LES CADRANS SOLAIRES: THE CERAMIC TILE SUNDIALS OF COARAZE, PROVENCE
The nine sundials shown below are in Coaraze, a small medieval ‘village perché’ (650m) in the Alpes-Maritimes, Provence, north of Nice. They include sundials by artistic polymath Jean Cocteau (poet, novelist, dramatist, designer, artist and filmmaker); Ponce de Leon; and Henri Goetz, among others. They are located in two places in the village (1) on the front and side walls of the Marie (2) at the top of the village on a south-facing walls in the square in front of the church. They need no interpretation by me: everyone who views these wonderful sundials will experience their own personal response to each one.
GRADE I † Early C12 origins; C13 chancel, tower; C14 / C15 transepts; other works then & later inc C18 spire, C19 restorations. A striking building in a small village just off the A354 Salisbury – Blandford Forum. Clock installed in honour of Winston Churchill 50.9754 / -1.9009 / SU070195
DIALS
All Saints is a multiple dial church, with 8 listed in the BSS records. My dial count is 9. It’s a fine church, and dial-hunting was an easy pleasure. I have decided to let the dials speak for themselves without undue commentary on individual characteristics unless called for. Below the dials is an excellent article by the Hampshire Field Club that analyses all you need to know about each dial, and in particular the locations (for which I lost my notes).
BSS RECORDS
GALLERY OF 8 + 1 DIALS
DETAILED IMAGES
DIAL 1
DIAL 2
DIAL 3
DIAL 4
DIAL 5
DIAL 6
DIAL 7
DIAL 8
DIAL 9
This dial is included in the BSS records (bottom row LHS)
Volume VII Part I.pdf
Proceedings of the Hampshire Field Club, XV , Pt. 3, p. 27a.
GRADE I ❖ C12 Norman tower and north nave wall; C13 south aisle and chapel; C14 enlargement, chancel; restorations 1895 by S. Weatherley. Fine C13 font. Most unusual C14 Anchorite cell, definitely in use. Excellent graffiti, in particular several shields. Approved by PEV. Midway between Guildford and Dorking. 51.2191 / -0.463 / TQ074477
DIALS
As with many multiple scratch dial churches, there are differing estimates of the number of dials, in this case of between 7 and 11. Sources vary, as do the eras when researches were carried out: Victoria County History Surrey (1911); D Renn 1986 (detailed survey); BSS 2000 (images – Lester); 2008 (drawings – Wood). I have decided to lead with 8 dials that are (I think) indisputably the real thing. Each is headed by the relevant BSS diagram and all are close to the pre-porch doorway. The close-up photos say as much about each dial than I could usefully describe.
DIAL 1
DIAL 2
DIAL 3
DIAL 4
Unusually, this dial has 3 circles, and incorporates decorative compass work to form 2 petals.
DIAL 5
DIAL 6
DIAL 7
DIAL 8
A simple deeply-scored dial that cuts into a quatrefoil ‘4-leaf cover’ compass design, presumably apotropaic. The church has a great many protection marks of all kinds, together with several shields. I may feature a selection in due course.
DIALOGRAM
The 8 blue-ringed designs below are all dials. The arrowed 9th, LHS, is debatable – see below The arrows RHS indicate (1) probably one of many crosses; and (2) a mystery, see below.
DIAL 9?
Renn’s count of 10 dials includes this ‘lamda’ incision. When I photographed dial 7, only the top of the scar was included. I am a confirmed dial optimist, but it didn’t occur to me to photograph it separately / include it as a dial..
DIAL 10?
Perplexing. An afternoon dial. Noted in Renn’s survey, on which BSS record is based. Described as Inside church (inside S porch). E face of W jamb. Behind door frame. Lines 4. I didn’t find it. Unlike the impressive array of forward- facing dials in the porch, this one must be small, cut on an angle as Renn indicates, and of little use for marking the passage of the day.
ANNOTATED DRAWING
The green circles mark the uncertainties. There is also a suggestion that there were once 2 other dials, now extant (S chancel wall, E pilaster buttress).
