The area between Caen and Alençon contains a surprising number of churches with scratch dials. There are some rich pickings for scratch dial and church mark enthusiasts. It is not exactly a destination in itself, but is certainly vaut le voyage if you are in the region. Several churches have a plethora of designs and Urville is one of them. I gave up counting the dials and disentangling overlapping ones when the score reached twenty. 49° 01′ 31.44″ N, 0° 17′ 53.88″ W
There is no point in trying to analyse this amazing collection of dial art, nor guess its significance. It’s hard to find out much about the church at all except for the official write up to the effect This parish church, built in the village centre, replaced the former place of worship which had become too small. The present church is said to be C17. Using British churches as a guide, some of the dials & graffiti seem earlier. Presumably some of the original church’s stones were reused. It might make sense that the new church tempted the villagers to add to an existing display. Here is a varied selection.
DIALS
APOTROPAIC SYMBOLS, GRAFFITI and other designs
GSS Category: Scratch Dial (Normandy France); Mass Dial (Normandy France); Medieval Sundial (Normandy France); Church Graffiti; Apotropaic Symbols; Protection Marks
The barn is part of Gorwell Farm about 3m N of Abbotsbury, deep within the folds of steep hills, with ancient trackways, a stone circle, and strewn with sarsen stones. It has several uses, including as an excellent wedding venue; a lecture venue in particular for historical, geological, and similar types of research; and an educational centre.
The barn is C17 and has been sympathetically restored. During the process, work on the interior walls uncovered a fine hexfoil, and stones with graffiti and other marks. These are usually associated with churches, but barns were also ornamented in this way.
This is not a dial post, but it fits in with the ancillary purpose of including related matters of interest (see MENU and the various subcategories)
HEXFOIL
Hexfoils (hexafoils), also called daisy wheels or petals, are not uncommon. They are mostly found in churches; less often in secular buildings. Generally they are compass-drawn and symmetrical. There are three main theories to explain them, not mutually exclusive.
1. A form of Consecration Cross (an attribution given eg to the fine hexfoil at St Mary, Cerne Abbas, Dorset below). However, the many thousands of conventional crosses on churches all over the country suggest that there would be little need for a large daisy wheel except perhaps in a significant church. Often there are several on a church, each marking a particular event such as a Bishop’s visit or blessing. The maximum is generally 12, though a few churches (eg St Mary, Holnest, Dorset) have 14.
2. Symbols created by masons in the course of construction, a theory debunked firmly by medieval graffiti expert Matthew Champion on several irrefutable grounds.
3. Ritual protection marks (apotropaic symbols) designed to ward off / neutralise evil. To this can be added the concept of the Demon Trap whereby evil is confined within the circle – a line with no end – rendering it powerless.
Hexfoil . St Mary . Cerne Abbas . Dorset
‘4-LEAF CLOVER’ and GEOMETRIC SYMBOLS
I haven’t found such a clear example of a 4-petal style before. It is both decorative and protective: again, evil is attracted to it and then caught by the unbroken lines. Strengthening the case, the design to the left is an eroded example of a fairly common protection mark. These involve a geometric shape – usually a rectangle – with a pattern of joined dots. More complex ones look something like a square solitaire board.
SEMICIRCLE
This looks compass drawn. There is a hole on the lowest part of the circumference which – if a sundial – would be significant as marking noon.
GRADE I † C13 (recorded 1273), C15 nave & tower. C19 restorations (Butterfield). In a lovely position below a wooded stretch of the cliff PEV. Pevsner & his wife Lola are buried together in the churchyard**. Interior has much of interest: pulpit 1629; excellent monuments C13 on, medieval stained glass. 7m SW of Swindon. 51.4917 / -1.8939 / SU074769
Sir Nicolaus Pevsner
DIALS
As one approaches the porch from the lych-gate, there are two very visible dials, one on either side of the entrance. A third dial in that area is noted (eg BLB / HE). In fact there are more dials, but when I visited, finding them involved negotiating overgrown bushes and parting tree branches in light drizzle. There are also some dial-ish designs – eroded or incomplete – that are doubtful, but are included below for consideration.
