NETHER COMPTON . DORSET . ST NICHOLAS – 3 Scratch Dials

St Nicholas . Nether Compton . Dorset

ST NICHOLAS . NETHER COMPTON . DORSET

GRADE I † C13 nave, chancel, S porch inc outer archway. C15 alterations & additions – chapel, tower. Restored 1885. 2 Purdue bells. 4m W of Sherborne and E of Yeovil.  50.9532 /  -2.5732 / ST598172

DIALS

There are 3 dials beside the porch doorway, 1 on the left side and 2 on the right. The intricacies of the dials are clearer from the BSS archive photos and diagrams compared with my photos, taken in bright sunlight and not picking up the details.

DIAL 1

South Porch L of doorway. 13 lines, with the noon line extended, and 23 pocks. The diagram suggests 1, perhaps 2, mid-morning Mass markers. GLP points out that the lines are below the horizontal whereas almost all the pocks are above it; and that the design is accurate.

DIAL 2

South porch R of doorway. Despite the extended ‘noon line’ (as it appears), the dial must in fact be upside down. If not, it can’t have had any practical use. 10 lines with very variable angles and 12 pocks. GLP describes it as crudely cut as a tide / octaval dial. The white item is a stone, which was in place when I originally saw the dial, and still 18m later. I left it in peace.

DIAL 3

A semi-circular dial with 13 lines, almost all of which end pocks. There is a complete inner circle round the gnomon hole, with semi-circle outside it. GLP found the dial to be accurately cut.

CONSECRATION CROSSES

On chancel—(a) on external S. wall, W. of S. window; on N. chapel—(b) on N. external wall, W. of N.E. window, reset; on nave—(c) on external N. wall, between N.E. window and doorway; (d) on E. splay of N. doorway; (e and f) on E. jamb of S. doorway, two crosses; (g) on E. splay of S. doorway; (h) on E. splay of S.W. window; on W. face of tower— (i) against N. buttress; all formy crosses in circles except second on jamb of S. doorway, mediæval (BLB)

St Nicholas . Nether Compton . Dorset – Consecration Cross

GSS Category: Scratch Dial; Consecration Cross

All photos Keith Salvesen + BSS archive (also diagrams)

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