Category: Marian marks

OXFORD . HISTORY of SCIENCE MUSEUM – GRAFFITI, SYMBOLS & SCRATCHINGS

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OXFORD HISTORY OF SCIENCE MUSEUM

OXFORD . HISTORY of SCIENCE MUSEUM – GRAFFITI, SYMBOLS, & SCRATCHINGS

The History of Science Museum in Broad Street, Oxford, has a wonderful collection of scientific instruments dating from the Middle Ages to C19. There is a rich hoard to be investigated. As you enter, you will see an outstanding display of the many instruments that over the ages have been used to measure the passage of time. A superb pair of armillary spheres is / are featured HERE. Only the Museo Galileo in Florence has given me such pleasure.

GRAFFITI, SYMBOLS, & SCRATCHINGS

On each side jamb of the entrance to the Museum, there is a fine collection of graffiti of several kinds. Below is a selection of the marks from either side, left first. These include names and dates, with a Bull (1753) on one side, and a later Bull (1891) on the other; and a couple of probable mason’s marks, together with random scratchings accumulated over time.

MARIAN MARKS and PROTECTION (APOTROPAIC) SYMBOLS

By C17 the concept of thwarting evil by means of incised marks on churches and other buildings (eg the TITHE BARN Bradford-on-Avon) was weakening, yet superstition and the fear of evil lingered on. This building – the original Ashmolean – dates to the late C17. By this time, many medieval incised devices – eg scratch dials – had become things of the past. However, to some extent the comfort of cutting marks to ward off evil persisted. This would explain the various Marian marks VV (Virgo Virginum) on the jambs.

There is also a good collection of compass-drawn circles of varying completeness, accuracy, and depth. In medieval times these were the simplest form of demon trap, luring evil inside a circle from which it could not escape. The principle continued in later centuries.

LEFT SIDE

RIGHT SIDE

GSS Category: Apotropaic marks; Marian marks; Protection marks; Demon Traps; Compass-drawn circles; Graffiti on public buildings;

Reference: History of Science Museum – Oxford; Matthew Champion – Medieval Graffiti

All photos: Keith Salvesen / Rolling Harbour

IMBER . WILTS . ST GILES – Graffiti and Apotropaic Symbols

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ST GILES . IMBER . WILTS

A lost village with a sad backstory. Once it was a remote small community in the centre of the vast acres of Salisbury Plain, with pretty cottages and a fine church. It was already a huge military training area before WW2 and the decision was made to evict the populace. As the record states: Given nowhere else to go, Imber’s villagers were ‘liberated’ of their homes in 1943, with just 47 days notice, to make way for American troops to train for the liberation of Europe during World War II. 

The displaced population believed – or were led to believe – that in due course they would be able to return to their homes and to normality, but they were not permitted to go back. The cottages were replaced by large buildings to create battle scenarios. Only the Church of St Giles was left alone. You can read more HERE

DIALS

For obvious reasons, access is permitted on only a few specific days of the year. I recently visited on an Open Day, not least because I had found a clear record of two scratch dials. There aren’t any. However there is a wonderful collection of church marks of all types. Much of the trove is in inaccessible parts of the church.

GRAFFITI AND APOTROPAIC SYMBOLS IN THE PORCH

In the time available I briefly examined the porch. Shown below is an illustrative selection (by an amateur) from a far wider choice; I hope to return the Church. Meanwhile here are the key references for further exposition.

Wiltshire Medieval Graffiti Survey – General

Wiltshire Medieval Graffiti Survey – St Giles

Imber Village – account of the village history

In a different light (2024) – a clear, authoritative new book by Tony Hack of WMGS with excellent photography and detailed overlays

ST GILES IMBER: THE PORCH

TIMSBURY. HANTS . ST ANDREW – Scratch Dial & Church Marks

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ST ANDREW . TIMSBURY . HANTS

GRADE II* ✣ C13; C15 chancel rebuilt; C16 porch, bell-cote; later restorations esp 1847. A fascinating small church with plenty to offer the visitor besides the look of it including: medieval protection marks and graffiti; remains of wall paintings; tiles; good pew ends; an intriguing porch; a nice memorial horizontal dial in the churchyard; and the grave of Noel Thelwell (beloved pony cartoonist) and his wife. The church information sheets are models of their kind. 3m N of Romsey; 8m S of Stockbridge. 51.0193 / -1.5084 / SU345245

Horizontal Dial in Churchyard HERE

DIAL

The dial was recorded in April 1922 by ARG, the originator of scratch dial research in Hampshire. He, like pioneer Somerset dial researcher DEH 10 years earlier, was equipped with a camera.

