GRADE I † C14 The principal parts of a small stone manor house, built c1370 for the Sheriff of Somerset & Dorset. It has undergone many changes since, but the splendid timber roofs over the great hall and solar… (remain intact). Scheduled as an Ancient Monument. Under the care of English Heritage Two miles E of Sturminster Newton. 50.9213 / -2.2847 / ST800135
Fiddleford Manor . Sturminster Newton . Dorset – a wall of various types of church mark including a hexfoil
The most spectacular medieval manor house interior in Dorset PEV, an authoritative opinion that will never be challenged. There is no dial here, but the amazing graffiti could equally be found in a church, though generally not in such profusion. Besides dials of all kinds, this site includes medieval building marks – symbols, initials, dates, other graffiti. These categories can be found in the Menus on the front page. However, Fiddleford manor is so special that it deserves its own main entry rather than being relegated to a sub-menu.
HEXFOILS
MARIAN MARKS
GRAFFITI
GSS Category: Church Marks; Marian Marks; Ritual Protection; Hexfoils; Medieval Graffiti
GRADE I † Late C14, C15; C17 alterations inc. porch with date 1650 on keystone. Restorations mid-C19. Very recent skilled restoration 2020. Millennial dial with date-casting gnomon (cf BUCKLAND NEWTON). C18 box pews, candlelit services, Purdue bell c1580. Graffiti and witch marks. 14 formy consecration crosses both outside and inside (see locations below). A perfect small Dorset church standing alone, remnant of a plague village. There has been a recent very skilful restoration that has not impacted on the original charm of St Mary. 6m S of Sherborne. 50.8868 / -2.4902 / ST656098
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St Mary . Holnest . Dorset – Keystone
SCRATCH DIAL
St Mary . Holnest . Dorset – rare scratch dial on window-sill
A remarkable and very rare C15 dial, possibly unique (cf nearby THORNFORD). It is located on a window sill of the S aisle, incised at an angle of 35º. It is quite difficult to examine – even close to – because of erosion and lichen. The style hole is centred on the stone divide between 2 windows. To be effective it must have been angled forwards: C15 dial deliberately positioned centrally. Gnomon must have been bent over, perhaps horizontally. Lines are quite accurately cut GLP.
There were originally 12 lines – the full complement for a semicircular dial. However, many are so weathered that they are barely visible – some not at all. The church is across the fields from us and I have spent some time with the dial, examining it and photographing it at different angles and in different light. I’ve managed to identify 8 lines including the horizontals, much as shown on the second BSS diagram below. The most visible lines are these:
St Mary . Holnest . Dorset – diagram of scratch dial on window-sill
St Mary . Holnest . Dorset – scratch dial diagrams BSS
St Mary . Holnest . Dorset – rare scratch dial on window-sill
VERTICAL DIAL
The porch has a date of 1650 and a new [millennium] sundial commemorates the Great Crested Newt that meant that a field nearby could not be developed for housing. Friends of Holnest Church.
A particularly good example of a meaningful local dial designed specifically for its location and time. The Battle of the Newt being won as the new Millennium approached, a fine dial to record both events was fully merited.
St Mary Holnest: millennial vertical dial dated 2000 with unique Newt Protection Symbol
WITCH MARKS & GRAFFITI
St Mary . Holnest . Dorset – witch marks, Marian marks, graffiti
The S porch has a rich variety of medieval church marks. The example stones shown above have witch / ritual protection / apotropaic marks to ward off evil, in particular a number of Marian marks VV (Virgo Virginum / Virgin of Virgins). There are also initials and C17 dates.
CONSECRATION CROSSES
There are 14 in all, 12 being the usual maximum. 5 are inside the church on the tower walls
Consecration Crosses: On chancel— flanking E. window externally, four crosses; flanking S. doorway, two crosses. On nave—W. of heads of N. windows, two crosses. On S. aisle—over E. window and W. of S. window, two crosses. On W. tower, on N. and S. walls, one cross and below W. window, two crosses; formy crosses fourteen in all, mediæval. BHO
St Mary . Holnest . Dorset – Consecration Crosses
GSS Category: Scratch Dial, Mass Dial; Church Marks, Witch Marks, Protection Marks; Consecration Crosses
GRADE I † C13 origin (nave, chancel); C14 S porch; C15 enlargement, tower; C19 restorations inc Wyatt. Good C13 south door: cusped arch, carved heads as dripstones BHO. 2 Purdue bells. Early C16 oak pulpit, bench ends. 10m NE Dorchester. A most attractive and well-kept church. 50.7427 / -2.2772 / SY805937
THES SEATYS WERE MADE YN THE YERE OF OWRE LORD GOD MCCCCCXLV
IN THE THYME OF THOMAS LYLLYNGTON VICAR O THYS CHERCH.
