WOOTTON RIVERS . WILTS . ST ANDREW – Five Scratch Dials

St Andrew . Wootton Rivers . Wilts

ST ANDREW. WOTTON RIVERS . WILTS

GRADE II* † C14 with major C19 restoration by G E Street. Attractive village church with a shingled spire (slightly aslant). Situated by the Kennet and Avon canal. Home to the amazing JACK SPRATT’S CLOCK 51.3653 / -1.7187 / SU196629

DIALS

St Andrew has 5 dials (BSS records 2; HE 1) and a couple of doubtfuls. All are on the S side. The porch has graffiti – initials, dates etc – and apotropaic symbols / ritual protection marks.

DIAL 1

St Andrew . Wootton Rivers . Wilts – Scratch Dial 1

Dial 1 is on a quoin stone at the E end of S side. A small but easily visible dial with a large style hole for its size (doubtless enlarged at some time). The noon line is strongest cut, with 3, possibly 4, other lines. The None (9th hour) line is longest, possibly to indicate the most important Mass time of the day. A simple dial with a simple purpose. The 2 ‘tadpole’ marks bottom left could be witch marks to protect the church. There are others in the porch area.

DIAL 2

St Andrew . Wootton Rivers . Wilts – Scratch Dial 2

Dial 2 is relatively complex and later than dial 1. A semicircle design with the lines mostly positively cut evenly at 15º angles, though there is erosion in the lower R quadrant. There are also quite large pocks, mostly between the ends of 2 lines which is, I think, unusual. The style hole, as with Dial 1, is large.

DIAL 3

St Andrew . Wootton Rivers . Wilts – Scratch Dial 3

Dial 3 is a simple little dial consisting of three significant lines terminating in pocks, and an ‘afternoon’ pock. The sketchy marks above this suggest an extended line ending in a pock and, as with Dial 1, roughly corresponding to None, perhaps confirming the most significant service time for the church, ie early evening Mass.

DIAL 4

St Andrew . Wootton Rivers . Wilts – Scratch Dial 4

Dial 4 is on the E side of the porch. Very eroded, with the style hole drawing attention to a small encircled dial with 3 clearish lines – horizontal and 2 curving below it. Indistinct traces of a couple of other lines.

DIAL 5

St Andrew . Wootton Rivers . Wilts – Scratch Dial 5

Dial 5 is on the W side of the porch. Larger than dial 4 and also considerably eroded. 10 lines or so, and a confusion of pocks, especially around the (presumed) shallow style hole. There are hints of at least a semicircle in the lower half and the trace (illusion?) of a complete circle or even a double one.

GRAFFITI and APOTROPAIC (WITCH) MARKS

GSS Category: Scratch Dials

All photos: Keith Salvesen; Jack Spratt’s Clock link – VisitPewseyVale

WEST CAMEL . SOM . ALL SAINTS – Scratch Dials

All Saints. West Camel . Som.

DEDICATION † ALL SAINTS. Late C14 with much earlier Saxon fragments; C15 features and alterations; C19 restoration; recent internal renovation. A pretty country church and path approach. Battlement and stubby spire on the tower.

LISTING † Grade 1

LOCATION † Just W of RNAS Yeovilton and S of the A303. 51.0195 /  -2.5998 /  ST580246

DIALS † DEH visited All Saints in May 1915, and recorded 2 dials, one which he found inside the porch. An uncommon find, and shared with other churches in the area. There are 5 dials in all.

DIALS 1 – 3

All Saints. West Camel . Som – scratch dials 1 – 3

Dials 1 – 3 are on separate quoin stones of the tower E of the S porch. The eye-catcher is unmissable at the top, with a large style hole that has been considerably enlarged over the centuries. On the stones below are 2 more rustic dials that a very similar.