DIALS 1 & 2
Dial 1 is LHS of the porch. This large dial is encircled, with the upper segment encroaching on the stone above. There are 7 / 8 lines, two of which are ULQ (so, not useful). The noon line extends well below the circumference and through a partial double circle. I think this is the BLB / HE third dial, though I think it is more a doodle than a dial. The emphasised line LLQ may mark Terce. The oddly inaccurately cut lines R of the noon line seem surprisingly casual for such a prominent dial.
Dial 2 is the counterpart of Dial 1, and far simpler. The overall design suggests that it is on its side, 90º anti-clockwise, perhaps re-sited.
DIAL 3
Obscured by foliage, Dial 3 is unconventional. The clear-cut circumference surrounds a single line with a dot at each end, slightly tilted from the horizontal. On the curve RHQ is a dot roughly corresponding to the Mass-time None. In the centre is a blocked gnomon hole. There are no lines or other markers of the passage of the day. In a sense , there is no necessity for lines to mark the hours – a stick’s shadow is almost as helpful.
DIAL 4
Dial 4 is largely hidden by foliage. Unusually, it consists of 4 concentric circles. These are now badly eroded; one is a trace only. Apart from the central gnomon hole, there are no other visible dial attributes: no lines, no pocks.
This type of dial is not unusual. Here is a similar dial in FOVANT Wilts, with 2 concentric circles and no other marks than the gnomon hole. However, I ought to mention that some consider that such designs are not dials, but may have a decorative and possibly an apotropaic function.
DIAL 5
Dial 5 (?) – if a dial – is a classic ‘drainpipe’ example, in part concealed by a more modern addition to the church wall. There must be some doubt here because it is hard to see how it – with the arc of a circle below – would have worked.
DIAL 6?
Dark and damp, this stone was difficult to read. If a dial, it is contained within a square with the top side being the mortar line. In favour of dial status is the location of the dial stone beside a window and the position of the dial; traces of a circle; a pock directly on the circumference LHS roughly corresponding with Terce; and the fact that the design is quite accurately framed as if to display it better. Equally, there are reasons to discount it.
OTHER DIAL CANDIDATES and CHURCH MARKS
Another interesting part double circle, endearingly wonky. Very doubtful as a dial. Most interesting for the graffito UR, which may be a simple form of a type of ritual protection symbol that consists of rectangles with line and dot patterns.
The two marks on this stone – with variations – are quite often used as protection marks.
Note again the the double curves RHS. Most probably an incised design, rather than a dial.
Further evidencing the incidence of protection symbols is this Marian VV mark close to Dial 2.
The handsome bier kept in the church, and in excellent condition.
**In 1951 Pevsner published the first volumes of his magnum opus, The Buildings of England, an enterprise that took nearly 25 years to complete. The substantial Wiltshire volume was recently revised, expanded, and published in 2021
GSS Category: Scratch Dials; Mass Dials ; Multiple Dials
GRADE I † Late 12th-century origins (parts of nave & chancel evident). Mainly C15 with later additions; S porch added C17 using old stonework; extensive restoration 1865. C13 font; Purdue bell 1658. Off the beaten track in a valley midway between Dorchester & Weymouth. Hardy-esque. 50.6599 / -2.445 / SY686845
Bincombe Church 1802 (Gentleman’s Magazine)
DIAL
Bincombe is a hidden village in the folds of the hills inland from the pleasures of Weymouth. It’s a mere 20m from our house yet until I visited a church nearby, it wasn’t on my radar at all. I must have passed close by it hundreds of times.
The dial is located on the E jamb of the SW chancel window, about 2m from ground level . GLP describes 4 short lines, with the noon indicator being the gap between two of them. He notes that the dial must have been moved to its position for reuse as part of the window jamb, truncating 2 lines LHS. Finally, he concludes that, the window being C15, the dial predates 1400.
Holy Trinity Bincombe – BSS Record
The dial, small and chunky, is in the top L corner of the dial stone. I haven’t seen one quite like it. The gnomon hole is surprisingly deep for such a little dial. In situ (and in the photos), there are ghosts of 2 or 3 lines LRQ angling towards the hole (but not converging?) Probably best disregarded.
