ALL SAINTS . ALL CANNINGS . WILTS
GRADE II* † Early C13 with additions, enlargement and ‘remodelling’ thereafter; restoration 1869 by Henry Weaver. Cruciform plan of Norman origin. Purdue bells. S. of the Kennet & Avon canal between Devizes and Pewsey (close to Woodway Bridge which I ‘adopted’ many years ago). Wonderful views to the escarpments of the S. edge of the Marlborough Downs. 51.3531 / -1.9013 / SU069615
All Saints is an attractive multi-dial church. Wilts is well-served by the Council, which publishes online Wiltshire Community History. It is a valuable resource, informative and thorough while keeping entries short. It helpfully notes: there are six scratch dials on the exterior south wall, once used to determine the correct time for services. Apart from featuring in the county lists by TWC, there is little other information to be found about them. The W C link: ALL CANNINGS In fact, there are more than 6 dials.
DIALS 1& 2
Side by side on LHS. of the porch, a pair of dials of a broadly similar type. Dial 1 is the more sophisticated in design and ‘clock range’. I wondered if it was a replacement for the obviously less informative Dial 2.
Dial 1 has distinct lines, of which 4 are more deeply cut. Above these, on both sides, are a further 5 (possibly 6) faint lines. There are pocks at or near the end of some lines. The style hole is quite large and deep.
Dial 2 is simpler and more rustic, with 3 lines of different depths, each with a terminal pock. The noon line is slightly longer. There are a couple of other faint marks and pocks that suggest other lines now eroded.
DIALS 3 – 6
These 4 dials are R. of the transept window, L. of the buttress. The image below shows them all: a prominent dial with a semicircle of lines; above it, a similar, smaller dial with lines mainly in the lower L. quadrant; a rustic spider of a dial below them; and a strange dial with a long noon line and one even longer straggling line.
Dial 3 has 12 lines, perhaps more, ranging from distinct in lower L. quadrant and eroded / faint on RHS. All have terminal dots – the noon line has a cross. The style hole is surprisingly deep. A pleasing design.
Dial 4 is smaller, with the 9 lines mainly in lower L. quadrant. Some are straight, some have slight curves. The noon line is slightly extended. The short lines LHS terminate in the mortar line and do not extend onto the adjacent stone. After some thought, I discounted the smaller hole above either as related or as a residual dial in its own right.
Dial 5 sprawls at a slightly tipsy angle across a stone lower down. 6 distinct lines of differing depths and a couple of traces; partial pocks; and a large cross at the end of the noon line. Other marks, whether existing or added later, rather confuse the overall picture.
Dial 6 is the strangest of this group. It consists of a filled gnomon hole and a very long noon line cut with some precision, and deeper (separately?) on the stone below. The line also extends slightly upwards from the style hole. As such, it forms a very simple but workable dial, perhaps casting a long shadow easily visible from a distance. The other line is notably longer. It runs at roughly 45º (Terce?) to the junction of 3 stones before swerving downwards, fading, then finishing strongly. Were they cut at the same time? By the same person?
DIALS 7 – 9
Three dials additional to the six noted in Wiltshire Community History. Two are are W. side of the transept; the third is at the W. end between the window and the end buttress.
Dial 7 has 5 lines (one a trace) descending from a patch of black lichen, with no visible style hole. The noon line is longer and a true vertical. The 2 outer ones are perhaps Mass indicators.
Dial 8 is immediately below Dial 7, and the simplest of all. A small filled style hole; an accurately cut noon line; and a single morning line in the same position as the emphasised line in Dial 7. This perhaps reinforces the theory that a Mass time thus marked was the important one at All Saints.
Dial 9 is quite different for all the others, and on its own at the W. end between window and buttress. A small simple circle precisely cut, a large style hole for its size, and a single line with a (possibly related) pock. The line is in almost the same position as the those noted above as possibly marking the most significant Mass for the church. Possibly a trace of a noon line (and extended?). I didn’t notice it at the time but the image hints at one.
All Saints is also rewarding for those interested more broadly in Church marks – graffiti, dates, initials, and witch marks (aka apotropaic symbols / ritual protection marks for warding off Evil).
GSS Category: Scratch Dials (multiple)
All photo: Keith Salvesen