All Saints. West Camel . Som – scratch dial 1
All Saints. West Camel . Som – scratch dial 1 (π Erika Clarkson)

Dial 1 is a good example of a small line and pock dial. There are 13 lines with pocks (2 are eroded) and there is a double pock in the upper R quadrant on the bottom edge with (possibly) the stub of a line. There are hints of other lines and just possibly a faint shadow of near-erased circle. The deeper cut lines and pocks may indicate the most significant time of day for Mass, in this case between 9 (Terce) and noon (Sext). DEH describes it as a compact and rather curious little dial.

DEH 191. (2) This dial is on the s.w. corner of the tower. It is 5 feet 7 inches above the ground, the noonline is 2 1/2 inches in length, the stylehole is 1 1/4 inches deep, and the aspect is due s. Type 11, combining 3.

All Saints. West Camel . Som – scratch dial 2

Dial 2 is on the stone below. The style was presumably in the mortar line. There are 4 lines (Terce to Sext) ending in pocks. There are further pocks in the lower L quadrant, the top one corresponding with None. A true – if sketchy – Mass dial. The large hole beneath does not seem dial-related.

All Saints. West Camel . Som – scratch dial 3

Dial 3 has a very similar form, with 5 lines (2 very faint) emerging from the mortar line. It seems strange to have 2 dials so alike and so close. From the look of them, the upper dial would have been an improvements on the lower one.

It is hard to know what to make of the 4 pocks in a neat row on the R side. Possibly they belong with the hole above them. Conceivably the configuration could have worked as a crude or experimental dial but it can’t be rated higher than ‘doubtful’.

DIALS 4 & 5

Both dials are inside the porch on L side the original doorway. The present porch was added in 1866, replacing an earlier porch of unknown date. Such ‘inside’ dials are not unusual, but this particular area has several quite close together, eg BLACKFORD, LIMINGTON, WESTON BAMPFYLDE Note the traces of whitewash on and around both dials.

All Saints. West Camel . Som – scratch dial 4

Dial 4 has 4 distinct lines and traces in lower R quadrant. 3 of the clear radials extend to the mortar line below. It looks as though all the lines were originally roughly the same length, with 3 later crudely elongated (2 have bends).

DEH: 190. (1) This dial is on the w. side of the inner door of the s. porch. It is 4 feet 10 inches above the floor, the noonline is 4 inches in length, the stylehole is 1 1/2 inches deep by 3/4 of an inch in diameter, and the aspect is s. by 10° e. Type 3.

All Saints. West Camel . Som – scratch dial 5

Dial 5 is above Dial 4, and much simpler. 4 lines descend from the mortar line, one extended. The upper R one ends in a pock. The 2 pocks on the bottom edge probably emphasise noon. The large hole doesn’t seem to be part of the design.

Dials 4 & 5 close-up

NOTE: fragment of a C9 Saxon cross-shaft with cable-roll interlaced decoration on 2 faces, discovered above nave East wall foundations in 1866. 

GSS Category: Scratch Dial, Mass Dial

CREDITS: many thanks to Erika Clarkson who sent me the excellent close-up photo of Dial 1 and prompted my visit to All Saints and several other churches churches in the neighbourhood; All other photos Keith Salvesen

ALFRISTON . E SUSSEX . ST ANDREW – Scratch Dials

St Andrew . Alfriston . Sussex

GRADE 1 † C14 flint-faced cruciform church of considerable interest, in an attractive setting between Lewes and Polegate. Oddly, the usual reliable research resources (BLB, BHO, HE) have minimal or no entry for St Andrew. Luckily the CUCKMERE CHURCHES website gives helpful details.  50.8066 /  0.1581 / TQ521030

St Andrew . Alfriston . Sussex – Scratch Dial

DIAL

The neat compact dial is located on the S porch, on a W side quoin stone. It is encircled, with 12 radials of which the noon line – though the faintest – extends some way beyond the circumference. The style used in the original style hole, now blocked, was evidently superseded by an iron gnomon set in the oblong hole above the cement; probably not earlier than C17. This adaptation is also found at St Michael Litlington, situated opposite Alfriston on the E side of the Cuckmere valley. The dials there are famous and I will post about them separately.