DIALS
St Laurence has 2 dials, one either side of the nave window. Unusually, both are entirely designed with holes (cf TRENT) apart from a token noon indicator on Dial 1, barely discernible (see diagram).
DIAL 1
St Laurence . Affpuddle . Dorset – Scratch Dial 1
W jamb of the nave window, in poor condition. Besides the single vertical line, there are 8 small holes in a curve below the style hole. 2 further holes emphasise Nones, the Mass time equating in clock terms to 3pm. GLP notes that the dial is accurately cut.
St Laurence . Affpuddle . Dorset – Scratch Dial 1
St Laurence . Affpuddle . Dial 1 BBS
DIAL 2
St Laurence . Affpuddle . Dorset – Scratch Dial 2
Dial 2 is on the E jamb, a longer and clearer semicircle of 12 holes. There are a couple of small holes that might be for emphasis / to mark a half hour (see eg between 9 and 10). GLP notes that the style hole is very small / shallow for a gnomon. Again he found the dial very accurate, most holes being within 4º of true, with 5 exactly correct.
St Laurence . Affpuddle . Dorset – Scratch Dial 2
St Laurence . Affpuddle . Dial 2 BSS
CHURCH MARKS OF ST LAURENCE
Some of those interested in medieval church dials (and you have after all reached here) are likely to check a church for other medieval marks. St Laurence is worth visiting for these alone. Here are just 3 examples, of which one is especially intriguing and needs be researched further (not by me).
St Laurence . Affpuddle – Medieval Graffiti: Initials, Dates, Witch Marks & drawing of a house
GSS Category: Scratch Dial; Mass Dial; Church Marks; Medieval Graffitti
GRADE I † C11 nave; C13 transepts; C14 chancel. From C17, alterations and restorations inc by Wyatt in 1860. Large and interesting cruciform churchPEV. Marble Feversham family monuments by Scheemakers. Significant local legacy from Neolithic, Iron Age, Roman (Villa) and Saxon times. 9m S of Salisbury. 50.9937 / -1.7433 / SU181216
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DIALS
St Laurence has 2 dials on the 2nd buttress E of the porch, one above the other. The upper one is a fine example of a large dial filling the dial stone. The lower is so badly damaged / eroded that it would be easy miss; and it is quite hard to imagine what it looked like originally.
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DIAL 1
Dial 1 is encircled, with 13 lines and 24 pocks around the perimeter and forming 2 crosses . This large dial not only takes up the width of the stone, the circumference continues onto the stone below as do some lines (esp. 11am). The noon line ends in a 4-dot cross on the main stone, and the 9am line has a 5-dot cross on the lower stone.
The gnomon hole is of particular interest; I haven’t come across a square hole with (apparently) a circular one inside it before. Possibly the original gnomon was a basic rod, and its round hole later enlarged to accommodate a more visible square rod.
St Laurence . Downton . Wilts – Scratch Dial 1
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DIAL 2
St Laurence . Downton . Wilts – Scratch Dial 2
Dials Locations
GSS Category: Scratch Dial; Mass Dial; Medieval Sundial; Church Dated Initials
GRADE I † C13 origins: masons’ marks on the fabric date from C13 and are identical with some found at Wells cathedralBHO. Development mainly C15 (tower) and C16, with C19 work by Wyatt and later attention. Poulett family much in evidence. Good graffiti / protection marks. Fine gilded weathercock dated to 1756. 4m N of Crewkerne . 50.9107 / -2.8286 / ST418126
DIAL
Hinton St George Church . Som – Scratch Dial
A single scratch dial tucked away on the W side of a buttress, and of doubtful value as a time marker, both for position and orientation. There are 4 lines with terminal pocks on the left side; and a single pock at the top (ie midnight). The gnomon hole, already quite big, has been crudely enlarged – and quite recently, by the look of it.
Hinton St George Church . Som – Scratch Dial
An explanation for the unpromising location and the unsatisfactory design is that the dial was relocated at some stage, perhaps when the tower was built (and the buttress added?). It is far from unusual for a dial reused in this way to be inverted, as if decommissioning it. An inversion of the image above makes far more sense, with the noon line marked by a single pock, and the radials to its right. An afternoon dial.
