on the buttress at the W corner of the S transept. There is a fourth plausible dial in the same location.

DIALS

DIAL BUTTRESS

DIAL 1

This interesting dial has 10 / 11 radials extending from an enlarged gnomon hole. 8 & 9 are marked by deeper cut lines, suggesting the most important Mass time was Terce. The lower half of the dial has a few pocks on or near the circumference. Intriguingly the top half of the dial has a complete semi-circle of pocks. These are quite carefully graduated so that midnight has the largest, and on either side the size of pock reduces. There’s a trace of a single line upwards from the gnomon hole to midnight. DEH noted This dial has been added to and made into a wheel.

DIAL 2

Immediately above Dial 1, with a blocked gnomon hole in the mortar-line. There are 2 clear lines and 3 (4?) others. 2 (3?) appear to end in pocks.

DIAL 3

Dial 3 is sandwiched between Dials 1 and 4. The most obvious feature is the blocked hole. There is a faint noon line and the hint of a 9 line.

DIAL 4

On a quoin stone E of Dial 1 is a shallow hole from which a single thin line extends to mark noon. Plausibly a dial – especially as in a group – but perhaps not definite.

DIAL GROUPING

St Mary . Barrington . Somerset – 4 scratch dials

GSS Category: Scratch Dial; Mass Dial; Dial Group

All Photos: Keith Salvesen

HARDINGTON MANDEVILLE . SOM . ST MARY (revisited) – Scratch Dial

St Mary . Hardington Mandeville . Som

DEDICATION † ST MARY – 1123 (on earlier site)

LISTING † II*

LOCATION † 3m SW of Yeovil, near E & W Coker 50.9048 / -2.6949 / ST512119

An extended village close to the A30 yet approached by lanes (as they are actually named) rather than roads. A peaceful feel to it, especially at dusk when this poor photo was taken. The church had ‘much work’ carried out in C15 and C18. Tower probably of 1123, in three stages, font possibly from same date. BLB.

I visited St Mary a couple of years ago at dusk (it was last on a list), so I have re-photographed the church and updated the post.

DIAL † At the W. end and quite easily overlooked. DEH did not investigate or list it in 1915. A full circle, one clear radial and a square style hole. Possible trace of outer circle top left. Not noted in BLB, HE, nor in TWC extensive list of Somerset dials. I found only one reference to this dial that led me here; since then, one passing reference to a sundial in the porch – perhaps this dial relocated in C15?

NOTES The circular font is thought to be original dating from 1123, and the clock mechanism was built and installed before 1707. There are 6 bells in the tower, 3 of which are from the Purdue (Closworth) foundry, with the earliest being dated 1591

GSS Category – Scratch Dial

All photos: Keith Salvesen

KINGSBURY EPISCOPI . SOM . ST MARTIN – Scratch Dial

St Martin . Kingsbury Episcopi . Som

ST MARTIN . KINGSBURY EPISCOPI . SOM

GRADE 1 † C14, C15 with C19 restorations. Predominantly Perp. A large and impressive building in a small community, admired by PEV: ‘of great interest’. A companion to nearby Huish Episcopi. 9m NW of Yeovil. 50.9865 / -2.8042 / ST436210

NOTE: this post has been superseded in April 2024 after a visit in sunshine. The faint dial markings owing to poor light are now legible. The text is much the same. See the new post HERE

DIAL

St Martin . Kingsbury Episcopi . Som – Scratch Dial

The dial is located on the W buttress on the S side, and has a gnomon hole large enough to be seen from the church path. DEH visited in Sept 1912 and noted that, because the dial is about 8′ above ground level, it would have been moved to its present position during reconstruction of the tower (the oldest part of the church).

The dial is very eroded, and it is now hard to make out the details. DEH describes a complete wheel of thin lines without a circle. More than a hundred years later, the design is very faint indeed. Neither inspection nor photos reveal what DEH will have seen.

GSS Category: Scratch Dial

All photos: Keith Salvesen

NORTH CADBURY . SOM . ST MICHAEL – Scratch Dials

St Michael . North Cadbury . Som

GRADE I † Mainly early C15, some older fragments; later restorations. A huge church for a small village. Simon Jenkins awards it ** and with good reason. Wonderful bench ends, not to be missed. See BLB for more. Midway between Wincanton and Ilchester. 51.0417 /  -2.5214 / ST635270

DIALS

DEH visited in April 1914 and recorded 3 dials, all on S facing buttresses, one close to the priest’s door. They are very eroded. There are possible remnants of 2 further dials, mentioned below.