St Andrew . Alfriston . Sussex – Scratch Dial

The radials are contained within the lower half of the dial (below the 6 – 6 horizontal) and are rather randomly spaced at (roughly) the 15º intervals usual in this design. In a later dial, the lines would be graduated. This form is a Canonical dial designed to mark the times of Mass. The significant lines were Terce, Sext and None – the 3rd, 6th (noon) and 9th hours. These are not emphasised here (eg by being cut wider, deeper or longer) although on many dials they are . There is a suggestion (BSS) that at some time the dial was recut / rescratched.

St Andrew . Alfriston . Sussex – Scratch Dial

GSS Category: Scratch Dial

Photos: John Renner (dial); Camilla Pennant (church view across the village green known as the Tye)

HOLTON . SOM . ST NICHOLAS – Scratch Dials

St Nicholas . Holton . Som

ST NICHOLAS . HOLTON . SOM

GRADE II* † C14 onwards. A small and pretty village W. of Wincanton on a hillside, and a church with a view. Seemingly off the beaten track approached from S / E but in fact rather close to the dread A303 to N. 51.0401 / -2.4503 / ST685268

DIALS

An outstandingly rewarding Priest’s door. Both sides of the doorway have dials, part dials, traces of dials, together with a variety of graffiti and other church marks. DEH visited St Nicholas in April 2014, for some reason recording only 2 dials, one each side of the doorway. There are certainly 5, with a plausible 6th.

St Nicholas . Holton . Som – Priest’s Door

DIALS: EAST SIDE

St Nicholas . Holton . Som – Scratch Dial 1 (E side)

Dial 1 RHS The main dial of 2 is quite roughly incised. A full circle (though not circular); 12 (or so) lines of varying lengths, widths, depths and graduation; all enclosed (at the time or later?) in an approximate rectangle. The lowest 4 lines, with large terminal pocks, are deeply cut. There is an extended part-eroded noon line. The style hole is surprisingly large: with an emerging peg or rod that size, a passer-by would have been able to check the time of day / of Mass from some distance away.

St Nicholas . Holton . Som – Scratch Dial 2 (E side)

Dial 2 RHS In the context of this multi-dial doorway, this is very simple. It is almost level with another minimalist dial on the W. side. Below the small style hole are double noon lines; or perhaps 2 lines bordering a ‘midday space’ between them. They seem intentionally incised below uncut stone directly under the hole. There are pocks in the area but my feeling is that they relate to Dial 3 (with one debatably either).

St Nicholas . Holton . Som – Scratch Dial 3 (E side)

Dial 3 RHS is above and to the L side of dial 2, by the door surround. There is a small shallow hole with a crescent of 5 or 6 pocks in the lower L quadrant of its (imaginary) circumference. Possibly the lowest pock, distanced from the rest, is a Mass mark (Terce?) for dial 2. A faint line can be seen directly pointing at the top pock. Others, if any, are completely eroded. I might describe this dial as merely ‘debatable’ or ‘plausible’, were it not for the neat and apparently intentional configuration.

St Nicholas . Holton . Som – Scratch Dial 3 (E side)

DIALS: WEST SIDE

St Nicholas . Holton . Som – Scratch Dial 4 & 5 (W side)

One of the most interesting sides of any Priest’s Door I have come across. There are 3 dials in all, from remarkably exuberant to extreme simplicity. Additionally there are barely visible traces of part circles and lines that, in medieval times, might have been part of the scheme.

St Nicholas . Holton . Som – Scratch Dial 4 (W side)

Dial 4 LHS The upper of 2 main dials. Encircled, with a blocked style hole, 8 clear lines more of less in the lower quadrants. One deeper incised, probably emphasising a local time for Mass. 3 fainter / more eroded lines above the horizontal (including a ‘midnight line’), of decorative use only.