ARG noted 4 definite lines of equal length, perhaps more under the lichen. Located on SE quoin stone of the chancel, facing due S. Style hole about 4 ft high, in mortar line (thus forming the horizontal / 6-to-6 line).

There were several later descriptions of this dial. The last official BSS record (photo below) was made in 1994.

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DIAL IN JANUARY 2024

The condition of the dial may have deteriorated from weathering, however the apparent repair work since 1994 may be the reason why the lines are now so indistinct.

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GRAFFITI and PROTECTION MARKS

FUTHER READING

HAMPSHIRE FIELD CLUB & ARCHAEOLOGICAL SOCIETY HERE

GSS Category: Scratch Dial; Mass Dial; Church Graffiti; Protection Mark; Marian Mark

All photos: Keith Salvesen

POTTERNE . WILTS . ST MARY – Scratch Dial

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St Mary . Potterne . Wilts (Benefice drawing)

ST MARY . POTTERNE . WILTS

GRADE I ❖ Saxon origins; built C13; C15 work to tower; restorations 1870s. A remarkably uniform E.E. design HE; An E.E. church of exceptional purity and classicity PEV. Features of interest include an Anglo-Saxon tub font with rim inscribed in Latin; a C14 font; fine woodwork; C17(?) Royal Arms of puzzling design. Good graffiti on pillars. Outside, there is an unusual Dole Stone; and the scratch dial featured here. 2m S of Devizes. 51.326 / -2.0079 /  ST995585

DIAL

The dial is located on a quoin stone of the buttress at W end of S side. The gnomon hole is centred quite accurately, and surrounded by a ring of small pocks of roughly equal size. The spacing is uneven. 12 of them are drilled in the lower half, in a semicircle that includes the horizontal ‘6-to-6’ line. The other 7 are above the horizontal in the night zone. The pock at notional midnight has 3 on either side, forming an almost symmetrical design. These can only be for decorative purposes, being of no use in marking the passage of the day / night.

As for radial lines, despite erosion 5 lines are visible – 3 LLQ, a faint noon line, the horizontal line RHS. Each terminates with a pock. There remain hints of 2 or 3 others.

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GRAFFITI . FONT WITH LATIN INSCRIPTION . COMPASS-DRAWN PROTECTION MARKS

The VV in the first image, assuming it is an initial, is in the distinctive form of a Marian mark, a commonly found protection symbol standing for the ‘Virgin of Virgins’.

GSS Category: Scratch Dial; Mass Dial

All photos Keith Salvesen; header drawing from the Benefice site

WORTH MATRAVERS . DORSET . ST ALDHELM’S CHAPEL – Protection Marks & Graffiti

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ST ALDHELM’S CHAPEL

GRADE I ♱ St Aldhelm’s is an isolated Norman chapel high on the Dorset cliffs with only a coastguard station and a couple of cottages for company. Its quite a walk from the car park. There are various theories about the chapel and its purpose. Was it a chapel originally? There’s no evidence of an altar or piscina. Might it have been built as a watchtower before taking on a religious purpose, evidenced by payments made in C13 to a chaplain? There is a thorough Wiki entry for the chapel HERE.

Besides sundials from Saxon times to the present day, other medieval features merit inclusion here. The relevant pages can be found in the main menu. A broad category of ‘Church Marks’ includes protection marks such as the Marian VV, daisy wheels and other circular / interlocking circles dates and initials, taper marks, masons’ marks.

PROTECTION MARKS & GRAFFITI

HIGHLIGHTS FROM ST ALDHELM’S CHAPEL

PURBECK RADAR MEMORIAL

Commemorating the pioneering radar work carried out in WW2, with an inspired design that harks back to the fire beacons that warned of the Spanish Armada.