Hinton St George Church . Som – Scratch Dial (inverted)
GRAFFITI & APOTROPAIC SYMBOLS / PROTECTION / MARIAN MARKS
Graffiti & Apotropaic Symbols / Protection Marks / Marian VV Marks
GRADE II* † C14 / 15 origins, with later / C19 enlargement. Besides 2 scratch dials there is a vertical dial on the tower dated 1706. 6m NW of Leicester. 52.6832 / -1.2292 / SK522097
DIALS
The scratch dials are both on the S side. One is on SW corner of the tower; the other on the lower part of the L jamb of a window (I don’t have a more precise location at the moment).
Dial 1 gives the impression of a spider, with legs radiating from the (blocked) gnomon hole in the centre of the dial stone. The clearest lines are at 11 and noon, the latter faintly extended. The others are rather randomly placed. There’s a line in the top L quadrant; and the hint of a line very roughly extending the noon line upwards. The 2 pocks don’t seem to be part of the design.
Dial 2 is more conventional ‘morning dial’, with 6 more or less evenly spaced lines descending (but not very accurately) from a large filled style hole. Only one of the lines is after noon. Simple and straightforward.
All Saints . Newtown Linford . Leics – Vertical Dial
Set on the SE edge of the second stage of the tower, close to the intersection with the roof of the nave. Slate, made by Thomas Woodcock in 1706. Deeply cut and in excellent condition for its age. Initials I K. Cross for 12 noon. Quarter hours marked. The angles of the Roman numerals are carefully graduated as they descend and ascend, suggesting the work of a skilled craftsman dial-maker.
BSS notes very similar dials at Breedon on the Hill and at Leicester, all three being within a few miles of each other.
All Saints . Newtown Linford . Leics – Vertical Dial
This interesting dial has been analysed and recorded in some detail by BSS:
The dial is fitted with iron dog nails to the south face of the tower, at the south-east corner, adjacent to the nave junction. The date 1706 is across the top, and being of the local slate, the dial is in remarkable condition for its age. Initials ‘I K’ are on each side of the date. Upright hours VI – + – IV – VI are aligned to the hour lines, which are drawn to a large semicircle around the gnomon root. Short lines mark the half hours, with fleur de lys or arrow heads, and quarter hours. The rusty iron bar gnomon has a straight horizontal support.
GSS Category: Scratch Dial; Vertical Dial
Photos of church and scratch dials, Erika Clarkson; vertical dial from BSS archive
GRADE II* C13 origins; mainly C14 with C15 porch; extensive C19 alteration / restoration including complete rebuild of the tower (1861), & later work by Crickmay. A pleasant aspect as one walks up the church path. 5m SE of Wincanton. 51.0213 / -2.348 / ST756247
DIAL
Sundial: reset on S. wall of tower, square stone plate with arabic numerals and inscription ANNO DO 1599.BHO
St John the Baptist . Buckhorn Weston . Dorset – Scratch / Scientific Dial
A most interesting dial set into the upper stage of the tower. Presumably re-fixed in that position (or perhaps relocated there) during the C19 rebuilding. Despite erosion and damage, the unaffected features are quite well defined. GLP notes that it is one of the earliest dated dials (of any sort) in Dorset.
St John the Baptist . Buckhorn Weston . Dorset – Scratch / Scientific Dial
Although giving the appearance of a large scratch dial with an inscription above it, GLP classifies it as a more sophisticated ‘scientific’ dial, because the angles between the lines measure standard hours. The use of numerals fits in with the inscribed date. GLP calls them roman; BHO has them as arabic. My detailed photos don’t help either way. They do show that the stone was cracked in two at some stage; and they raise the question “where was the gnomon?”
St John the Baptist . Buckhorn Weston . Dorset – Scratch / Scientific Dial
GRADE I † C13 origins, mainly C14 / C15; C19 restoration. Set in the grounds of an historic house Brympton D’Evercy and adorned by an unusual (striking?) bell turret. The remnants of a lost medieval village. A mere 2m W of Yeovil yet hidden away in its own parkland, and best reached by map reading, satnav or luck. 50.9359 / -2.6856 / ST519153
DIALS
St Andrew has 2 dials, one on each of the paired corner buttresses of the S transept (HE notes only one). There is a plausible dial fragment on the buttress on the W end of the nave.
DIAL 1
DEH visited St Andrew in July 1915 and recorded: 189. (2) This dial is on a buttress at the s.e. corner of the s. transept, at a height of 4 feet 1 inch above the ground. The noonline is 5 inches in length, the stylehole is 1 1/4 inches deep by 3/8 of an inch in diameter, and the aspect is s. by 15° e. Type 3.
