ROUSHAM HOUSE . OXFORDSHIRE – Dollond Horizontal Sundial

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Rousham is a fine country house less than 20m N of Oxford, built for the Dormer family in 1635 and still in their possession. Its landscape gardens were designed by William Kent, the inspired founder of the great tradition of such gardens in England. Little has changed at Rousham since C18. The RH site notes: In ‘Around the World in Eighty gardens’ Monty Don says (William) Kent is the great genius of eighteenth-century garden design and Rousham is his masterpiece, one of the greatest gardens in the world”

DOLLAND SUNDIAL AT ROUSHAM HOUSE OXON

BSS RECORD

By the pigeon house in the rose garden east of the house is a bronze horizontal dial 314mm in diameter made by Dollond of London.. It shows the customary hours IV – VIII divided into halves and quarters.The hours are also displayed in Arabic numerals and divided into periods of 10 And 2 minutes. There is an Equation of Time scale and round the centre of the dial a 16-point compass rose. There is a noon gap to compensate for the 7/16″ thick gnomon. The dial is mounted on a tapering stone column with a circular capital.

DOLLAND

Dolland workshops were active from approx 1750 to 1850. The business was founded by John Dolland who was joined by his son Peter, and later other members of the family. The name became synonymous with the crafting of intricate and precise scientific instruments. Sundial plates were a (rare, I think) sideline. Dolland collections can be found in many museums and individual pieces in auction rooms. All items have the Dolland mark, but some cannot be attributed with certainty to a particular member of the family.

George Dollond was elected to a fellowship into the Royal Society in 1819 and was an active participant in founding the Astronomical Society in 1820 (Confusingly, his son was also called George)

 

LINK TO THE ROUSHAM SITE

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GSS Category: Horizontal Sundial; Country House Sundial; Dolland Sundial

All photos: Keith Salvesen

EAST STOUR . DORSET – Analemmatic Sundial

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East Stour is a small village 5m W of Shaftsbury, with the A30 dividing its church from the majority of its (potential) congregation. I had a good lunch in the pub as bell-ringing issues were being keenly discussed around me..

A short but perilous (no pavements) walk away is a very fine and beautifully designed analemmatic sundial in a small park by the Village Hall. It is a war memorial, and the dedication poignantly extends the commemoration to everyone from East Stour who has been affected by war.

BSS RECORD

The dial is in the north corner of East Stour playing field. It is made from Portland stone and black granite with slate shingle infill. Granite tablet set into portland stone slab to N of date scale is all slightly canted and carries the laser-etched inscription: 4This Memorial is dedicated everyone from East Stour who has been affected by war. At the going down of the sun and in the morning, we will remember them.X To the right of the words is an etched image of a soldier, a child and three crosses. The dial shows Arabic hours for 5am to 8pm.

Delineation was by David Brown, content by Guy Gilding, letter-cutting and stone-laying by lan Viney of Stonemasons of Dorset Ltd, and groundwork by local builder.

GSS Category: Analemmatic Sundial; Memorial Sundial

All photos: Keith Salvesen

SUTTON VENY . WILTS . ST LEONARD – Scratch Dials

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ST LEONARD . SUTTON VENY . WILTS

GRADE II ✣ C12, C13, C16. Originally cruciform with crossing tower. Chancel arch blocked and west part of church partly dismantled 1868, gradual deterioration. Chancel used as a mortuary. Declared redundant 1970; now in the care of CCT. A surprising and rather poignant place to visit, all well worth examining. Note the bier. 3m SE of Warminster. 51.1728 / -2.1323 / ST908415

DIALS

St Leonard is a multi-dial church with 9 dials recorded by BSS (1994), of which some details are scant. Four are described only as ‘gnomon hole only’ / ‘cannot be classified’. Featured below are 8 designs that I have concluded are dials, or might be (if only doubtful) in a couple of cases.

DIAL 1

Dials 1 and 2 are together LHS of the Priest’s door

DIAL 2

DIAL 3

Hint of a circle, esp. ULQ

DIAL 4

A hint of a circle, esp ULQ

DIAL 5

Dial stone presumed to have been re-sited and rotated 90º

DIAL 6

A remarkable dial within a square, with 2 large holes at bottom that appear to represent noon. It’s almost certainly unique. There’s mention of a Norman dial: perhaps this is it. There’s an apotropaic feel to it.

