BROAD HINTON . WILTS . ST PETER AD VINCULA – Scratch Dial & Porch Sundial

St Peter ad Vincula . Broad Hinton . Wilts

ST PETER AD VINCULA . BROAD HINTON . WILTS

GRADE 1 † C13 origins (possibly back to Saxon); developed C15, C17; late Victorian restoration. Use of local sarsen stone. Hammerbeam roof. Merits a long entry in PEV, especially for the monuments. 5m N of Avebury, 7m NW of Marlborough 51.4858 /  -1.8497 / SU105763

DIALS

St Peter has 2 dials in very different styles, and a couple of ‘not-a-dial’s. There is also a modern-ish sundial on the porch, probably from the late C19 restoration, with a rather gloomy motto that fits in with Victorian mores.

DIAL 1

St Peter ad Vincula . Broad Hinton . Wilts – scratch dial 1

Dial 1 is a fairly large and pleasingly simple dial on L side of a window jamb. 4 lines drop down from the style hole into the lower L quadrant, bounded by a sector of a circle. It looks rather uncomfortable. The puzzle is whether this was the original location (in which case it seems too large for the available space); or whether it is a relocation.

DIAL 2

St Peter ad Vincula . Broad Hinton . Wilts – Scratch Dial 2

Dial 2 is an encircled dial, the lower half eroded. There is a shallow style hole and various pocks, not all necessarily relevant to dial functions. The significant ones are on the L side, with 3 pocks in a row between the style hole and the perimeter. Below them are less organised pocks. The dial would make more sense if rotated 90º, with the horizontal line becoming the noon line and the less defined line perhaps marking a Mass time (None?). This suggests that the stone was relocated, and certainly the size and colour of the stones around it vary significantly (image 1 below).

Promising but on closer inspection unlikely dials

OUR DAYS ON THE EARTH ARE AS A SHADOW

The C17 porch was restored C19 and then (or later?) this dial was added over the door, with its discouraging message (no hint of the ‘sunny hours’ etc found elsewhere). The dial is slightly angled to face due S for greater accuracy.

NOTES: Various types of external graffiti – scratchings, initials, Marian marks etc; on the WILTSHIRE HISTORIC CHURCHES TRAIL

GSS Category: Scratch Dial; New Dial; Medieval Graffiti; Marian marks

All photos: Keith Salvesen

LYDLINCH . DORSET – ST THOMAS À BECKET: Sundials, Medieval Graffiti, Witch Marks, Hexfoil

Lydlinch . Dorset . St Thomas à Becket

LYDLINCH . DORSET . ST THOMAS À BECKET

GRADE II* † Mainly C15 / C16, much reworking and restoration. Located down a longish lane S of the village. 10 miles E of Sherborne. BLB record HERE. Featured: the 3 sundials; church marks; the 3 seats inside the porch. 50.9192 / -2.3678 / ST742133

SUNDIALS

DIAL 1

The most obvious sundial is at the apex of the porch gable, a simple square stone containing a square dial with a narrow 3/4 frame, and an iron gnomon. Above it some form of stone finial, much eroded, a cross? The dial has graduated hour radials, with shorter lines for half-hours, and the quarter hours marked within the frame. Quite sophisticated, some damage upper R. BHO dates it C18.

Below this dial is an inscribed C18 plaque dedicated, it seems, to two [C]hurch [W]ardens 1753. It is interesting to compare the erosion of this soft stone with the dial stone.

Lydlinch . Dorset . St Thomas à Becket – Vertical sundial over the porch
Lydlinch . Dorset . St Thomas à Becket – plaque dated 17[5]3

DIALS 2 & 3

These dials are a near-matched pair on the C15 tower. Both are high up on the second stage, one on the SW buttress, the other on the SE buttress. BHO describes the former as a stone plate with Roman numerals, much worn; and the latter as traces of similar sundial. I think both dials must have had considerable attention since those words were written.

DIAL 2

This dial looks like a comparatively new replacement; BSS suggests C20. The modern design replicates Dial 3 mutatis mutandis. The radials are carefully graduated for its SW facing angle; very little of the afternoon can be indicated.

Lydlinch . Dorset . St Thomas à Becket – replaced vertical sundial on SW buttress of tower

DIAL 3

This dial is almost an exact converse of its pair, the radials being graduated in the opposite direction. C18. Note that the gnomons of both dials are the same design, copper I think, and presumably installed at the same time.