CHURCH MARKS
Holy Trinity has a fine selection of crosses / protection marks drilled into the porch entrance. Here are a couple of examples.
GRADE II* † Norman origins; rebuilding C15 & early C16; substantial restoration 1877. A church that repays one’s interest, with an intriguing Rood screen / reredos repositioning conundrum; and unusual chest tomb: on top lies the effigy of an emaciated cadaver partly covered by a shroudBLB. 14m E of Exeter, 5m W of Honiton. 50.7875 / -3.2659 / SY108994
DIALS
St Andrew has 3 scratch dials, the most obvious being visible from the lych gate and as one approaches S porch. The other 2 dials, very close together, are remarkable and probably unique (certainly so as a pair). Dial 3 may be doubtful. An additional basic but dial-ish scratching is shown below, as are various other church marks including a good example of a Consecration cross.
DIAL 1
St Andrew . Feniton . Devon – Scratch Dial 1
Dial 1 on the porch buttress is a straightforward design and easy to make out, but damaged and cement patched UR. There are 13 lines, some now very faint. The angles are more or less accurate at 15º. The vertical / noon line is not emphasised in any way, which is slightly unusual. The main Mass was presumably Terce, marked with a deeper cut line LHS. The gnomon hole has been filled with a rather well-chosen rounded arrow design; it is modern yet respectful of its purpose.
DIAL 2
St Andrew . Feniton . Devon – Scratch Dial 2
Dials 2 & 3 are adjacent low down on the same porch buttress as Dial 1. It is a remarkable juxtaposition. BSS suggests they are early dials – pre-1400?
Dial 2 consists of a pattern of pocks contained within what could be termed geometrically as the major segment of a circle. The horizontal line is incised more deeply. BSS suggests that 13 pocks are identifiably associated with the dial, with a few random ones besides. The quite shallow gnomon hole in such a small design presumably contained a stud rather than a rod.
A noon line is seemingly marked by the sightly offset double pocks just R of the vertical. Theres’s also a very small pock directly above the gnomon hole, conceivably a decorative-use-only marker for midnight and symmetry.
DIAL 3
Dial 3 The BSS entry for this little configuration of dots describes a semi-circle of 8 pocks, with other associated pocks and no obvious gnomon hole. It concludes closely related to dial no. 2, possibly never used as a dial.
Perhaps it is not a dial at all. The rather untidy part-circle curves away NE after noon – pointlessly, if part of a dial. BSS notes that there is no central style hole. There is a single pock inside the perimeter that might have held a stud – but unlikely to be much use in that position. Some might suspect unserious pattern-copying efforts along the lines of Dial 2.
St Andrew . Feniton . Devon – Scratch Dial 3
My amateur reading of this buttress as a whole is firstly, that the low stone on which Dials 2 & 3 are located is not its original location. At some stage during all the rebuilding and restoration over the centuries it was re-sited. The little dial that ‘worked’ was then too low and would anyway have been an obsolete design. It was therefore superseded by a far larger, more modern (? mid C16) and very visible dial, accurately cut and ideal for marking the passage of the day for a larger, better educated community in a more modern era. Comparatively.
DIAL 4?
Both lines seem deliberately scratched. One is approximately vertical, the other could mark the Mass time Terce (cf Dial 1). The lines diverge from the mortar line, as do many simple dials – it means not having to drill a dial gnomon into stone. I have seen less convincing 2-line versions that have been recorded as dials. I am slightly in favour of it being a dial.
CONSECRATION CROSS
This is a good example of a rural consecration cross, incised on a buttress between 2 windows. From a distance the design might mislead and be seen as four petals, rather than a compass drawn cross. There are hints of an outer circle. This is a fairly common type of cross, but good see one that is relatively unworn. The four distinct quarters rule out ID as a protective hexfoil, although there is a similarity.
GRAFFITI
Graffiti on two adjacent stones, one example dated ?1675
PROTECTION MARK
This is very likely a ritual protection mark / apotropaic symbol designed both to prevent evil from entering the church, and to repel it. For that reason they are most often found inside or near porches. I haven’t encountered the pattern below before, but a group of dots with some joined by deep cut lines is a commonly found design – see an example from Dorset below.