St Nicholas . Holton . Som – Scratch Dial 5 (W side)

Dial 5 LHS Immediately below and touching Dial 1. Unusually adventurous. A large blocked gnomon hole, encircled, and roughly centred within a crudely cut square frame. There are 10 (11?) lines, all except one being in the lower half. The lower R quadrant is significantly eroded with just the faintest hint of ‘missing’ lines. The few pocks seem to be part of the overall design. Most remarkable are the extended lines. The prominent noon line and the faint flanking lines dive confidently downwards.

St Nicholas . Holton . Som – Scratch Dial 5 (W side)

I imagine the noon line – some 4 times longer below the incised frame than between the frame edge and style hole – is close to a record. It effortlessly passes through the crumbled mortar joint onto the stone below.

St Nicholas . Holton . Som – Scratch Dial 6 (W side)

Dial 6 LHS is, like its low-level counterpart RHS, extremely simple – a small style hole with just a cross below it marking the noon line. There is a trace of a line at 5 that may be part of it but I’d prefer to think of this dial as simply a hole and a cross.

St Nicholas . Holton . Som – Scratch Dials 4 – 6 (W side); dial locations

GSS CATEGORY: Scratch Dial; Mass Dial

ALL PHOTOS: Keith Salvesen

WYCHNOR . STAFFS . ST LEONARD – Scratch Dial

St Leonard . Wychnor . Staffs

WYCHNOR . STAFFS . ST LEONARD

GRADE II* † C12 origins, mainly C14, C17 work / expansion. A hamlet with a fine red sandstone church. Hwiccenofre in Saxon times, Wicenore in DB. Church details BLB. NE of Lichfield near Alrewas, close to R Trent. 52.742 / -1.7394 / SK176160

DIALS

St Leonard has 3 recorded scratch dials, one of which features here along with an arguable but doubtful dial. The other 2 official dials will be covered in a separate post. The neighbouring village, Alrewas, has a church (All Saints) also with 3 recorded dials. Two are featured HERE. The third will be featured in due course.

St Leonard . Wychnor . Staffs – Scratch Dial

Prominent on the easternmost buttress of the aisle with a sizeable style hole (a later enlargement of the original?). Cut on black stone and eroded. 4 (5?) broad lines cut in lower R quadrant; other possible traces. An afternoon dial – perhaps locally the most significant part of the canonical day, marking the Masses sext and none: the 6th (noon) and 9th hours.

BSS additionally notes: 2 pocks in lower R quadrant, & 2 in upper R quadrant at much larger radius. The archive image below shows (lower R quadrant) a terminal pock under the noon line (not uncommon) and another next to it (unusual?). 2 pocks are visible upper R, but whether related to the dial is uncertain.

St Leonard . Wychnor . Staffs – Scratch Dial (BSS archive)

PLAUSIBLE, DOUBTFUL, OR NOT A DIAL?

Image 1 – the original – displays marks that resemble a relocated and inverted dial. Images 2 & 3 show a 180º rotation and close-up. It looks quite plausible, with apparent dial features including extended noon line, a feasible style hole, some pocks that may be part of the design. Also, the focus is on the lower R quadrant, perhaps reinforcing the ‘afternoon Mass’ suggestion above. But overall not quite right, and doubtful at best.

NOTE The Pilgrim Way Church Trail, 14 miles long, links six churches dated from Saxon to Victorian leading to Lichfield Cathedral following an an ancient path. As the excellent PWCT site explains: you can walk, cycle or drive the trail and the three booklets give clear instructions and helpful photographs 

GSS Category: Scratch Dial

Photo credits: Erika Clarkson – dial images; Peter Ralley – header image of St Leonard’s; BSS archive

QUEEN CAMEL . SOMERSET . ST BARNABAS – Scratch Dial(s)

Queen Camel . Somerset . St Barnabas

GRADE I . C14 (first record 1291); C15 expansion; late C19 work. See HE for details of this interesting church, with its fine portico. A few miles N. of Sherborne or Yeovil. 51.0225 / -2.5754 / ST597249

DIALS

DIAL 1

The medieval dial is easily found on S wall of the chancel, on the buttress E of the priest’s door. The approximate semicircle embraces an almost compete set of 6-to-6 lines. There are several pocks, large and small. BSS notes include: 1. Worn. Repositioned. Octaval, Tides. 2. Dial (Norman?) with tides, with duodecimal, sometimes both. 3. Mason-cut or roughly scratched. 4. Tide dial, roman numerals, extra line at 7. I have to say (as an amateur) that I can’t match all these features to this dial or either of them if both are being described together (see below).