Lydlinch . Dorset . St Thomas à Becket – vertical sundial on SE buttress of tower

APOTROPAIC (WITCH) MARKS, MARIAN MARKS, HEXFOIL & GRAFFITI

APOTROPAIC (WITCH) MARKS, MARIAN MARKS & GRAFFITI ON PORCH SEATS

Lydlinch . Dorset . St Thomas à Becket – Apotropaic (Witch) marks, Marian marks, Graffiti on seats

GSS Categories: Sundials, Vertical Dials, Old Dials, Witch Marks, Apotropaic Symbols, Church Graffiti

All photos: Keith Salvesen

WOOTTON RIVERS . WILTS . ST ANDREW – Five Scratch Dials

St Andrew . Wootton Rivers . Wilts

ST ANDREW. WOTTON RIVERS . WILTS

GRADE II* † C14 with major C19 restoration by G E Street. Attractive village church with a shingled spire (slightly aslant). Situated by the Kennet and Avon canal. Home to the amazing JACK SPRATT’S CLOCK 51.3653 / -1.7187 / SU196629

DIALS

St Andrew has 5 dials (BSS records 2; HE 1) and a couple of doubtfuls. All are on the S side. The porch has graffiti – initials, dates etc – and apotropaic symbols / ritual protection marks.

DIAL 1

St Andrew . Wootton Rivers . Wilts – Scratch Dial 1

Dial 1 is on a quoin stone at the E end of S side. A small but easily visible dial with a large style hole for its size (doubtless enlarged at some time). The noon line is strongest cut, with 3, possibly 4, other lines. The None (9th hour) line is longest, possibly to indicate the most important Mass time of the day. A simple dial with a simple purpose. The 2 ‘tadpole’ marks bottom left could be witch marks to protect the church. There are others in the porch area.

DIAL 2

St Andrew . Wootton Rivers . Wilts – Scratch Dial 2

Dial 2 is relatively complex and later than dial 1. A semicircle design with the lines mostly positively cut evenly at 15º angles, though there is erosion in the lower R quadrant. There are also quite large pocks, mostly between the ends of 2 lines which is, I think, unusual. The style hole, as with Dial 1, is large.

DIAL 3

St Andrew . Wootton Rivers . Wilts – Scratch Dial 3

Dial 3 is a simple little dial consisting of three significant lines terminating in pocks, and an ‘afternoon’ pock. The sketchy marks above this suggest an extended line ending in a pock and, as with Dial 1, roughly corresponding to None, perhaps confirming the most significant service time for the church, ie early evening Mass.

DIAL 4

St Andrew . Wootton Rivers . Wilts – Scratch Dial 4

Dial 4 is on the E side of the porch. Very eroded, with the style hole drawing attention to a small encircled dial with 3 clearish lines – horizontal and 2 curving below it. Indistinct traces of a couple of other lines.

DIAL 5

St Andrew . Wootton Rivers . Wilts – Scratch Dial 5

Dial 5 is on the W side of the porch. Larger than dial 4 and also considerably eroded. 10 lines or so, and a confusion of pocks, especially around the (presumed) shallow style hole. There are hints of at least a semicircle in the lower half and the trace (illusion?) of a complete circle or even a double one.

GRAFFITI and APOTROPAIC (WITCH) MARKS

GSS Category: Scratch Dials

All photos: Keith Salvesen; Jack Spratt’s Clock link – VisitPewseyVale

ALTON PRIORS . WILTS . ALL SAINTS – VAST SCRATCH DIAL (?)

All Saints . Alton Priors . Wilts

ALL SAINTS . ALTON PRIORS

GRADE II* † C12 origins, alterations and development C14 / C15; rebuilding C18. Little remains of the Norman building. Yew tree in churchyard reputedly 1700 years old. Sarsen stone(s) beneath the church accessed by trapdoor.

All Saints Church, surrounded by fields below the southern escarpment of the Marlborough Downs, is in the care of the CHURCHES CONSERVATION TRUST It is of particular interest for examining the slow transition of medieval scratch dials from rustic to cultivated. This article primarily features the massive sundial on the south face of the tower, but there’s much that could be written about the wonderful graffiti adorning the external walls – witch marks, dates, initials and so on. The wear and tear of history includes holes in the lower part of the tower wall from musket shots. There’s a great deal to explore and admire both outside and inside this most rewarding building. Then walk the paved priest’s path across the fields to the Saxon church of St Mary a few hundred yards away (there are 2 dials to look for). 51.358 / -1.8446 / SU10962

All Saints . Alton Priors . Wilts – Scratch Dial (or sundial?)