GRADE I † Mainly early C15, some older fragments; later restorations. A huge church for a small village. Simon Jenkins awards it ** and with good reason. Wonderful bench ends, not to be missed. See BLB for more. Midway between Wincanton and Ilchester. 51.0417 / -2.5214 / ST635270
DIALS
DEH visited in April 1914 and recorded 3 dials, all on S facing buttresses, one close to the priest’s door. They are very eroded. There are possible remnants of 2 further dials, mentioned below.
DIAL 1
St Michael . North Cadbury . Som. – Scratch Dial
DEH169. (1) This dial is on the first buttress w. of the s. porch. It is 5 feet above the ground, the noon line is 4 inches in length, the stylehole is 5/8 of an inch in depth by 1/2 an inch in diameter, and the aspect is s. by 15° e.
Located on the buttress W of S porch. An obvious style hole with a semicircle (6 – 6) of unobtrusive small pocks. Photography has its limitations and St Michael tested them. Records mention 13 to 16 pocks. One can just make out the faintest of traces of lines at noon and 2.
BSS suggests a possible dial immediately above. Assuming a style hole in the mortar line, there are a few pocks in the immediate area, but rather disorganised. Doubtful rather than plausible.
DIAL 2
St Michael . North Cadbury . Som. – Scratch Dial
DEH170. (2) This dial is on the first buttress E. of the s. porch. It is 4 feet 10 inches above the ground, the noon line is 3 inches in length, the style hole is about 11/2 inches in depth by 3/4 of an inch in diameter. The aspect is s. by 15° e.
As with Dial 1, very eroded and with little visible detail even when one is quite close. There are 8 detectable lines with a perimeter of pocks, probably (BSS) 13 with extra pocks at 8.30 and 10.30 – presumably Mass indicators.
DIAL 3
St Michael . North Cadbury . Som. – Scratch Dial
DEH 171. (3) This dial is on a buttress e. of the priest’s door. It is 5 feet 8 inches above the ground, the noon line is 4 1/4 inches in length, the style hole is 7/8 of an inch in depth and 1/2 an inch in diameter, and the aspect is s. by 15° e.
Situated on S side of the chancel, on the buttress E of the Priests’ door. There are 13 lines and a full complement of 24 pocks. The line angles are at approx 15º intervals. BSS notes a possible ‘tiny dial’ above it.
MEDIEVAL GRAFFITI
The porch contains the original stone benches on either side. These are often troves of graffiti, in particular apotropaic symbols and other ritual protection marks designed to repel evil or to prevent its entering the church. These signs are quite common to find in other locations both outside and inside a church (see HERE). However, in many churches, stone benches were replaced in succeeding centuries. St Michael has retained the benches, on which there are excellent examples of marks that are relatively rare. There are hands here, and a medieval swastika (a Sanskrit word) from several centuries before its more recent symbolic adoption. It incorporates a repelling circle mark, where evil may be captured within its continuous circumference.
St James . Cowley . Oxford (Parish Website – link below)
GRADE II* † Mid C12 – C15; early frescoes; 1860s work by G.E. Street with additions & rebuilding. Remarkably squat tower, C15. Unexpectedly up a secluded narrow lane just E of the bustle of Cowley – no one would guess that there is a C12 building there. 51.7306 / -1.2197 / SP539038
St James . Cowley . Oxford – porch with 2 scratch dials
DIALS
There are 2 dials, both inside the porch on either side of the entrance door. Disappointingly the porch gate was locked, so I could not get access. The photos of the pair taken late in the day are distinctly underwhelming…
DIAL 1
St James . Cowley . Oxford – BSS
Dial 1 is inside S porch LHS of the doorway, in the corner below the springing of the arch and above the moulding. 4 lines radiating from the style hole, with the noon line deeper cut.
DIAL 2
Dial 2 is also inside S porch, RHS of the doorway and above the capital of the pillar. There are 6 lines radiating from a quite noticeable style hole. BSS suggests there are 3 pocks (possibly more), though I could not see those details.