DIAL 7

Nearly excluded from consideration. However the small holes are accurately on a circumference, and there’s the possibility of a small gnomon hole under the lichen. Borerline.

Probably not a dial but looks a bit more promising when rotated 90º. The pocks are (roughly) evenly spaced and there is a slight curve. No evident gnomon hole. Maybe simply a drilled design bored by a bored sacristan.

Credits: Churches Conservation Trust; Wiltshire Medieval Graffiti Survey (WMGS)

GREAT DURNFORD . WILTS . ST ANDREW – 4 Scratch Dials

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ST ANDREW . GREAT DURNFORD . WILTS

GRADE II ✣ A fine Norman church built late C11 (nave); chancel c1200; tower C13. Major restorations ±1900 (Ponting). An estimable entrance. Worthwhile (PEV) and (more graciously) one of Wiltshire’s most delightful churches (Betjeman). Lovely font; wall paintings; pilgrim crosses, protection marks & graffiti. 6m N of Salisbury. 51.1244 / -1.8301 / SU119361

All Saints also has a vertical dial which will feature separately

DIAL 1

Dial 1 is semicircular, located on the E buttress of the nave, close to the Priest’s door. It is in pleasingly good condition. Almost all lines of this 6-to-6 dial are visible, though much eroded RHS. The incisions are somewhat haphazard, and it is slightly odd that the most significant cut – the noon line – is so random.

DIALS WITHIN THE SOUTH PORCH

On entering the porch, the splendid door into the church itself invites immediate exploration inside. However, the porch conceals 3 scratch dials that a handful of people might like to investigate. There is scant reference to the scratch dials either side of the doorway. A dial LHS is recorded by BSS; one RHS is vaguely hinted at; another dial RHS is not noted anywhere that I can find, perhaps a new (modern) discovery.

DIAL 2

This dial is quite easy to find, half-concealed LHS but visible as one walks past. There are well defined lines, with the noon line probably the almost vertical one with a small pock at the end. I wondered if the straggly lines LRQ were later additions. Without them, the lines are all LLQ and (as with Dial 4 below) indicate mid-morning as the main part of the day for a service.

DIAL 3

Dial 3 is hidden away RHS of the fine door, even less accessible than dial 2. It is a fascinating example of a ’24 hour’ dial, with a full complement of spidery lines of random length of which almost all are still visible.

 

DIAL 4

Also RHS and even less visible is a conventional ‘morning’ dial, with 4 lines (the upper one is faint) leading down to the slightly deeper cut noon line. This configuration again suggests that mid-morning began the important part of the day for observance before noon.

If you want to know more about this church, in particular the inside, there is a good article HERE

APOTROPAIC SYMBOLS, DEMON TRAPS, PILGRIM CROSSES, GRAFFITI

A selection of church marks in the porch. The 2 compass-drawn circles are not dials but [probably] ‘demon traps’. In superstitious medieval times it was believed that evil could be prevented from entering the holy building with protection marks. In this type, evil would become trapped within the never-ending circle. The VV and the M on the wooden door are Marian marks standing for the Virgin Mary, who bars entry to the church by evil.

GSS Category: Scratch Dial; Mass Dial; [Vertical Dial]; Dial inside porch; Apotropaic Symbols; Protection Marks; Pilgrim Crosses

All photos: Keith Salvesen; drawings BHO

STANWAY . GLOS . ST PETER – Vertical Dial; Scratch Dial?

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Stanway . Glos . St Peter

ST PETER . STANWAY . GLOS

GRADE II* ✣ Parish Church. C12 origins; C13 tower; further works C15, C17, C18; restorations 1896 ff. An attractive country church beside the Manor House, close to a remarkable village cricket ground (see below). 11m E of Tewksbury, 12m NE of Cheltenham. 51.9897 / -1.9129 / SP060323

VERTICAL DIAL

The dial is immediately above a 2-light Perpendicular window, and (when I visited) partly obscured by foliage. The gnomon-less dial is dated 1797

The dial is hard to read because of its weathered condition, its high position, and the difficulty taking a square-on photo. Little detail can be seen with the naked eye. There is evidence of a double rectangular border; and there are the remains of decoration above the dial face. The dial is prominently placed and (absent trees in front) would have been visible from quite a distance.

 

SCRATCH DIAL?

