French Sundials – GAUDIUM SUB SOLE . SUNDIALS . MEDIEVAL TO MODERN

LES CADRANS SOLAIRES DE COARAZE: CERAMIC TILE SUNDIALS IN PROVENCE

Published on December 2, 2024 by Rolling HarbourLeave a comment

Cadrans Solaires Sundials Coaraze (© Keith Salvesen) — Cadrans Solaires . Ceramic Sundials . Coaraze . Provence – Jean Cocteau

LES CADRANS SOLAIRES: THE CERAMIC TILE SUNDIALS OF COARAZE, PROVENCE

The nine sundials shown below are in Coaraze, a small medieval ‘village perché’ (650m) in the Alpes-Maritimes, Provence, north of Nice. They include sundials by artistic polymath Jean Cocteau (poet, novelist, dramatist, designer, artist and filmmaker); Ponce de Leon; and Henri Goetz, among others. They are located in two places in the village (1) on the front and side walls of the Marie (2) at the top of the village on a south-facing walls in the square in front of the church. They need no interpretation by me: everyone who views these wonderful sundials will experience their own personal response to each one.

MONA CRISTIE – LA CHEVAUCHÉE DU TEMPS

Cadrans Solaires . Ceramic Sundials . Coaraze . Provence – Mona Cristie

GEORGES DOUKING – LES ANIMAUX FABULEUX

Cadrans Solaires . Ceramic Sundials . Coaraze . Provence – Georges Douking

JEAN COCTEAU – LES LÉZARDS

Lizards are the historic symbol of the village

coaraze-sundial-3b.jpg (1280×960) — Cadrans Solaires . Ceramic Sundials . Coaraze . Provence – Jean Cocteau

GILBERT VALENTIN – LES TOURNESOLS

coaraze-sundial-4a.jpg (1280×960) — Cadrans Solaires . Ceramic Sundials . Coaraze . Provence – Gilbert Valentin

FABIENNE BARRE (2008)

On the side wall of the Marie, with a view of the village

coaraze-sundial-5a.jpg (1280×1049) — Cadrans Solaires . Ceramic Sundials . Coaraze . Provence – Fabienne Barre

coaraze-sundial-5c.jpg (1280×963) — Cadrans Solaires . Ceramic Sundials . Coaraze . Provence – Fabienne Barre

ANGEL PONCE DE LÉON – BLUE TIME (1961)

coaraze-sundial-6a.jpg (1280×960) — Cadrans Solaires . Ceramic Sundials . Coaraze . Provence – Angel Ponce de Léon

HENRI GOETZ – LE PYTHON ET SA COURONNE EN VERT ET OR (1961)

coaraze-sundial-7a.jpg (1280×1006) — Cadrans Solaires . Ceramic Sundials . Coaraze . Provence – Henri Goetz

SACHA SOSNO (2007)

coaraze-sundial-8a.jpg (1280×960) — Cadrans Solaires . Ceramic Sundials . Coaraze . Provence – Sacha Sosno

“BEN” – BENJAMIN VAUTIER (2008)

coaraze-sundial-9a.jpg (1280×960) — Cadrans Solaires . Ceramic Sundials . Coaraze . Provence – Benjamin Vautier

coaraze-a.jpg (1280×978) — Cadrans Solaires . Ceramic Sundials . Coaraze . Provence

coaraze-sundial-10.jpg (1280×960) — Cadrans Solaires . Ceramic Sundials . Coaraze . Provence

Coaraze Sundial 11 — Cadrans Solaires . Ceramic Sundials . Coaraze . Provence – Benjamin Vautier

COGOLIN . VAR . FRANCE – Vertical Dials

Published on August 24, 2024August 25, 2024 by Rolling HarbourLeave a comment

L’ÉGLISE SAINT-SAUVEUR et SAINT ÉTIENNE . COGOLIN . VAR

COGOLIN is an attractive and relatively small town with a harbour close to Port Grimaud. Both towns are a short jet-ski ride from St Tropez. The church, with its double dedication, may date to C11.

CHRIST IS THE LIGHT OF NATIONS

This intriguing dial was created by M. Garde-Lebreton in 2018. It manages to combine accuracy, legibility, and charm. An excellent bonus is the very careful explanation of the dial on a separate plate. An object lesson of modern dial design and analysis.

DIAL 2

St-Sauveur has a second attractive dial, another good example of a modern dial that combines its purpose with cheerful style. Engraved and painted on cement.

GSS Category: Vertical Dial; Dial on Church Wall; Modern Dial; France Sundial

CREDITS: Charly Salvesen with many thanks; R Collins; booking.com; Michel Lalos

UZERCHE . CORRÈZE . ABBATIALE ST PIERRE – Early Scratch / Mass Dial

Published on July 30, 2024July 31, 2024 by Rolling HarbourLeave a comment

ABBATIALE ST PIERRE . UZERCHE . CORRÈZE

Records of a ‘primitive building’ on this site date from C6. Subsequent monastic development followed. The present building dates from C11 (chancel, N transept); C12 (nave); C13 (expansion). Later in its long history the Abbey survived turbulent times during the many uprisings and downfalls in France. The Abbey was restored in the early C20. There is a saying ‘He who owns a house in Uzerche has a castle in the Limousin‘

This unusually large dial is cut on the SW buttress of the imposing entrance doorway. It is too grand to be given the normal designation ‘scratch dial’. The much less used description ‘Mass dial’ seems more appropriate in this case. It is accurately cut , and within the circle the 5 radials form 6 segments in the lower half of the dial. It is in remarkably good condition apart from the damage to the lower right quadrant. Further research is needed to find a plausible date-span for the dial’s construction.