REFERENCES
Victoria County History, Surrey, 3 (1911), 120
Renn DF: Scratch Dials in Surrey, Surrey Archaeological Collections, vol 77, 1986
LISTING II* ❖ C13, C15 and early C16, good Victorian and later restorations. A link to the well-presented history of the church and its context in the village is given below. One bell is of particular historical interest. A multiple scratch dial church: BSS records 7 from a 1994 survey. I feature 9 candidates below, of which 2 are probably not-a-dials, leaving 7. But are they the same 7, I wonder? 6m E of Trowbridge. 51.3209 / -2.1195 / ST917579
GSS Category: Scratch Dial; Mass Dial; Multiple Scratch Dial Church
All photos: Keith Salvesen [
I am beginning to find my own photos borrowed for online use. I don’t really mind, especially for this sort of niche interest, but a link to this project might be good]
The origins of the Minster date back to the C8. The building seen today dates from early C12 with development during subsequent centuries. Leaving aside the merits of the splendid building, the impressively large stone block on the S side is unmissable. The plinth alone is 6′ high; S face is 4′ wide; E & W faces are 3′ wide. N face has an inscribed tablet only.
DIAL DATES
The images featured below give a good idea of each face, gnomon, and relative aspects, so I won’t go into more detail. However there is a conundrum about dates. There was at least one relocation of the dial, and areas of restoration / repair are evident. The inscription on N face is This ancient sun-dial was removed from the gable of the South transept at its restoration 1891 and was erected here 1894 George E Richards [and] Charles H Gush Churchwardens.
As seen today, the date 1676 is given top left of the south face on new stone. There is no date in the corresponding position on the right side. However in T G W Henslow’s delightful Ye Sundial Booke (1st ed 1914), his charming drawing shows the date 1732 in the top right of the south face with no date on the left side. And more confusingly, in the Wills’s cigarette card sundial series (1928, see below), both dates are shown.
Spetisbury Church as drawn by Thomas Rackett for the 2nd edition of Hutchings’ History of Dorset
ST JOHN THE BAPTIST . SPETISBURY . DORSET
GRADE 1 ✣ Late C12 / early C13 origins; west tower late C15 / early C16. Major mid C19 restorations from 1858 by T H Wyatt, and later works. 3m SE of Blandford Forum. 50.8258 / -2.13 / ST909029
TWO PROXIMATE DIAL-LIKE DESIGNS
The two incised stones are located either side of the drainpipe on S wall of the chancel. Both have 8 segments (as with a Saxon / Tide Dial). A gnomon hole is conspicuously absent from both. There’s no trace of filling. There are one or two pocks on each, but random and with no specific relation to the overall designs.
GLP in his comprehensive survey of Dorset church scratch dials concluded that the dials “…are just graffiti of unknown date”. He explains that he has included these near-matching designs since otherwise “they might be mistaken for genuine dials”.
Apotropaic symbols? These don’t conform to any mainstream style of protection mark. And they are not in a location that Evil would naturally choose to gain entry.
My own theory is that these 2 designs were scratched on adjacent dark stones during the lengthy C19 restoration period. Perhaps there was a small competition between 2 apprentice masons engaged on the work, or bored by it.
DIAL 1
The cruder of the two, with bent lines and an awkwardly gouged curving ‘noon line’.
DIAL 2
More carefully designed and executed than Dial 1, and with the hint of circle round it.
GSS Category: Scratch Dial; Mass Dial; Church Graffiti circular pattern; False scratch dials
Padua . Palazzo della Ragione . Sundial . John Renner
PADUA . PALAZZO DELLA RAGIONE . SUNDIAL
A confident and assertive sundial to match the glory and prosperity of the city. The lines divide the hours from VIII to IV into quarters. Each has an arrowhead, with (?unusually) reversal of the ‘minor quarter’ arrows.
GNOMON
At first glance you may wonder why there’s just a dark splodge where one might hope to see a gnomon. It is the gnomon. In researching the dial I came across a really helpful photo by Richard Mortel* that reveals the gnomon to be the ‘pin-hole’ type, the effectiveness of which is clearly shown.