All photos: Keith Salvesen

GREAT DURNFORD . WILTS . ST ANDREW – 4 Scratch Dials

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ST ANDREW . GREAT DURNFORD . WILTS

GRADE II ✣ A fine Norman church built late C11 (nave); chancel c1200; tower C13. Major restorations ±1900 (Ponting). An estimable entrance. Worthwhile (PEV) and (more graciously) one of Wiltshire’s most delightful churches (Betjeman). Lovely font; wall paintings; pilgrim crosses, protection marks & graffiti. 6m N of Salisbury. 51.1244 / -1.8301 / SU119361

All Saints also has a vertical dial which will feature separately

DIAL 1

Dial 1 is semicircular, located on the E buttress of the nave, close to the Priest’s door. It is in pleasingly good condition. Almost all lines of this 6-to-6 dial are visible, though much eroded RHS. The incisions are somewhat haphazard, and it is slightly odd that the most significant cut – the noon line – is so random.

DIALS WITHIN THE SOUTH PORCH

On entering the porch, the splendid door into the church itself invites immediate exploration inside. However, the porch conceals 3 scratch dials that a handful of people might like to investigate. There is scant reference to the scratch dials either side of the doorway. A dial LHS is recorded by BSS; one RHS is vaguely hinted at; another dial RHS is not noted anywhere that I can find, perhaps a new (modern) discovery.

DIAL 2

This dial is quite easy to find, half-concealed LHS but visible as one walks past. There are well defined lines, with the noon line probably the almost vertical one with a small pock at the end. I wondered if the straggly lines LRQ were later additions. Without them, the lines are all LLQ and (as with Dial 4 below) indicate mid-morning as the main part of the day for a service.

DIAL 3

Dial 3 is hidden away RHS of the fine door, even less accessible than dial 2. It is a fascinating example of a ’24 hour’ dial, with a full complement of spidery lines of random length of which almost all are still visible.

 

DIAL 4

Also RHS and even less visible is a conventional ‘morning’ dial, with 4 lines (the upper one is faint) leading down to the slightly deeper cut noon line. This configuration again suggests that mid-morning began the important part of the day for observance before noon.

If you want to know more about this church, in particular the inside, there is a good article HERE

APOTROPAIC SYMBOLS, DEMON TRAPS, PILGRIM CROSSES, GRAFFITI

A selection of church marks in the porch. The 2 compass-drawn circles are not dials but [probably] ‘demon traps’. In superstitious medieval times it was believed that evil could be prevented from entering the holy building with protection marks. In this type, evil would become trapped within the never-ending circle. The VV and the M on the wooden door are Marian marks standing for the Virgin Mary, who bars entry to the church by evil.

GSS Category: Scratch Dial; Mass Dial; [Vertical Dial]; Dial inside porch; Apotropaic Symbols; Protection Marks; Pilgrim Crosses

All photos: Keith Salvesen; drawings BHO

CLYFFE PYPARD . WILTS . ST PETER – Scratch Dials

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ST PETER . CLYFFE PYPARD . WILTS

GRADE I † C13 (recorded 1273), C15 nave & tower. C19 restorations (Butterfield). In a lovely position below a wooded stretch of the cliff PEV. Pevsner & his wife Lola are buried together in the churchyard**. Interior has much of interest: pulpit 1629; excellent monuments C13 on, medieval stained glass.  7m SW of Swindon. 51.4917 / -1.8939 / SU074769

Sir Nicolaus Pevsner

DIALS

As one approaches the porch from the lych-gate, there are two very visible dials, one on either side of the entrance. A third dial in that area is noted (eg BLB / HE). In fact there are more dials, but when I visited, finding them involved negotiating overgrown bushes and parting tree branches in light drizzle. There are also some dial-ish designs – eroded or incomplete – that are doubtful, but are included below for consideration.

DIALS 1 & 2

Dial 1 is LHS of the porch. This large dial is encircled, with the upper segment encroaching on the stone above. There are 7 / 8 lines, two of which are ULQ (so, not useful). The noon line extends well below the circumference and through a partial double circle. I think this is the BLB / HE third dial, though I think it is more a doodle than a dial. The emphasised line LLQ may mark Terce. The oddly inaccurately cut lines R of the noon line seem surprisingly casual for such a prominent dial.