Queen Camel . Somerset . St Barnabas – scratch dial 1

The dial is large, almost the full width of the buttress. Unusually, it is cut over 4 stones. Note the low pock some way directly below the noon line. Most of the dial is cut on the Hamstone E quoin, the lower rim extending onto the 2 stones below. These stones match those around them. However the L side of the dial is cut on grey stone not matched elsewhere nearby.

I was puzzled by the suggested repositioning of the (entire) dial. An alternative theory might be that the dial was positioned where it is now. Over time, the L side became eroded or damaged and was replaced with a different kind of stone (perhaps being used for repairs elsewhere on the church). The new stone was then cut to match the design of the original. Looked at closely, the ‘new’ L side design does not in fact match the rest accurately. Not all lines follow exactly; there are no pocks; the incisions are clearer. Does this support a later replacement (and possibly harder) stone?

DEH visited in May 1914 and recorded 182. (2) This dial is on the first buttress to the e. of the priest’s door. It is 5 feet 9 inches above the ground, the noonline is 5 1/2 inches in length, the stylehole is 1 1/8 inches in depth by 3/4 of an inch in diameter, and the aspect is s. by 10° e. Type 5c. May 18th, 1915.

DIAL 2

Dial 2 also creates some confusion, not least its location. BSS does not record this dial as a separate entry from Dial 1 but may be referring to it especially in the note 4. Tide dial, roman numerals. Dial 1 does not have visible roman numerals but Dial 2 does.

Queen Camel . Somerset . St Barnabas – dial 2

This dial is located high up above the portico, below the parapet of the nave seen as clerestory with parapet BLB. It is quite damaged, with a modern gnomon and a flaking layer of blue paint that makes it stand out (see header image). It’s hard to date the dial. Similar dated dials in the region are quite often early C18 or even C17. The dial is conventional of its kind, carefully graduated. The numerals are set in a frame, and italicised each side of the noon line.

DEH’s description of his second St Barnabas dial is another puzzle:

181. (1) This dial is on the s.e. buttress of the s. aisle. It is 6 feet 7 1/2 inches above the ground, the noonline is 5 inches in length, the stylehole is invisible, and the aspect is s. by 10° e. The dial is curious, as it has the lines arranged much as they are in an ordinary sundial, with Roman numerals cut at the ends. There may have been a slit for a gnomon, now carefully cemented up. Probably this should not rank as a Scratch dial.

There is a significant problem. The location DEH gives for it, six feet up on a buttress, is totally different from this now blue dial, yet his description broadly matches it and his comment that it probably should not rank as a Scratch dial is clearly apposite. I may have missed a second buttress scratch dial, even though I have been back to check. Or else perhaps DEH made a simple error in compiling his notes of several churches visited at one time in one area (I have come across a couple of similar instances). So this dial, now blue, is the one he meant but mis-located.

Queen Camel . Somerset . St Barnabas – dial 2

GSS Category: Scratch Dial; Old Dial

All photos: Keith Salvesen

EAST CHINNOCK . SOM . ST MARY – 2 Scratch Dials (1 unrecorded)

East Chinnock . Somerset . St Mary. Scratch Dials
East Chinnock . Somerset . St Mary

EAST CHINNOCK . SOM . ST MARY

GRADE II † C14 origins on earlier site; mostly C15 and later C19 work. South porch very simple, possibly C14 BLB. Cinnuc in Saxon times. 4 miles W of Yeovil, attractively set on the steep hillside at the E end of the village though right beside the A30. 50.9164 /  -2.7145 / ST498132

DIALS

St Mary has 2 dials. Both are on the S porch, one of the earliest parts of the church. One was recorded by DEH on his visit in June 1915. The other is a new find I believe.

