St Peter ad Vincula . Broad Hinton . Wilts
ST PETER AD VINCULA . BROAD HINTON . WILTS
GRADE 1 † C13 origins (possibly back to Saxon); developed C15, C17; late Victorian restoration. Use of local sarsen stone. Hammerbeam roof. Merits a long entry in PEV, especially for the monuments. 5m N of Avebury, 7m NW of Marlborough 51.4858 / -1.8497 / SU105763
St Peter has 2 dials in very different styles, and a couple of ‘not-a-dial’s. There is also a modern-ish sundial on the porch, probably from the late C19 restoration, with a rather gloomy motto that fits in with Victorian mores.
Dial 1 is a fairly large and pleasingly simple dial on L side of a window jamb. 4 lines drop down from the style hole into the lower L quadrant, bounded by a sector of a circle. It looks rather uncomfortable. The puzzle is whether this was the original location (in which case it seems too large for the available space); or whether it is a relocation.
Dial 2 is an encircled dial, the lower half eroded. There is a shallow style hole and various pocks, not all necessarily relevant to dial functions. The significant ones are on the L side, with 3 pocks in a row between the style hole and the perimeter. Below them are less organised pocks. The dial would make more sense if rotated 90º, with the horizontal line becoming the noon line and the less defined line perhaps marking a Mass time (None?). This suggests that the stone was relocated, and certainly the size and colour of the stones around it vary significantly (image 1 below).
Promising but on closer inspection unlikely dials
OUR DAYS ON THE EARTH ARE AS A SHADOW
The C17 porch was restored C19 and then (or later?) this dial was added over the door, with its discouraging message (no hint of the ‘sunny hours’ etc found elsewhere). The dial is slightly angled to face due S for greater accuracy.
NOTES: Various types of external graffiti – scratchings, initials, Marian marks etc; on the WILTSHIRE HISTORIC CHURCHES TRAIL
GSS Category: Scratch Dial; New Dial; Medieval Graffiti; Marian marks
All photos: Keith Salvesen