DIAL

The dial that dominates the upper stage of the tower is almost invariably described as a scratch dial. However, it is difficult to categorise it thus when the scale of it is so colossal by comparison to the small dials cut on porches, buttresses etc, and only rarely above head height . All the traditional scratch dials of Wiltshire could very likely be contained within the semicircle that nearly spans the width of the tower.

However one chooses to describe the dial, it is clearly a sophisticated and ambitious design. Early scratch dials do not have numerals, generally just a style hole with lines, pocks or both, and often crude and rather random. Gradually they became more complex and cut more accurately, in a few later examples with the addition of Roman numerals. Very few scratch dials have Arabic numerals. There’s a most intriguing one at MONTACUTE Somerset, where the dial has a mix of Roman and Arabic numerals. One could argue a true scratch dial had a single rod in a hole to cast the shadow, and that a dial requiring a more elaborate iron gnomon attached to the face takes it out of the category of scratch dial. This dial was clearly designed for such an arrangement. In that way it differs from eg Litlington and ALFRISTON (E Sussex) where iron gnomons were added onto the face of an existing scratch dial.

St Catherine . Montacute – Scratch Dial / Sundial

The All Saints dial is advanced in a number of ways. The size itself and its height must have required considerable skills and inventiveness to reach, measure, design and execute. The radials are very carefully graduated down to and up from the noon line. The cutting of the dial is remarkably precise. The inclusion of half-hour markers and in particular the use of Arabic numerals add a further dimension. This combination of factors suggests a dial that is later than the generally agreed end of the true scratch dial era, around 1600. The date of the tower is described in the CCT material as fifteenth century*, and a Triennial Inspection Report (2004) notes that the inscribed sundial is still legible. I have not found any early reference to this dial. So overall I will go with the description sundial rather than scratch dial.

All Saints . Alton Priors . Wilts

GSS Category: Scratch Dial; Old Dial; Unclassified

All Photos: Keith Salvesen; *thanks to CCT for information about the church

Damage from Musket Shot, All Saints Alton Pancras

MELCOMBE HORSEY . DORSET . ST ANDREW – Scratch Dial

St Andrew . Melcombe Horsey . Dorset – north aspect

MELCOMBE HORSEY . DORSET . ST ANDREW

GRADE 1 † C14 origins, additional work C15, Chapels C16, partial C19 restoration. Adjacent to a fine manor house. The Parish confusingly includes Melcombe Bingham, Bingham’s Melcombe and Higher Melcombe, all in a secluded area steeped in medieval history. To explore further, BHO. 50.8178 /  -2.324 / ST772020

DIAL

The church stands in the parkland of Bingham’s Melcombe House, a pleasant walk down a long drive. A single dial is recorded, located on a quoin stone of S.E. buttress of C16 Horsey Chapel. There are other church marks of interest (see below).

St Andrew . Melcombe Horsey . Dorset – scratch dial

The dial is inverted, with 5 radials pointing upwards from a large cement-filled style hole. There are good reasons to suppose the dial was repositioned: it predates the building of the chapel, and so is cut on a reused stone; it is inverted (as often the case with relocated dials); and GLP points out that its angle would receive sunlight for half the day at most.

St Andrew . Melcombe Horsey . Dorset – Scratch dial diagrams (BSS)
St Andrew . Melcombe Horsey . Dorset – south aspect

UNRECORDED DIALS?

There are 2 other configurations on earlier parts on S side of the church that give pause for thought. Both images below show patterns that are distinctly dial-ish.

The first is plausible in several respects: style hole just below the mortar line; 2 large pocks in the mortar line (the RHS one beyond the edge of an apparent circumference); the hint of a part-circle above the horizontal; a distinct curve of pocks in lower L quadrant; eroded and less organised pocks lower R.

Note: looking at this configuration some time later and having seen a great many more dials in the interim, I’d say this is definitely a dial; and the other is a ‘not-a-dial’

The second candidate is less clear. It is at an angle L of the S doorway – a conventional place for a dial. The case for it is weaker and unfortunately it looks less dial-like in the photograph than at the time. Doubtful rather than plausible.

St Andrew . Melcombe Horsey . Dorset – scratch dial?

St Andrew has plenty of further interest in the broader category of church marks. The porch is very rewarding. I usually post about such marks separately but the ones below deserve a place here.

The top row shows Marian V V marks (Virgin of Virgins), one type of so-called ritual protection mark (or apotropaic symbols) designed to ward off evil. There are plenty of less commonly found marks. The main photograph shows mediaeval porch seats with a magnificent inscription (G – PIC?) dated 1589.

GSS Category: Scratch Dials; Apotropaic Marks, Marian Marks, Church Graffiti

All photos: Keith Salvesen