Dial 2 is the counterpart of Dial 1, and far simpler. The overall design suggests that it is on its side, 90º anti-clockwise, perhaps re-sited.

DIAL 3

Obscured by foliage, Dial 3 is unconventional. The clear-cut circumference surrounds a single line with a dot at each end, slightly tilted from the horizontal. On the curve RHQ is a dot roughly corresponding to the Mass-time None. In the centre is a blocked gnomon hole. There are no lines or other markers of the passage of the day. In a sense , there is no necessity for lines to mark the hours – a stick’s shadow is almost as helpful.

DIAL 4

Dial 4 is largely hidden by foliage. Unusually, it consists of 4 concentric circles. These are now badly eroded; one is a trace only. Apart from the central gnomon hole, there are no other visible dial attributes: no lines, no pocks.

This type of dial is not unusual. Here is a similar dial in FOVANT Wilts, with 2 concentric circles and no other marks than the gnomon hole. However, I ought to mention that some consider that such designs are not dials, but may have a decorative and possibly an apotropaic function.

DIAL 5

Dial 5 (?) – if a dial – is a classic ‘drainpipe’ example, in part concealed by a more modern addition to the church wall. There must be some doubt here because it is hard to see how it – with the arc of a circle below – would have worked.

DIAL 6?

Dark and damp, this stone was difficult to read. If a dial, it is contained within a square with the top side being the mortar line. In favour of dial status is the location of the dial stone beside a window and the position of the dial; traces of a circle; a pock directly on the circumference LHS roughly corresponding with Terce; and the fact that the design is quite accurately framed as if to display it better. Equally, there are reasons to discount it.

OTHER DIAL CANDIDATES and CHURCH MARKS

Another interesting part double circle, endearingly wonky. Very doubtful as a dial. Most interesting for the graffito UR, which may be a simple form of a type of ritual protection symbol that consists of rectangles with line and dot patterns.

The two marks on this stone – with variations – are quite often used as protection marks.

Note again the the double curves RHS. Most probably an incised design, rather than a dial.

Further evidencing the incidence of protection symbols is this Marian VV mark close to Dial 2.

The handsome bier kept in the church, and in excellent condition.

**In 1951 Pevsner published the first volumes of his magnum opus, The Buildings of England, an enterprise that took nearly 25 years to complete. The substantial Wiltshire volume was recently revised, expanded, and published in 2021

GSS Category: Scratch Dials; Mass Dials ; Multiple Dials

All photos: Keith Salvesen

BINSEY . OXFORD . ST MARGARET of ANTIOCH – 2 Scratch Dials

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St Margaret of Antioch . Binsey . Oxford

ST MARGARET of ANTIOCH . BINSEY . OXFORD

GRADE I † C12 origins on site of Saxon church; c13 rebuilding (chancel, nave), S porch added; C15 & later restorations (latest in 1936). Unheated and candlelit until 1975. Much of interest – remarkably secluded location, a Holy well, a direct link with Alice in Wonderland, an excellent riverside pub. Within ring road W of Oxford, N of Botley Road, at the end of a mile of narrow lane. Check a map before you go… 51.7691 / 1.2976 / SP485080

❖ The clearest illustrated article about St Margaret, its history, and its significance can be found at David Ross’s excellent BRITAIN EXPRESS. This includes the sad story of the celibate St Frideswide (C7), Patron Saint of Oxford and a roundabout system, & her suitor Algar. It also covers the origins of the Holy well, its healing powers and its link to Alice’s ‘treacle well’. An informed tour of the church ends with helpful directions to it.

DIALS

DIAL 1

St Margaret of Antioch . Binsey . Oxford – Scratch Dial 1

On the quoin RHS of the porch entrance, with a large slightly recessed gnomon hole. A morning dial, very eroded in the 3 other quadrants. Originally encircled (BSS)? The visible evidence of a complete circle is scant. 8 lines, some extending over split stone. The noon line is emphasised – longer and deeper cut. A hint of double pocks at lower end – just possibly a dotted cross ✣?