St Andrew . Brympton . Som – Scratch Dial 1
There are 4 clear lines and one less so. As judged from the noon line, the dial is slightly offset. There is a faintest hint of a line to the right of the noon line, which would make design sense; or perhaps for some reason that area remained blank (and see Dial 2). The strong line mid-afternoon may indicate that the important Mass at St Andrew was none.
St Andrew . Brympton . Som – Scratch Dial 1
DIAL 2
DEH:188. (1) This dial is on a buttress at the s.w. corner of the s. transept, at a height of 4 feet 11 inches above the ground. The noonline is 3 inches in length, the stylehole is 2 1/4 inches deep by 3/4 of an inch in diameter, and the aspect is s. by 10° e. Type 5c.
St Andrew . Brympton . Som – Scratch Dial 2
The dense covering of lichen makes it hard to give an accurate description of this dial. It looks like a conventional semi-circular fan dial with an emphasised horizontal (6-to-6). There are 7 lines for certain; as with Dial 1, the lower R quadrant is less well defined – perhaps less deeply incised and gradually eroded, or because locally the afternoon was not significant for services and could be ignored.
St Andrew . Brympton . Som – Scratch Dial 2
DIAL FRAGMENT?
The markings on the SW face of this buttress are strange. Are these eye-catching striations related to marking the time of day? It seems most unlikely. However, it’s worth zeroing in on the 4 short lines on the stone below. A case could be made that this is a dial fragment on a stone that was at some time relocated there. Alternatively, this is the lower section of a dial in its original position, with the stones now above it displacing the rest of the dial with its style hole.
St Andrew . Melcombe Horsey . Dorset – north aspect
MELCOMBE HORSEY . DORSET . ST ANDREW
GRADE 1 † C14 origins, additional work C15, Chapels C16, partial C19 restoration. Adjacent to a fine manor house. The Parish confusingly includes Melcombe Bingham, Bingham’s Melcombe and Higher Melcombe, all in a secluded area steeped in medieval history. To explore further, BHO. 50.8178 / -2.324 / ST772020
DIAL
The church stands in the parkland of Bingham’s Melcombe House, a pleasant walk down a long drive. A single dial is recorded, located on a quoin stone of S.E. buttress of C16 Horsey Chapel. There are other church marks of interest (see below).
St Andrew . Melcombe Horsey . Dorset – scratch dial
The dial is inverted, with 5 radials pointing upwards from a large cement-filled style hole. There are good reasons to suppose the dial was repositioned: it predates the building of the chapel, and so is cut on a reused stone; it is inverted (as often the case with relocated dials); and GLP points out that its angle would receive sunlight for half the day at most.
St Andrew . Melcombe Horsey . Dorset
St Andrew . Melcombe Horsey . Dorset – Scratch dial diagrams (BSS)
St Andrew . Melcombe Horsey . Dorset – south aspect
UNRECORDED DIALS?
There are 2 other configurations on earlier parts on S side of the church that give pause for thought. Both images below show patterns that are distinctly dial-ish.
The first is plausible in several respects: style hole just below the mortar line; 2 large pocks in the mortar line (the RHS one beyond the edge of an apparent circumference); the hint of a part-circle above the horizontal; a distinct curve of pocks in lower L quadrant; eroded and less organised pocks lower R.
Note: looking at this configuration some time later and having seen a great many more dials in the interim, I’d say this is definitely a dial; and the other is a ‘not-a-dial’
St Andrew . Melcombe Horsey . Dorset
The second candidate is less clear. It is at an angle L of the S doorway – a conventional place for a dial. The case for it is weaker and unfortunately it looks less dial-like in the photograph than at the time. Doubtful rather than plausible.
St Andrew . Melcombe Horsey . Dorset – scratch dial?
St Andrew has plenty of further interest in the broader category of church marks. The porch is very rewarding. I usually post about such marks separately but the ones below deserve a place here.
The top row shows Marian V V marks (Virgin of Virgins), one type of so-called ritual protection mark (or apotropaic symbols) designed to ward off evil. There are plenty of less commonly found marks. The main photograph shows mediaeval porch seats with a magnificent inscription (G – PIC?) dated 1589.
St Andrew . Melcombe Horsey . Dorset – Marian marks, protection marks, graffiti, dates
GSS Category: Scratch Dials; Apotropaic Marks, Marian Marks, Church Graffiti