Photography: Plaxy Arthur, with many thanks; Jacques Mossot os / cc

CHARTREUSE DE MÉLAN . TANINGES . FRANCE – Vertical Dial on C13 Abbey

Published on June 23, 2023June 23, 2023 by Rolling HarbourLeave a comment

The Chartreuse was founded in 1285 as a Carthusian nunnery and continued its religious functions until the French Revolution. Thereafter it became a school and in due course an orphanage. A disastrous fire in 1967 destroyed almost all the buildings on the site, with loss of life. Only the church and its cloister now remain. The church is an exhibition space and the lawns around it feature examples of modern art, from interesting via enjoyable to a few that are a matter of personal taste.

The dial is included by MICHEL LALOS in his excellent French Cadrans Solaires site. Anyone who has in interest in sundials in France will benefit hugely by using this free resource. It is accessible, informative, and easy to use – not least because the dials are featured by Départment with a map for dial locations. The entry for Mélan is :

Cadran peu déclinant de l’après-midi, gravé et peint sur enduit, très dégradé, fines lignes, demies, plus de chiffres dans bandeaux, traces de blason et décor

Dial slightly declining in the afternoon, engraved, painted on rendering, very degraded, fine lines, half-hour lines, numbers within a frame, traces of coat of arms and decoration.

There are paint remnants at the top of the dial, where (presumably) it has been protected by the eaves. The gnomon hole at the top of the coat of arms is square. The dial is obviously old and I wondered if it might be dateable. Checking the apparent shape of the escutcheon, I discovered that it was first recorded as an armorial design in late C17 and (conveniently) turns out to be known as French-style. Overall, one might reasonably conclude that this dial is C18.

MEMORIAL STONE 1690

Chartreuse de Mélan . Taninges . France – Memorial Tablet 1690

GSS Category: Vertical Dial; France Sundial; Cadrans Solaires; Dials Abroad

All photos: Keith Salvesen; source used MICHEL LALOS

LES CADRANS SOLAIRES DE COARAZE: CERAMIC TILE SUNDIALS IN PROVENCE

Published on December 27, 2021December 27, 2021 by Rolling HarbourLeave a comment

LES CADRANS SOLAIRES: THE CERAMIC TILE SUNDIALS OF COARAZE, PROVENCE

MONA CRISTIE – LA CHEVAUCHÉE DU TEMPS

GEORGES DOUKING – LES ANIMAUX FABULEUX

JEAN COCTEAU – LES LÉZARDS

Lizards are the historic symbol of the village

GILBERT VALENTIN – LES TOURNESOLS

FABIENNE BARRE (2008)

On the side wall of the Marie, with a view of the village

ANGEL PONCE DE LÉON – BLUE TIME (1961)

HENRI GOETZ – LE PYTHON ET SA COURONNE EN VERT ET OR (1961)

SACHA SOSNO (2007)

“BEN” – BENJAMIN VAUTIER (2008)

CÉRET . FRANCE – ST FERRÉOL HERMITAGE

Published on June 21, 2021 by Rolling HarbourLeave a comment

Céret lies south of Perpignan, in the foothills of the Pyrenees quite close to the Spanish border. The Hermitage is a short distance to the north. The modern art museum in Céret has many works by Picasso, including sculpture and ceramics; and by other famous artists of the period.

St Ferréol Hermitage, Céret, France – sundial (2004)

This enjoyably rustic sundial is painted directly onto the facade of the C13 chapel (restoration C18). It is intriguing for the way in which the radials are moored, carefully graduated, on the diagonal of the dial face. The arrow gnomon forms part of the opposite diagonal. As an amateur, to me the design of the dial looks quite complicated, especially the calculation of the angle and distance between 11 & noon.

I am still trying to work out the inscription at the top. It seems to be ‘Ultimum’, which could be a neat Latin way of saying something like ‘To the end of Time / Jusqu’ à la fin du temps’

GSS Category: Modern Dial

All photographs: Keith Salvesen

VILLEFRANCHE-DE-CONFLENT: DOUBLE DIAL

Published on January 22, 2021January 25, 2021 by Rolling HarbourLeave a comment

VILLEFRANCHE-DE-CONFLENT is a small medieval walled town in Catalan country. It is watched over by Fort Liberia, one of VAUBAN‘s massive defensive constructions in this historically strategic area. The town is charming, and additionally famous for being the start of the ‘Train Jaune’, a picturesque narrow-gauge railway that climbs high into the Pyrénées. The amazing altitude rise is from 1250 ft at Villefranche to 5000 ft at the track’s summit just above the village of Mont Louis (which has its own Vauban fort)

The sundial above is high up on a house in the church square, next to the Mairie with its Catalan flag. It doesn’t exactly draw the eye and would be very easy to miss. Its overall appearance is endearingly wonky.

TWO DIALS IN ONE

The main dial is etched and painted on cement, with roman numerals that mark hours, halves and quarters. The long gnomon is attached beneath a small sculpted head from which sun rays radiate – a simple representation of a solar deity. Above the head can be seen numbers, of which only 11 and 8 can be made out with any certainty. Possibly, it is a date: the dial (which is not ancient) is otherwise undated and it is very hard to guess its age. I can find no explanation for the initials DS (top left, Gothic font) and ER (top right, normal font).

The small dial-within-a-dial with graduated radials shows the hours only, with arabic numerals. The bent gnomon points straight down. I am unsure of its purpose as a supplementary – and rather overshadowed – dial on the same plane, but the overall effect is pleasing.

INSCRIPTION

The words “COM MES SOL FA MES BE ESCRIC” are Catalan and mean roughly “When it is sunny, I write (show the time) well”. This rather charming inscription was apparently added in around 2000 by the village pastor.

Credit: for information, Michel Lalos, who has compiled a comprehensive illustrated record of the sundials of the Pyrénées-Orientales.