St James . Cowley . Oxford – BSS
OTHER MARKS
Besides the dials, there was a certain amount of graffiti with other scratchings in the area of the porch, not all of it medieval. There are a couple of Marian marks and what may be a very crude pentagram, a symbol to repel evil.
GSS Category: Scratch Dial; Mass Dial
All photos (for what they are worth) Keith Salvesen except header image from St James Parish website (their excellent photo replaces my poor ones taken from a different angle); and BSS (2 images)
C13 chapel located within an Iron-age hill fort Chisbury Camp. The Lord of the Manor built it to assert his social status by allowing the household of the manor, as well as local people, to attend services and pay their taxes without having to travel to the parish church at Great BedwynEH. Thatched, with flint walls. The chapel was deconsecrated in 1547 and after three centuries of use as a barn it was reduced to its present dilapidated state. It is however a scheduled Ancient Monument, now in the care of English Heritage.
CONSECRATION CROSS
GRAFFITI & MARIAN MARKS (VV)
There was no scratch dial and I wasn’t expecting to find one. However the chapel is interesting enough to merit inclusion, not least because consercation crosses and church marks generally are catered for in this project.
1. shows a (possible? probable?) Fleur de Lys with G Bedwyn scrawled below – 2. is one form of protection mark – 3. enclosed initials – 4. Marian mark VV – 5. ‘scratchings’ – 6. Marian mark VV and a design with a heart that I initially thought must make it recent… However the form of the W (similar to a Marian mark) is from a much earlier time, as is the date (if it is one) in Roman numerals. I can’t decipher it beyond ..15
GSS Category: Consecration Cross; Church Marks; Marian Symbol; Medieval Graffiti
GRADE II* † Cll Saxon / Norman origins with simple nave – some features survive; C15 chancel; later additions / restoration 1882. A most surprising Palladian / Venetian E window. Detached timber-framed bell cote. Attractively set in a well-wilded churchyard. 6m W of Andover. 51.1944 / -1.611 / SU272439
DIAL
The dial is on the W jamb of the window E of the porch, first recorded by ARG in 1925. The gnomon hole is filled. ARG’s description is below. The more recent BSS entry records 19 visible / detectable lines and 21 pocks, with possible hints of a circle. On either view, this is an eroded 24-hour dial (esp URQ), with noon marked by a quincunx (like 5 on a die), which I haven’t seen before. One puzzle is why the dial was cut in such a position that it is truncated RHS.
ARG noted two very doubtful dials on the E jamb of the same window; and in his text he refers to another doubtful on the buttress of the S Chapel. I couldn’t make out dials.
St Michael . Quarley . Hants – Scratch Dialwith Quincunx
There was another mark that caught my eye, a small uneven circle of pocks. There’s no hint of a central hole. As I visit more churches, I see more of these little markings. They can’t be dials, and they seem unlikely to be purely decorative. My tentative theory is these little pock circles are a form of protection mark / apotropaic symbol). However I haven’t yet found such a design featured in the usual medieval building mark resources. Any theories welcome.
St Michael . Quarley . Hants – circle of pock marks
GRADE I † C14 The principal parts of a small stone manor house, built c1370 for the Sheriff of Somerset & Dorset. It has undergone many changes since, but the splendid timber roofs over the great hall and solar… (remain intact). Scheduled as an Ancient Monument. Under the care of English Heritage Two miles E of Sturminster Newton. 50.9213 / -2.2847 / ST800135
Fiddleford Manor . Sturminster Newton . Dorset – a wall of various types of church mark including a hexfoil
The most spectacular medieval manor house interior in Dorset PEV, an authoritative opinion that will never be challenged. There is no dial here, but the amazing graffiti could equally be found in a church, though generally not in such profusion. Besides dials of all kinds, this site includes medieval building marks – symbols, initials, dates, other graffiti. These categories can be found in the Menus on the front page. However, Fiddleford manor is so special that it deserves its own main entry rather than being relegated to a sub-menu.
HEXFOILS
MARIAN MARKS
GRAFFITI
GSS Category: Church Marks; Marian Marks; Ritual Protection; Hexfoils; Medieval Graffiti
GAUDIUM SUB SOLE . SUNDIALS . MEDIEVAL TO MODERN 