DIAL 1

The dial is halfway up the L side of the porch immediately above a gravestone. It comprises pocks with a large style hole. The pattern is haphazard and the dial might actually make more sense if rotated 90º L, producing a double pock noon line.

East Chinnock . Somerset . St Mary. Scratch Dials
East Chinnock . Somerset . St Mary – Scratch Dial 1

DEH 196. This dial is on the w. side of the s. porch, at a height of 4 feet 8 inches above the ground. The noonline is 2 1/4 inches in length, the stylehole is 7/8 of an inch by 1/2 an inch in diameter, and the aspect is s. by 30° e. Type 10. June 15th, 1915.

DIAL 2

East Chinnock . Somerset . St Mary. Scratch Dials
East Chinnock . Somerset . St Mary – Scratch Dial 2

Dial 2 is located quite high on the E face of the S porch, a simple 4-line fan dial. The position makes no sense for a sundial, and it was plainly relocated at some stage. In the process, as is often the way, it was inverted. This re-siting with a rotation of the stone retains the decorative feature even though no longer a reliable time indicator. This is the sort of find that reminds me always to search beyond the normal dial locations of porch, buttress and priest’s door.

GSS Category: Scratch Dial

All photos: Keith Salvesen

PODIMORE . SOM. ST PETER – Scratch Dial

St Peter . Podimore . Somerset

ST PETER . PODIMORE . SOMERSET

GRADE I. Early C14 on the site of an earlier ?C12 church. Unusual three octagonal stages on the square base of the tower. Porch of significance, with dial by inner door. Church situated close to the N. perimeter of RNAS Yeovilton. Historically spelled Podymore, sometimes adding Milton. 51.0219 / -2.6492 /  ST545249

DIALS

St Peter has a fine dial on a quoin stone at E. end of the nave, an unusually complete and very satisfying symmetrical design. DEH records this dial (as does BSS), and also a second dial inside the porch (a feature of churches in the area) that is rather a puzzle.

DIAL 1

St Peter . Podimore . Somerset – Scratch Dial 1

There is a full complement of 24 lines, each passing through a pock on its way to the perimeter. The line spacing is regular, each angle at 15º. The style hole is large relative to the careful proportions of the design. Overall the condition is good, the lower half more so than the upper. Some lines pass into (and perhaps beyond) the mortar joints, suggesting that a very strong and weather-resistant mix was used in medieval times (or extreme care taken with mortar repairs).

St Peter . Podimore . Somerset Scratch Dial 1

DEH visited in Oct 1914 and noted that the dial is elaborate and has lines and dots, and is also of unusual pattern. This dial is one of very few photographs included in his book. Note the spelling of the village in the caption. I wonder what kind of camera he took with him on his travels round Somerset?

211. (2) This dial is on a quoin at the s.e. corner of the nave. It is 4 feet 9 inches above the ground, the noonline is 4 1/2 inches in length, the stylehole is 3/4 of an inch deep by 3/4 of an inch in diameter, and the aspect is s. by 15° e. Type 11.

DIAL 2

The dial inside the porch of St Peter is RHS of the door. BLB notes S porch, gabled, with outer 2-centre arch of 2 orders, the outer segmental, and inner plain pointed arch door and a possibly C16 door with old ironwork. The date of the original porch – restored 1871 – that covered the dial is unclear.

St Peter . Podimore . Somerset – Scratch Dial 2

The dial, at latch level, is rustic and in poor condition. There are 2 clear lines, with the noon line cut deep at the top then scratched roughly a long way downwards before petering out. There’s no sign of a style hole where the lines meet, so the gnomon was presumably fixed in the mortar line just above. A partial / eroded line at the edge of the lower R quadrant could be consistent with Nones in the canonical Mass.

