Category: Church graffiti

OXFORD . HISTORY of SCIENCE MUSEUM – GRAFFITI, SYMBOLS & SCRATCHINGS

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OXFORD HISTORY OF SCIENCE MUSEUM

OXFORD . HISTORY of SCIENCE MUSEUM – GRAFFITI, SYMBOLS, & SCRATCHINGS

The History of Science Museum in Broad Street, Oxford, has a wonderful collection of scientific instruments dating from the Middle Ages to C19. There is a rich hoard to be investigated. As you enter, you will see an outstanding display of the many instruments that over the ages have been used to measure the passage of time. A superb pair of armillary spheres is / are featured HERE. Only the Museo Galileo in Florence has given me such pleasure.

GRAFFITI, SYMBOLS, & SCRATCHINGS

On each side jamb of the entrance to the Museum, there is a fine collection of graffiti of several kinds. Below is a selection of the marks from either side, left first. These include names and dates, with a Bull (1753) on one side, and a later Bull (1891) on the other; and a couple of probable mason’s marks, together with random scratchings accumulated over time.

MARIAN MARKS and PROTECTION (APOTROPAIC) SYMBOLS

By C17 the concept of thwarting evil by means of incised marks on churches and other buildings (eg the TITHE BARN Bradford-on-Avon) was weakening, yet superstition and the fear of evil lingered on. This building – the original Ashmolean – dates to the late C17. By this time, many medieval incised devices – eg scratch dials – had become things of the past. However, to some extent the comfort of cutting marks to ward off evil persisted. This would explain the various Marian marks VV (Virgo Virginum) on the jambs.

There is also a good collection of compass-drawn circles of varying completeness, accuracy, and depth. In medieval times these were the simplest form of demon trap, luring evil inside a circle from which it could not escape. The principle continued in later centuries.

LEFT SIDE

RIGHT SIDE

GSS Category: Apotropaic marks; Marian marks; Protection marks; Demon Traps; Compass-drawn circles; Graffiti on public buildings;

Reference: History of Science Museum – Oxford; Matthew Champion – Medieval Graffiti

All photos: Keith Salvesen / Rolling Harbour

IMBER . WILTS . ST GILES – Graffiti and Apotropaic Symbols

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ST GILES . IMBER . WILTS

A lost village with a sad backstory. Once it was a remote small community in the centre of the vast acres of Salisbury Plain, with pretty cottages and a fine church. It was already a huge military training area before WW2 and the decision was made to evict the populace. As the record states: Given nowhere else to go, Imber’s villagers were ‘liberated’ of their homes in 1943, with just 47 days notice, to make way for American troops to train for the liberation of Europe during World War II. 

The displaced population believed – or were led to believe – that in due course they would be able to return to their homes and to normality, but they were not permitted to go back. The cottages were replaced by large buildings to create battle scenarios. Only the Church of St Giles was left alone. You can read more HERE

DIALS

For obvious reasons, access is permitted on only a few specific days of the year. I recently visited on an Open Day, not least because I had found a clear record of two scratch dials. There aren’t any. However there is a wonderful collection of church marks of all types. Much of the trove is in inaccessible parts of the church.

GRAFFITI AND APOTROPAIC SYMBOLS IN THE PORCH

In the time available I briefly examined the porch. Shown below is an illustrative selection (by an amateur) from a far wider choice; I hope to return the Church. Meanwhile here are the key references for further exposition.

Wiltshire Medieval Graffiti Survey – General

Wiltshire Medieval Graffiti Survey – St Giles

Imber Village – account of the village history

In a different light (2024) – a clear, authoritative new book by Tony Hack of WMGS with excellent photography and detailed overlays

ST GILES IMBER: THE PORCH

TIMSBURY. HANTS . ST ANDREW – Scratch Dial & Church Marks

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ST ANDREW . TIMSBURY . HANTS

GRADE II* ✣ C13; C15 chancel rebuilt; C16 porch, bell-cote; later restorations esp 1847. A fascinating small church with plenty to offer the visitor besides the look of it including: medieval protection marks and graffiti; remains of wall paintings; tiles; good pew ends; an intriguing porch; a nice memorial horizontal dial in the churchyard; and the grave of Noel Thelwell (beloved pony cartoonist) and his wife. The church information sheets are models of their kind. 3m N of Romsey; 8m S of Stockbridge. 51.0193 / -1.5084 / SU345245

Horizontal Dial in Churchyard HERE

DIAL

The dial was recorded in April 1922 by ARG, the originator of scratch dial research in Hampshire. He, like pioneer Somerset dial researcher DEH 10 years earlier, was equipped with a camera.