In his Glos dials survey, Tony Wood TW lists a scratch dial at Stanway without further detail. It is not noted in TWC’s much earlier list. I can find no other reference, and I did not find a convincing dial. The best candidate was this one, with 3 radials RHS emerging from a large hole. One other line LHS runs beside the hole rather than radiating from it. The other large hole to the left suggests that the pair may have held a fixture, and there is a similar pair lower down.

Tentative conclusion: this is possibly a scratch dial, but dubious. It might be more convincing if it were on its own.

CRICKET PITCH

Straying from dial-specific content, here is a small gallery of the extraordinary cricket pitch, the gift of J M Barrie who stayed at the house. The outfield includes significant areas of ridge and furrow undulations, rather more of a problem for fielders than batsmen I imagine. The pavilion, supported by staddle stones, is an excellent example of satisfying quirkiness. I found a old ball under it to chuck around for a while and decide which end to bowl from.

GSS Category: Vertical Dial; Scratch Dial (?)

All photos: Keith Salvesen

ROOKERY GARDENS . STREATHAM . LONDON – Horizontal Dial

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ROOKERY GARDENS . STREATHAM . LONDON

The day after Storm Isha wreaked havoc in various areas of the British Isles, there was a brief moment of sunshine during our short visit to London. We walked to the Rookery Gardens in Streatham, part of the estate of a large house that was demolished in 1912. The horizontal pedestal dial was immediately in front of us, demanding inspection. A very pleasing commemorative dial at the source of the western branch of the River Falcon, one of London’s many so-called Lost Rivers.

GSS Category: Horizontal Dial; Pedestal Dial

All photos Keith Salvesen; thanks to J & J for the productive walk

BARRINGTON COURT . SOM . HORIZONTAL DIAL

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Barrington Court . Somerset

BARRINGTON COURT . SOMERSET

Barrington Court is a fine county house near Ilminster in Somerset, now in the care of NT. There is wonderful multi-faceted dodecahedral pillar dial in front of the house that I have written about HERE.

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Barrington Court . Som . Horizontal Dial

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ROSE GARDEN DIAL

The sturdy horizontal pedestal dial stands on a double plinth in the centre of the large rose and iris garden. It has a sad recent history. In Spring 2000 the original C19 bronze dial plate by Carey was levered off and stolen. It has never been recovered.

Barrington Court . Som . Horizontal Dial after theft of plate in 2000

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On the bright side, a wonderful faithful reproduction by John Davis was installed in 2013, and the dial is restored to its glory for the future.

Barrington Court . Som . Horizontal Dial

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It is described as an attractive horizontal dial of some complexity. The Equation of Time scale is engraved around the dial; all points of compass are shown; and it has one minute time marks BSS. These complex features can be seen clearly in the final image below.

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Barrington Court . Som . Horizontal Dial

GSS Category: Horizontal Dial; Pedestal Dial

All photos: Keith Salvesen except NT / Simon Harris above

LITTLEHAM-cum-EXMOUTH . DEVON . ST MARGARET & ST ANDREW – Vertical Dial; Scratch Dial

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St Margaret & St Andrew . Littleham . Devon – Robert Cornford OS / CC

ST MARGARET & ST ANDREW . LITTLEHAM-cum-EXMOUTH . DEVON

GRADE II* ✣ Recorded from 1139; present building has C13 origins (chancel); 14th-century arcades; then Perpendicular with subsequent rebuilding and C19 restorations (Fulford). Resting place of Viscountess Nelson.

I have not visited the church myself, but Ian Logan contacted me about the vertical dial on the apex of the church porch. I have written this post around the dial, however Ian has produced an excellent detailed description of the church and its history that I highly commend.

LITTLEHAM CHURCH

          St Margaret & St Andrew . Littleham . Devon – Ian Logan

St Margaret & St Andrew . Littleham . Devon

BSS record: A stone dial, rather crude in execution and in poor condition, is mounted on the church porch. It is about 600mm square and shows the hours VI – Vl undivided. Although the numerals look as though they are aligned with the hour lines, the hour lines themselves have disappeared. The church leaflet says that the dial dates from 1780.

St Margaret & St Andrew . Littleham . Devon

SCRATCH DIAL

There is an older dial – a scratch dial – on the right hand side of the porch doorway, probably C15. It is in poor condition, but there are 7 discernible lines radiating from the gnomon hole in the dial stone. These are two quite old photos of the dial (BSS). If anyone can provide a clear recent photo, it would be very welcome as an addition!

The ‘dawn’ line is now a prominent cleft in the damaged dial stone. The cluster of lines at and beyond noon LRQ indicate the most important part of the day for observance (none in canonical terms).