DIAL 1

St Michael . North Cadbury . Som. – Scratch Dial

DEH 169. (1) This dial is on the first buttress w. of the s. porch. It is 5 feet above the ground, the noon line is 4 inches in length, the stylehole is 5/8 of an inch in depth by 1/2 an inch in diameter, and the aspect is s. by 15° e.

Located on the buttress W of S porch. An obvious style hole with a semicircle (6 – 6) of unobtrusive small pocks. Photography has its limitations and St Michael tested them. Records mention 13 to 16 pocks. One can just make out the faintest of traces of lines at noon and 2.

BSS suggests a possible dial immediately above. Assuming a style hole in the mortar line, there are a few pocks in the immediate area, but rather disorganised. Doubtful rather than plausible.

DIAL 2

St Michael . North Cadbury . Som. – Scratch Dial

DEH 170. (2) This dial is on the first buttress E. of the s. porch. It is 4 feet 10 inches above the ground, the noon line is 3 inches in length, the style hole is about 11/2 inches in depth by 3/4 of an inch in diameter. The aspect is s. by 15° e.

As with Dial 1, very eroded and with little visible detail even when one is quite close. There are 8 detectable lines with a perimeter of pocks, probably (BSS) 13 with extra pocks at 8.30 and 10.30 – presumably Mass indicators.

DIAL 3

St Michael . North Cadbury . Som. – Scratch Dial

DEH 171. (3) This dial is on a buttress e. of the priest’s door. It is 5 feet 8 inches above the ground, the noon line is 4 1/4 inches in length, the style hole is 7/8 of an inch in depth and 1/2 an inch in diameter, and the aspect is s. by 15° e.

Situated on S side of the chancel, on the buttress E of the Priests’ door. There are 13 lines and a full complement of 24 pocks. The line angles are at approx 15º intervals. BSS notes a possible ‘tiny dial’ above it.

MEDIEVAL GRAFFITI

The porch contains the original stone benches on either side. These are often troves of graffiti, in particular apotropaic symbols and other ritual protection marks designed to repel evil or to prevent its entering the church. These signs are quite common to find in other locations both outside and inside a church (see HERE). However, in many churches, stone benches were replaced in succeeding centuries. St Michael has retained the benches, on which there are excellent examples of marks that are relatively rare. There are hands here, and a medieval swastika (a Sanskrit word) from several centuries before its more recent symbolic adoption. It incorporates a repelling circle mark, where evil may be captured within its continuous circumference.

GSS Category: Scratch Dials; Mass Dials; Bench Ends; Medieval Graffiti; Apotropaic Symbols

All photos: Keith Salvesen

CREECH ST MICHAEL . SOM . ST MICHAEL – Scratch Dials

ST MICHAEL . CREECH ST MICHAEL. SOM

GRADE I C12 origins, mainly C13; C15 perp additions and C19 restoration. A most attractive building, highly praised as an uncommonly interesting church PEV. Called All Saints until C16. Traces of C17 wall paintings. 6 bells, earliest 1590. Additional dials found. 5m E of Taunton. 51.0224 / -3.0355 / ST274252

DIALS

DEH visited St Michael in Sept 1913 and noted a group of 3 dials on W side of the porch. He recorded All three of these dials are close together, very poor in construction, and one or other of them is probably only a copy dial, but the lines of all have been added to, and it is difficult to say which is the original. Dial 2 is the least explicable.

There are 3 other dials (one is debatable): 2 on E side of the porch, in much the same position as Dials 1-3; 1 on the W window jamb of the whitewashed chapel. This last is in good condition comparatively; and the more precise design suggests it was the latest and presumably superseded the others in accuracy and legibility.

DIAL 1

DEH: 152. (1) This dial is on the w. side of the s. porch, 4 feet 8 inches above the ground. The noon line is 4 inches in length, the style hole is filled, and the aspect is s. by 8° e.

A fairly conventional morning dial with 9 (10?) lines, with the lines marking (roughly) Tierce and noon cut deeper. It’s difficult to interpret the pocks, if that is what they are. Several correspond with the relevant radials; the vertical seems to have a 2nd pock lower down (Mass time marker?). Possibly they were added later.