MYSTERY

A mystery arises from DEH‘s record for this ‘within-porch’ dial: He noted 210. (1) This dial is on the w. side of the inner door of the s. porch. It is 4 feet 6 inches above the floor, the noonline is 1 inch in length, the stylehole is in a joint and filled, and the aspect is s. by 20° e. Type 2. I found no dial in that position nor with that description. My tentative theory is that, very rarely, DEH’s notes of a day’s dialling are unclear; features of one church / dial appear to be ascribed to another nearby. Probably I should return to the area and check the churches for a dial as he describes.

St Peter . Podimore . Somerset – Scratch Dial 2 within porch

GSS Category: Scratch Dial

All photos: Keith Salvesen

COMPTON PAUNCEFOOT . SOM . ST MARY – Scratch Dials

Compton Pauncefoot . Somerset . St Mary

GRADE II* † C15 (C13 origins). Restored and N. aisle added C19. A handsome spired church, unusual in a region where most churches have towers, in the lovely setting of a small hamlet reached by a network of lanes. 51.0337 / -2.509 /  ST644261

DIALS

St Mary is a most rewarding church to visit, both the exterior and interior. You will find brief points of note at Camelot Parishes. DEH on his visit in April 2014 recorded 2 medieval dials (2 & 3 below) but there are others, including a more elaborate later one with Roman numerals (C17?) above the porch.

DIAL 1

Compton Pauncefoot . Somerset . St Mary – scratch dial on the porch

Dial 1 A very visible 3-line dial on a large stone RHS of the porch. It consists simply of a small style hole with a long noon line and a single line the same length cut on each side. Despite its prominent location, the dial seems largely unremarked though perhaps it is mentioned in the church archives. The actual stone differs from the ones around it – perhaps it was relocated during restoration to a more prominent position on the porch. It is strange that DEH didn’t include this dial in his records for the church.

DIAL 2

Compton Pauncefoot . Somerset . St Mary – scratch dial on the E buttress of the nave

Dial 2 is located on the buttress at E end of the nave. It is close to being an ideal dial for study. The style hole is (nearly) centred on the stone. The noon line is not only emphasised, it extends upwards to ‘midnight’. There’s a distinct optical impression of a circle. The horizontal (6-to-6) line extends almost the full width of the stone. Other lines are unusually long, reaching beyond the notional circle. They are carefully graduated to optimise the accuracy of the dial. One mystery is the absence of the 4-line. I couldn’t find a trace of one. It seems unlikely that a single line has eroded completely; but a reason for omitting one line on an otherwise complete and indeed symmetrical dial is hard to think of.

DEH chose the dial to illustrate Type 7

DEH 177. (2) This dial is on the buttress at the s.e. corner of the nave. It is 4 feet 6 inches above the ground, the noon- line is 4 1/2 inches in length, the stylehole is 1 inch in depth by 3/4 of an inch in diameter, and the aspect is s. by 20°e. Type 7. April 24th, 1914.

DIAL 3

Compton Pauncefoot . Somerset . St Mary – scratch dial beside the E buttress of the nave

Dial 3 is close to the same buttress, smaller, more rustic (earlier) and lower down. There are 9 certain lines and a couple of traces (one possibly above the 6 am horizontal). Their spacing is somewhat random. 4 lines end in pocks.

DEH 176. (1) This dial is on the wall w. of the buttress at s.e. corner of the nave. It is 2 feet 8 inches above the ground, the noonline is 4 1/2 inches in length, the stylehole is open, and the aspect is s. by 20° e. Type 3.

DIALS 4 a – d

Compton Pauncefoot . Somerset . St Mary – scratch dial(s)

Dial 4 This is in fact a dial / dial-related group on a single quoin stone, but treated as a dial unit for convenience. The overall design has 4 elements. There are 3 eroded (part) circles – two overlapping – with a small rough dial within the top circle. In this group of interlinked components, each is of a type often identified either as dials or as remnants of eroded dials. See eg CHURCH STRETTON Such a collection on a single stone perhaps suggests experimentation with dial-making. Or the (part-)circles may simply be decoration or (not unknown) doodles. Anyway, I decided to lump them together as one dial rather than to try to sort out the tangle. Any interpretations would be welcome.