ARG noted 4 definite lines of equal length, perhaps more under the lichen. Located on SE quoin stone of the chancel, facing due S. Style hole about 4 ft high, in mortar line (thus forming the horizontal / 6-to-6 line).

There were several later descriptions of this dial. The last official BSS record (photo below) was made in 1994.

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DIAL IN JANUARY 2024

The condition of the dial may have deteriorated from weathering, however the apparent repair work since 1994 may be the reason why the lines are now so indistinct.

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GRAFFITI and PROTECTION MARKS

FUTHER READING

HAMPSHIRE FIELD CLUB & ARCHAEOLOGICAL SOCIETY HERE

GSS Category: Scratch Dial; Mass Dial; Church Graffiti; Protection Mark; Marian Mark

All photos: Keith Salvesen

CANFORD MAGNA . DORSET . Scratch Dial

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CANFORD MAGNA CHURCH . DORSET

GRADE I ❖ Saxon origins as cruciform chapel. Tower added c1180. Expansion C13, C14; C15 additions; C19 alterations. No dedication. A very fine and interesting church, the late Saxon work being of major importance HE. Without any doubt one of the most interesting churches in Dorset PEV. 50.7889 /  -1.956 / SZ031988

See Canford’s Vertical Dial HERE

DIAL

The dial is within the porch, RHS of the door and partially obscured by a noticeboard. The original BSS record (2006) notes a filled gnomon hole with 8 radials, encircled [see diagram]. Four irregular moss-filled lines are clearly visible; a couple more are just detectable. The noticeboard stymies the sort of hopeful slantwise photo behind an obstruction that can occasionally be revealing.

BSS Diagram

Although this is a Parish Church, it lies within the grounds of Canford School. There are some unsurprising visiting restrictions. If you have an interest in early churches, you will want to spend some time investigating the interior and working out the gradual development. See PEV DORSET p171 and ff.

There is quite a lot of graffiti, much of it old but with later pupil initials etc. As a bonus, there is a good vertical dial on the apex at the E end, which will be written up separately.

GSS Category: Scratch Dial; Mass Dial; Scratch Dial within porch; Vertical Dial

All photos: Keith Salvesen

BRADFORD-ON-AVON . WILTS . TITHE BARN – Scratch Dial

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TITHE BARN . BRADFORD-ON-AVON . WILTS

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GRADE I ✣ The huge tithe barn is dated to the 1330s, replacing an older barn. Even allowing for restoration and maintenance over the centuries, the barn very much retains the feel of a building unchanged for several hundred years. Its situation right by – and lower than – the K&A canal adds to the pleasure of the general surroundings.

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DIAL

Scratch dials on buildings other than churches are rare. TWC mentions only 4 in his (admittedly dated) list of non-church dials, one of which is a tithe barn. Featured in this project are KENILWORTH ABBEY which has a dial on a barn that is a small part of the whole; and MUCHELNEY ABBEY which has one on the S wall of the Abbot’s Lodging. Neither can be regarded as entirely secular.

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The Bradford dial is located on the S wall on a buttress quoin stone near the entrance of the large E doorway. It is considerably eroded and damaged. I can’t see any trace of a dial above the horizontal and I take it to be a semicircle. There are ± 8 visible lines – impossible to be sure. The noon line is deeper cut and 9 (terce) seems more sharply incised, suggesting the main hour of observance. I am almost certain there there are terminal pocks on several lines, an impression taken more from the photos than from direct observation.

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PROTECTION MARKS AND GRAFFITI

Unsurprisingly for such a magnificent medieval structure, there is a vast omnium-gatherum of graffiti and protection marks, mainly at or close to the great entrances as one might expect. Anyone remotely interested in such marks will have a field day. Here is a small gallery.

ENGLISH HERITAGE

BRADFORD-ON-AVON MUSEUM

GSS Category: Scratch Dial; Scratch Dial on Barn; Secular Mass Dials; Protection Marks; Medieval Graffiti

All photos: Keith Salvesen. Please ask for specific use permission to use any of these. Normally I am relaxed, but these images relate to parallel research.

 

POTTERNE . WILTS . ST MARY – Scratch Dial

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St Mary . Potterne . Wilts (Benefice drawing)

ST MARY . POTTERNE . WILTS

GRADE I ❖ Saxon origins; built C13; C15 work to tower; restorations 1870s. A remarkably uniform E.E. design HE; An E.E. church of exceptional purity and classicity PEV. Features of interest include an Anglo-Saxon tub font with rim inscribed in Latin; a C14 font; fine woodwork; C17(?) Royal Arms of puzzling design. Good graffiti on pillars. Outside, there is an unusual Dole Stone; and the scratch dial featured here. 2m S of Devizes. 51.326 / -2.0079 /  ST995585

DIAL

The dial is located on a quoin stone of the buttress at W end of S side. The gnomon hole is centred quite accurately, and surrounded by a ring of small pocks of roughly equal size. The spacing is uneven. 12 of them are drilled in the lower half, in a semicircle that includes the horizontal ‘6-to-6’ line. The other 7 are above the horizontal in the night zone. The pock at notional midnight has 3 on either side, forming an almost symmetrical design. These can only be for decorative purposes, being of no use in marking the passage of the day / night.