DIAL 2

DEH: 153. (2) This dial is close by the side of No 1. The noon line is 4 inches in length, the style hole is filled, aspect as above.

Dial 2 is confusing. How did that mish-mash of lines, hole-infilling, and extensive repair come about – and when? There’s no doubt that in the mix is a very basic dial with 2 lines curving left that appear to radiate from the mortar line above.

The 4 quite deep and almost parallel incisions just below the 2-line dial are problematic. It’s hard to see them as part of the overall dial design on that stone. And 4 verticals in a row would make a poor marker for noon. Also, it does not seem that they would converge at the same position as for the identifiable dial. In fact, seen on their own, they might be taken as an apotropaic mark of the grid and pock kind (though they are not convincing in that respect either).

DIAL 3

DEH: 154. (3) Six inches above No. 2, a dial with noon line 3 inches in length, the style hole filled, aspect as above.

This morning dial has 3 lines that radiate from the stone overhang, There is a small hole at the apex where presumably a thin style was inserted. The upper line ends with 2 clear pocks, and must have marked the most significant Mass time of the day (in this case, Tierce)

DIAL 4

A rough, eroded, and damaged dial on E jamb of the porch, level with dials 1 – 3. There are 6 detectable lines, 2 very faint. Again, a morning dial, with Tierce marked with a pock. The filled gnomon hole is big, but that may have occurred over time.

DIAL 5

This small dial is in the corresponding position opposite dial 3. It is simpler and less well defined, with a small style hole and 3 detectable lines radiating from the hole, only one being easily visible. It might be classified as ‘doubtful’ but for its relationship to dial 3 on the other side of the entrance, which I think upgrades it to ‘plausible’.

DIAL 6

This attractive dial, originally completely encircled, has survived the passage of time rather better than the others. There are 18 lines that make up a 3/4 circle, with a deeper cut noon line and a large style hole. The angles between the lines are somewhat random but I expect that the dial was effective as a marker of the progress of the day.

The way in which the dial stone has been cut to fit the space could suggest that it was relocated. In a way it might make more sense if rotated 90º clockwise, but testing that theory using a photo didn’t look right.

GSS Category: Scratch Dial; Mass Dial

All photos: Keith Salvesen

TINTINHULL . SOMERSET . ST MARGARET OF ANTIOCH – Triple Polar Scaphe Dial

St Margaret of Antioch . Tintinhull . Somerset

GRADE I † C13 et seq, on early C12 site. Gradual development but (unusually) with little obvious C19 work BHO. Good C16 bench ends. S porch built c1440, originally thatched, with the cube sundial added later. The scratch dials of St Margaret will be written up separately from this unusual dial that, in fact, is not strictly cubic. 5m NW of Yeovil; just S of dread A303. 50.9746 / -2.7156 / ST498197

St Margaret of Antioch . Tintinhull . Somerset – Scaphe Sundial

ADDENDUM 4.11.22

I wrote this piece without access to the BSS dial records, temporarily unavailable online. I had originally described this dial rather broadly as a cube, aware that it wasn’t quite right. Having now got back into the archive, I am better informed (if not wiser). Some of the points I raise below are clarified. Here is the official entry:

There are 3 polar scaphe dials on the porch gable. Possibly C17 or C18. The dial probably showed all hours of sunlight when correctly installed. Now the orientation is incorrect, the polar axis points East and the dial is shaded by a yew tree. The stone is heavily lichened.

DIAL

The large block of stone cut as a sundial is balanced (as it seems) on the end of the S porch roof. Its usefulness as a dial nowadays is reduced by it being partly obscured by the shadows of nearby trees. I have not seen similar dials in England but I believe there are a few in Scotland.

I originally confessed that I had no idea how this dial might have worked in practice, nor could I comment on the design, nor suggest how many dials (3?) or even ‘shadow casting edges’ there are. John Foad BSS has kindly marked up 2 images which help to understand the way the dial functioned.

St Margaret of Antioch . Tintinhull . Somerset – Scaphe Sundial

GSS Category: Polar Dial; Scaphe Dial; Scaphe Sundial; Multiple Dial

All photos: Keith Salvesen; thanks to John Foad for clarifying the design