Padua . Palazzo della Ragione . Sundial Pinhole . Richard Mortel
The upper half of the dial has an angled line across the whole dial, leading from an indeterminate animal (in fact a sheep) to a set of scales: Aries and Libra in opposition (Note: this Zodiacal conjunction should not be investigated, for fear of unwanted advice about who you should be dating).
There is an additional aspect to this dial that I am currently researching. First of all I have to clear use permission, but I hope to add to write again soon about this splendid dial. The clue is ‘Meridian’.
Credits: John Renner for his excellent photos of this fantastic sundial taken recently; *Richard Mortel for his clear illustrative photo of the gnomon taken a while back (with apologies if I have wrongly taken it as CC / OS)
LISTING Grade I ✣ C12 origins with abbey links; C12 chancel; C13 nave and refenestration, porch; C15, tower. An astonishing church beyond the scope of this project. Besides the building itself, there are wonderful early C14 wall paintings to admire, also C16 wagon roof & C13 coffin lids. Major restoration in 1911. A very unspoilt church retaining many medieval features PEV. In the care of CCT. 5m SE of Blandford Forum 50.8307 / -2.1107 / ST922034
DIAL
A number of features make this dial rather special. It is inside an intriguing church; it is cut into the architrave of a (historically) relocated doorway; and the design is endearingly haphazard. There are 5 radials from the gnomon hole, mainly LLQ from (roughly) Terce to just past midday. The lines are uneven in length, depth, spacing and straightness ,not least because of the oddly squarish perimeter. One can’t tell what lies behind the cement repair, but it doesn’t seem that the perimeter continues beyond what one can see.
BSS Diagrams
APOTROPAIC CIRCLES
There are two circles cut into one of the window jamb, the lowest with a dot in the centre. These are a simple form of protection symbol, repelling evil and preventing it from entering the church. Some theorise that these and more complex designs (eg ‘daisy wheels’) trapped evil within the circle – so-called demon traps.
GSS Category: Scratch Dial; Mass Dial; Protection Mark, Apotropaic Symbol
GILLINGHAM in Dorset has a well-curated Museum spanning prehistory to our lifetime. The many and varied displays include a very special one, a handsome carved fragment of an Anglo-Saxon standing cross. Below are images of all four sides of this wonderful stone. It is enhanced by the later addition of an early dial – a Tide dial.
TIDE DIAL
The dial has a complete horizontal (‘6-to-6’) line, an emphatic noon line, and a short deep line corresponding to the canonical Terce, marking the significant part of the day for observance. An arc of circumference is below; there is no hint of a complete circle.
✣
MUSEUM INFORMATION SHEET
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DIAL TWO?
Above right on the stone is a smaller hole with (from some angles) 3 very faint lines radiating from it. Very doubtful, but mentioned for completeness. Possibly an imitative attempt by a bored sacristan.
Second Dial above right?
✣
THE OTHER THREE SIDES
Gillingham Museum, where the stone is on loan from the Church of St Mary the Virgin, Gillingham.
Dr John Shepherd: Shephard J F (2023) – Carved fragment from an Anglo-Saxon standing cross and the arrival of Christianity in Gillingham in Annual Report and Review, Dorset Historic Churches Trust18, 6-7.
David Lloyd – Gillingham Local History Society
Images courtesy Tom Wickson (Dorset Historic Churches Trust)
LISTING II* ✣ Early C12 origin; nave extended late C12; early C14 chancel, transepts, squat tower; C15 porch; C19 north vestry and restoration. 3 squints (‘hagioscopes’, as I have recently discovered). 4m E of Blandford forum, nestled in a valley with several other Tarrants. 50.854 / -2.0902 / ST937060
DIAL
An attractively simple dial set in flint, perhaps not its original location. There are 6 lines LHS from the horizontal (6) down to to 11. Two are very faint. A morning dial, with 2 slightly deeper cut / longer lines suggesting Nones as the main time for observation. The absence of an obvious gnomon hole – open or filled – is a puzzle. There is a slightly paler area where the radials converge, perhaps marking the site of a gnomon hole filled centuries ago, now worn to a smooth patch
GSS Category: Scratch Dial; Mass Dial; Medieval Sundial Dorset
GAUDIUM SUB SOLE . SUNDIALS . MEDIEVAL TO MODERN 