Compton Pauncefoot . Somerset . St Mary – scratch dial(s)

DIAL 5

Compton Pauncefoot . Somerset . St Mary – scratch dial / C17 sundial

Dial 5 is a C17 later accurately incised dial on the fine porch above a cusped ogee-arched statue recess with foliated base BLB with its C19 statue of Virgin and Child. This dial is similar to several others in S. Somerset & W. Dorset (some are included under the heading OLD DIALS). The radials are contained within a rectangle, carefully incised and graduated. The noon line is more deeply cut, and leads down from the damaged area at the top of which is a filled style hole. Possibly the area of damage immediately below it indicates that a metal gnomon plate was later fixed there. The frame round the dial shows Roman numerals (IV as IIII) except for noon, which is marked by a cross (a conventional style).

GSS Category: Scratch Dial ; Old Dial

All photos: Keith Salvesen

LILLINGTON . DORSET . ST MARTIN – 3 scratch dials & a theory

St Martin . Lillington . Dorset

ST MARTIN . LILLINGTON . DORSET

GRADE I † C13 origin, chancel & tower C15, porch C17, south chapel C18. Restored 1848. A small hamlet, a fine church, a tithe barn, a manor house. Sir Walter Raleigh prayed here. Perfect rural Dorset – secluded in a valley, reached only by narrow lanes, and very much a longcut for traffic. 2m over the fields from our house, 15+ minutes drive. 50.9127 /  -2.5283 / ST629127

DIALS

St Martin has 3 scratch dials, all very different. There is a further contender that I put forward as a plausible but very rare type of dial (with a small degree of approval from BSS).

DIAL 1

St Martin . Lillington . Dorset – Scratch Dial 1

Dial 1 is located on the SW. face of the buttress at the W. end of the tower. It consists of a style hole encircled by a somewhat elliptical ring. There are traces of an inner circle or partial circle, clearest seen at the bottom of the dial. GLP describes it as very eroded, and dates it as C15 (ie when the tower was built). He refers to 2 lines but I did not notice them and I can’t pick them out in the photos.

DIAL 2

St Martin . Lillington . Dorset – Scratch Dial 2

Dial 2 is at 90º to Dial 1, on the SE. face of the same buttress and indeed on the same stone. There are 5 clear lines radiating from a filled style hole, forming what might be called an ‘afternoon dial’. It’s hard to tell which is the noon line: possibly the lowest lines are angled to allow for the dial not facing due S.

GLP also dates this dial as C15. He notes that it may not be in its original position, or may have been (partly) rotated ‘then it might… have been reasonably accurate’. BSS records ‘possibly re-positioned and rotated’. But because this dial and Dial 1 are on the same stone, rotation may be less likely.

DIAL 3

St Martin . Lillington . Dorset – Scratch Dial 3

Dial 3, between of the nave window and the side-chapel, is possibly C13. The chapel, added in C18, shades the dial for half the day. GLP counts 4 lines, at least one ending in a pock, and notes shallow marks between lines possibly marking 1/2 hours. BSS also records 4 lines. I presume the uppermost mark or scar is viewed as subsequent damage. The style hole looks as if it has, or has had, metal in it.

VERTEX DIAL?

On the same buttress as dials 1 & 2 and on the stone immediately below them, is a fairly deep hole drilled precisely and straight into the corner of the stone. Because of the proximity to the other dials at right-angles to each other, I wondered if this strangely-placed hole was also a dial (and if so, whether unique). So I experimented with a stick, with the result shown below. My conclusion is that a prominent gnomon in the vertex would give a clear indication of the passage of time throughout daylight hours. In a way, it might be rather more effective than a normal dial. I could clearly see the shadow from the E. end of the church.

I put the theory out there. As always, any observations would be welcome.