St Margaret & St Andrew . Littleham . Devon – Scratch Dial

MRS CROWLEY

This is an ideal place to use the wonderful drawing skills of Mrs Crowley to illustrate the vertical dial and scratch dial together. I have managed to obtain a copy of the comprehensive book of her Devon and Cornwall dial drawings, a work of wonder for dial-ologists.

GSS Category: Vertical Dial (1780); Scratch Dial

Credits: Keith Salvesen (photos); Ian Logan (photo, research); The Parish History Group (interesting and informative leaflet)

TRINITY COLLEGE CAMBRIDGE . HORIZONTAL SUNDIAL

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Trinity College Cambridge . Sundial – view from Master’s Lodge to Great Gate (Keith Salvesen)

TRINITY COLLEGE CAMBRIDGE . GREAT COURT

THE TALE OF TWO DIALS

GRADE II ✣ 1704, dial renewed in 1795 by Edward Troughton of London. Simple stone baluster with moulded base and cap, set on 2 steps. RCHM.

The fine C18 horizontal sundial in Great Court has a long history, and an intriguing twist in its story. Over a period of 3 years I must have walked past or near it thousands of times without giving it a glance. The passage of the day was marked by the chimes of the famous clock, a sound that stays with me even today.

Trinity College Cambridge . Sundial – view towards the Master’s Lodge (Keith Salvesen)

BSS notes that the dial is showing its age to some degree. This rather weathered dial is nevertheless pleasing, equipped as it is with a sturdily elegant gnomon and some nice decorative fleurs de lys marking the half hours between its Roman numerals. The central compass has floral infill and there are Equation of Time rings running anti-clockwise which indicate whether a watch would be faster or slower than the dial.

Trinity College Cambridge . Sundial – view from above (Keith Salvesen)


The description ends with an intriguing footnote:The baluster pedestal on which the dial stands may be the same one which supported an earlier dial by John England (see BSS Register, SRN 5295). Which leads to the story of the original dial that was in place until Troughton’s renewal in 1795.

  John England Dial Plate 1704

The image above shows a gnomon-less dial plate made by John England in 1704. Like the pedestal, the plate is octagonal. It was rediscovered in a cupboard in the College in 2002. BSS recorded the find as follows:

Perhaps because of its period of safe keeping, this horizontal brass dial by John England is in excellent condition, though the gnomon is missing. The engraved numerals are clear and the grooves still retain their wax infill. Small screws at the root of the style are conjectured to be pivots for an associated swinging telescope. Shows 4am to 8pm in intervals down to 1 min. Uses XII and IIII. Numerals read from outside the dial. Fleurs de lys half hour markers. Hours written in Arabic too (16-24 and 1-8) with 24 at Noon. Inscription mentions Trinity College. It is now stored in the Wren Library.

Trinity College Cambridge . Sundial – view S towards the Fountain (Keith Salvesen)




GSS Category: Horizontal Dial; Pedestal Dial

All photos: Keith Salvesen (Matric. 1970)

URVILLE . NORMANDY . NOTRE DAME – Multiple Scratch Dials, Protection Marks & Graffiti

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ÉGLISE NOTRE DAME DE URVILLE . NORMANDY

The area between Caen and Alençon contains a surprising number of churches with scratch dials. There are some rich pickings for scratch dial and church mark enthusiasts. It is not exactly a destination in itself, but is certainly vaut le voyage if you are in the region. Several churches have a plethora of designs and Urville is one of them. I gave up counting the dials and disentangling overlapping ones when the score reached twenty. 49° 01′ 31.44″ N, 0° 17′ 53.88″ W

There is no point in trying to analyse this amazing collection of dial art, nor guess its significance. It’s hard to find out much about the church at all except for the official write up to the effect This parish church, built in the village centre, replaced the former place of worship which had become too small. The present church is said to be C17. Using British churches as a guide, some of the dials & graffiti seem earlier. Presumably some of the original church’s stones were reused. It might make sense that the new church tempted the villagers to add to an existing display. Here is a varied selection.

DIALS

APOTROPAIC SYMBOLS, GRAFFITI and other designs

GSS Category: Scratch Dial (Normandy France); Mass Dial (Normandy France); Medieval Sundial (Normandy France); Church Graffiti; Apotropaic Symbols; Protection Marks

All photos: Keith Salvesen