DIAL 2

St Margaret of Antioch . Binsey . Oxford – Scratch Dial 2

Located on the nave buttress adjoining the chancel. 4 lines radiating from a central hole in the dial stone, one slightly curved; 7 clear pocks all on or at the end of the lines. Unlike dial 1, there is no exact vertical line. The puzzle is to identify the noon line. On some dials, there is a notional noon line formed by a narrow gap between 2 near-vertical lines – not the case here. Presumably it is line 2, being extended and having 2 pocks. Line 3 is too flimsy for the task. Line 1 presumably marks a service time between Terce and noon.

ST MARGARET’S WELL

GRAFFITI ANCIENT & MODERN

There is a certain amount of graffiti in the porch, some of which is not medieval. Included are initials, 2 (unconvincing?) inverted Marian marks; and some scratchings of hard-to-decipher script, something I haven’t often seen.

After your visit you may need refreshment: I recommend the excellent nearby PERCH INN

GSS Category: Scratch Dial; Medieval Graffiti

All photos: Keith Salvesen

COWLEY . OXON . ST JAMES THE APOSTLE – Scratch Dials

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St James . Cowley . Oxford (Parish Website – link below)

GRADE II* † Mid C12 – C15; early frescoes; 1860s work by G.E. Street with additions & rebuilding. Remarkably squat tower, C15. Unexpectedly up a secluded narrow lane just E of the bustle of Cowley – no one would guess that there is a C12 building there. 51.7306 / -1.2197 / SP539038

St James . Cowley . Oxford – porch with 2 scratch dials

DIALS

There are 2 dials, both inside the porch on either side of the entrance door. Disappointingly the porch gate was locked, so I could not get access. The photos of the pair taken late in the day are distinctly underwhelming…

DIAL 1

St James . Cowley . Oxford – BSS

Dial 1 is inside S porch LHS of the doorway, in the corner below the springing of the arch and above the moulding. 4 lines radiating from the style hole, with the noon line deeper cut.

DIAL 2

Dial 2 is also inside S porch, RHS of the doorway and above the capital of the pillar. There are 6 lines radiating from a quite noticeable style hole. BSS suggests there are 3 pocks (possibly more), though I could not see those details.

St James . Cowley . Oxford – BSS

OTHER MARKS

Besides the dials, there was a certain amount of graffiti with other scratchings in the area of the porch, not all of it medieval. There are a couple of Marian marks and what may be a very crude pentagram, a symbol to repel evil.

GSS Category: Scratch Dial; Mass Dial

All photos (for what they are worth) Keith Salvesen except header image from St James Parish website (their excellent photo replaces my poor ones taken from a different angle); and BSS (2 images)

CHISBURY CHAPEL . WILTS . ST MARTIN – Consecration Cross, Graffiti & Protection Marks

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CHISBURY CHAPEL . WILTS

C13 chapel located within an Iron-age hill fort Chisbury Camp. The Lord of the Manor built it to assert his social status by allowing the household of the manor, as well as local people, to attend services and pay their taxes without having to travel to the parish church at Great Bedwyn EH. Thatched, with flint walls. The chapel was deconsecrated in 1547 and after three centuries of use as a barn it was reduced to its present dilapidated state. It is however a scheduled Ancient Monument, now in the care of English Heritage.

CONSECRATION CROSS

GRAFFITI & MARIAN MARKS (VV)

There was no scratch dial and I wasn’t expecting to find one. However the chapel is interesting enough to merit inclusion, not least because consercation crosses and church marks generally are catered for in this project.

1. shows a (possible? probable?) Fleur de Lys with G Bedwyn scrawled below – 2. is one form of protection mark – 3. enclosed initials – 4. Marian mark VV – 5. ‘scratchings’ – 6. Marian mark VV and a design with a heart that I initially thought must make it recent… However the form of the W (similar to a Marian mark) is from a much earlier time, as is the date (if it is one) in Roman numerals. I can’t decipher it beyond ..15

GSS Category: Consecration Cross; Church Marks; Marian Symbol; Medieval Graffiti

All photos: Keith Salvesen