As for radial lines, despite erosion 5 lines are visible – 3 LLQ, a faint noon line, the horizontal line RHS. Each terminates with a pock. There remain hints of 2 or 3 others.

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GRAFFITI . FONT WITH LATIN INSCRIPTION . COMPASS-DRAWN PROTECTION MARKS

The VV in the first image, assuming it is an initial, is in the distinctive form of a Marian mark, a commonly found protection symbol standing for the ‘Virgin of Virgins’.

GSS Category: Scratch Dial; Mass Dial

All photos Keith Salvesen; header drawing from the Benefice site

WORTH MATRAVERS . DORSET . ST ALDHELM’S CHAPEL – Protection Marks & Graffiti

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ST ALDHELM’S CHAPEL

GRADE I ♱ St Aldhelm’s is an isolated Norman chapel high on the Dorset cliffs with only a coastguard station and a couple of cottages for company. Its quite a walk from the car park. There are various theories about the chapel and its purpose. Was it a chapel originally? There’s no evidence of an altar or piscina. Might it have been built as a watchtower before taking on a religious purpose, evidenced by payments made in C13 to a chaplain? There is a thorough Wiki entry for the chapel HERE.

Besides sundials from Saxon times to the present day, other medieval features merit inclusion here. The relevant pages can be found in the main menu. A broad category of ‘Church Marks’ includes protection marks such as the Marian VV, daisy wheels and other circular / interlocking circles dates and initials, taper marks, masons’ marks.

PROTECTION MARKS & GRAFFITI

HIGHLIGHTS FROM ST ALDHELM’S CHAPEL

PURBECK RADAR MEMORIAL

Commemorating the pioneering radar work carried out in WW2, with an inspired design that harks back to the fire beacons that warned of the Spanish Armada.

All photos: Keith Salvesen

GREAT DURNFORD . WILTS . ST ANDREW – 4 Scratch Dials

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ST ANDREW . GREAT DURNFORD . WILTS

GRADE II ✣ A fine Norman church built late C11 (nave); chancel c1200; tower C13. Major restorations ±1900 (Ponting). An estimable entrance. Worthwhile (PEV) and (more graciously) one of Wiltshire’s most delightful churches (Betjeman). Lovely font; wall paintings; pilgrim crosses, protection marks & graffiti. 6m N of Salisbury. 51.1244 / -1.8301 / SU119361

All Saints also has a vertical dial which will feature separately

DIAL 1

Dial 1 is semicircular, located on the E buttress of the nave, close to the Priest’s door. It is in pleasingly good condition. Almost all lines of this 6-to-6 dial are visible, though much eroded RHS. The incisions are somewhat haphazard, and it is slightly odd that the most significant cut – the noon line – is so random.

DIALS WITHIN THE SOUTH PORCH

On entering the porch, the splendid door into the church itself invites immediate exploration inside. However, the porch conceals 3 scratch dials that a handful of people might like to investigate. There is scant reference to the scratch dials either side of the doorway. A dial LHS is recorded by BSS; one RHS is vaguely hinted at; another dial RHS is not noted anywhere that I can find, perhaps a new (modern) discovery.

DIAL 2

This dial is quite easy to find, half-concealed LHS but visible as one walks past. There are well defined lines, with the noon line probably the almost vertical one with a small pock at the end. I wondered if the straggly lines LRQ were later additions. Without them, the lines are all LLQ and (as with Dial 4 below) indicate mid-morning as the main part of the day for a service.

DIAL 3

Dial 3 is hidden away RHS of the fine door, even less accessible than dial 2. It is a fascinating example of a ’24 hour’ dial, with a full complement of spidery lines of random length of which almost all are still visible.

 

DIAL 4

Also RHS and even less visible is a conventional ‘morning’ dial, with 4 lines (the upper one is faint) leading down to the slightly deeper cut noon line. This configuration again suggests that mid-morning began the important part of the day for observance before noon.

If you want to know more about this church, in particular the inside, there is a good article HERE

APOTROPAIC SYMBOLS, DEMON TRAPS, PILGRIM CROSSES, GRAFFITI

A selection of church marks in the porch. The 2 compass-drawn circles are not dials but [probably] ‘demon traps’. In superstitious medieval times it was believed that evil could be prevented from entering the holy building with protection marks. In this type, evil would become trapped within the never-ending circle. The VV and the M on the wooden door are Marian marks standing for the Virgin Mary, who bars entry to the church by evil.

GSS Category: Scratch Dial; Mass Dial; [Vertical Dial]; Dial inside porch; Apotropaic Symbols; Protection Marks; Pilgrim Crosses

All photos: Keith Salvesen; drawings BHO

URVILLE . NORMANDY . NOTRE DAME – Multiple Scratch Dials, Protection Marks & Graffiti

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ÉGLISE NOTRE DAME DE URVILLE . NORMANDY

The area between Caen and Alençon contains a surprising number of churches with scratch dials. There are some rich pickings for scratch dial and church mark enthusiasts. It is not exactly a destination in itself, but is certainly vaut le voyage if you are in the region. Several churches have a plethora of designs and Urville is one of them. I gave up counting the dials and disentangling overlapping ones when the score reached twenty. 49° 01′ 31.44″ N, 0° 17′ 53.88″ W

There is no point in trying to analyse this amazing collection of dial art, nor guess its significance. It’s hard to find out much about the church at all except for the official write up to the effect This parish church, built in the village centre, replaced the former place of worship which had become too small. The present church is said to be C17. Using British churches as a guide, some of the dials & graffiti seem earlier. Presumably some of the original church’s stones were reused. It might make sense that the new church tempted the villagers to add to an existing display. Here is a varied selection.

DIALS

APOTROPAIC SYMBOLS, GRAFFITI and other designs

GSS Category: Scratch Dial (Normandy France); Mass Dial (Normandy France); Medieval Sundial (Normandy France); Church Graffiti; Apotropaic Symbols; Protection Marks

All photos: Keith Salvesen

BRANSCOMBE . DEVON . ST WINIFRED – Scratch Dials & ‘ Sun-Clock’

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ST WINIFRED . BRANSCOMBE . DEVON

GRADE I ✣ Saxon origins (c995?) perhaps on pagan site; Norman with continuing development. Vicars recorded from 1269. Careful restorations. Among the oldest and most architecturally significant parish churches of Devon SJ. A lovely location, concealed from potential marauders from the sea. Of great interest both inside and out; a church to explore thoroughly. The Church Guide (40pp) is excellent. Midway between Sidmouth and Seaton. 50.6902 /  -3.1403 / SY195884

DIALS

There are three completely different dials. Dial 1 is a linear dial thought to be unique in Britain, with a buttress acting as gnomon. Dial 2, cut on the lintel of a blocked doorway, may be Saxon. Dial 3 is relatively conventional and located high on E corner quoin of the chancel.


DIAL 1

This remarkable dial is not circular but linear, and is thought to be unique. Roman numerals are cut in an approximate row along the chancel wall, so that the chancel buttress acts a gnomon casting a shadow that moves across the longitudinal numbers. XI is obscured behind the drainpipe.

VI, VII and VIII are thought to be original numerals; IX, X and XI are larger and later. The Guide to the church describes this dial as a ‘sun-clock’, which is surely a more appropriate and accurate name for it than ‘scratch dial’, and reflects its uniqueness.

HOW THE DIAL WORKS

Branscombe BSS
Branscombe BSS

IFFLEY COMPARISON

There is another notable ‘buttress gnomon’ dial of a different kind at St Mary the Virgin, Iffley. It has 4 vertical incisions in a row, a compact marker of the passage of the day. Presumably it was designed to focus seasonally on the significant part of the day for Mass.

DIAL 2

Incised in the grey stone lintel of a blocked doorway believed to be Saxon. Unusual in that it has 6 lines (2 on the horizontal) cut almost with vertical symmetry, with no visible noon line. The 2 deeper cuts RHS suggest the time of day for the main Mass (None). The gnomon hole is big, perhaps enlarged at a later date. The BSS record includes the note Late Saxon / Norman? Originally on earlier church?

DIAL 3

A more familiar dial design high on a quoin stone at E end of chancel. There are 7 lines within a double circle. BSS notes that it has been re-sited, the top of the dial being on an adjacent stone. The gnomon is filled in a rectangle. Again, the two deeper cut afternoon lines suggest None as the main Mass time.

Drawings displayed inside the church

GRAFFITI

If you climb the stairs, as you surely will during your visit, you will find plenty of graffiti, much of it overpainted with long-weathered whitewash.

GSS Category: Scratch Dial; Mass Dial; Sun-clock; Unique Linear Sundial; Buttress as Gnomon; Medieval Graffiti

All photos Keith Salvesen; Drawings from Church & BSS