WINTERBOURNE STOKE. WILTS . ST PETER – Multiple Scratch Dials

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ST PETER . WINTERBOURNE STOKE . WILTS

GRADE II* † C12 origins (recorded 1163); C13 expansion; C15 works, additions (tower). Mid-C19 extensive restorations. C12 font. Consecration crosses. 3m W of Stonehenge. 51.1651 /  -1.8914 / SU076406

An extraordinary and diverse collection of dials on a lovely church that is a short walk from the dreaded A303. The village is the first traffic choke-point on the road W of Stonehenge. Who would guess, inching forwards in your car where pedestrians daily take a life-or-death decision when to cross, that a lane to the south offers such a rich treat?

DIALS

St Peter is a multiple scratch dial church. Estimates vary of precisely how many: perhaps 8 or 9, depending on individual interpretation. BSS records 4. The range of plausibility covers all bases: obvious dials, probable dials, possible dials, not-a-dials. Some candidates – whole or partial – may simply be decorative. Others look promising but are unlikely to work as dials in design or (present) position. I have grouped various candidates, accepting that my choices may be lightly contentious. Note that I have mostly not specified locations. I started (2 visits) on the SE corner, if that helps. I have given links below with helpful details. Anyway, a multi-dial church is always a pleasing challenge for locating them.

DIAL 1

A simple dial on a RHS window jamb, consisting of 2 circles and a central gnomon hole. The double rings, badly eroded, look compass drawn. There are no visible lines, nor any pocks.

DIAL 2

On a LHS window jamb, a plugged gnomon hole with very little else remaining. Enlarging the image reveals a faint trace of what might once have been a circle; and the ghost of a noon line.

DIAL 3

A much clearer dial on a quoin stone, though quite badly eroded. Originally it was presumably a complete circle of lines with terminal pocks. Only about 12 lines and 9 pocks are visible.

DIAL 4

Another quoin stone dial, with 2 lines emerging downwards from the gnomon hole, diverging either side of noon. L line possibly has a terminal pock; R line is badly eroded, barely visible. It’s hard to make sense of the bent grooves LLQ – somewhat pointless as parts of a dial.

DIAL 5

Dials 5, 6, and 7 are collected together in corner, one above the other. Dial 5 is at the top. Heavy-handed repairs have been carried out in this area. The gnomon hole is in the mortar line, with 4 defined radials and traces of 1 or 2 more. There’s a hint of an arc LRQ, perhaps the remains of a semi-circle.

DIAL 6

The lowest dial of the 3. Again the gnomon is in the mortar line. It looks as though the dial stone must have split vertically at some time. 3 lines LRQ, the noon line less deeply cut. The single line LLQ corresponds to the Mass time Terce.

DIAL 7 (?)

Dial 7 is (as others note) a doubtful dial, and I share reservations. It would certainly work in a most rustic way, with a stick in the large hole and the smaller indentation below denoting noon. However, in a multi-dial church one might expect something rather more complex or decorative..

DIAL 8 (?)

Again, this design is taken to be a dial, which it may well be. I’ve never seen one quite like it, with a short arc at one side with no sign of a semi- or complete circle. The large deep hole has a minimal cut at noon, hardly a call to prayer. I wonder if this is in fact apotropaic in purpose, a protection symbol to ward off evil.

DIAL 9 (?)

I originally discounted this as a dial but reviewing photographs made me look more closely. The slapped-on filler helps to the extent that it suggests a gnomon hole in the mortar line that was large enough to need filling. There is a faint near-vertical that might be a noon line with a pock to mark it; and a hint of a line with a pock at roughly 9 / Terce. Doubtful.

SEMI-CIRCLES

Although these semi-circles are generally included in mentions of the dials of St Peter’s, I have reservations, in particular for the double circle in the fine archway. It is very large for a scratch dial, and the church is quite small to require such a one. There are no marks – radials, pocks, numbers – to suggest use as a dial. I wonder if is an example of simple compass-drawn decoration on a large scale. Also the blocked door and its arch are set back, with a buttress in front on either side. The position is a most unlikely one for enabling the community to mark the passage of the day.

This double semi-circle is more dial-ish, but is still quite large, with (it seems) damage but no relevant dial marks. Too small in diameter to be the other half of the semicircle above.

A segment of a single circle on the edge of a clean-edged stone, clearly re-sited at some time. If a dial, one would expect there to be lines / pocks in the lower half ie from 6 to noon.

NOT-A-DIALS

I include these without conviction that any one of them is a dial. The top one, similar to Dial 8 above and on the same kind of stone, is simply a shallow hole. There’s no hint of another relevant mark.

A very helpful analysis by the Parish Council of the dials of St Peter is recommended HERE

GSS Category: Scratch Dial; Mass Dial; Multiple Dials

All photos: Keith Salvesen; Winterbourne Stoke PC (A. Shuttleworth)

GORWELL BARN . DORSET – Hexfoil / Daisy Wheel & Church Marks

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GORWELL BARN . DORSET

The barn is part of Gorwell Farm about 3m N of Abbotsbury, deep within the folds of steep hills, with ancient trackways, a stone circle, and strewn with sarsen stones. It has several uses, including as an excellent wedding venue; a lecture venue in particular for historical, geological, and similar types of research; and an educational centre.

The barn is C17 and has been sympathetically restored. During the process, work on the interior walls uncovered a fine hexfoil, and stones with graffiti and other marks. These are usually associated with churches, but barns were also ornamented in this way.

This is not a dial post, but it fits in with the ancillary purpose of including related matters of interest (see MENU and the various subcategories)

HEXFOIL

Hexfoils (hexafoils), also called daisy wheels or petals, are not uncommon. They are mostly found in churches; less often in secular buildings. Generally they are compass-drawn and symmetrical. There are three main theories to explain them, not mutually exclusive.

1. A form of Consecration Cross (an attribution given eg to the fine hexfoil at St Mary, Cerne Abbas, Dorset below). However, the many thousands of conventional crosses on churches all over the country suggest that there would be little need for a large daisy wheel except perhaps in a significant church. Often there are several on a church, each marking a particular event such as a Bishop’s visit or blessing. The maximum is generally 12, though a few churches (eg St Mary, Holnest, Dorset) have 14.

2. Symbols created by masons in the course of construction, a theory debunked firmly by medieval graffiti expert Matthew Champion on several irrefutable grounds.

3. Ritual protection marks (apotropaic symbols) designed to ward off / neutralise evil. To this can be added the concept of the Demon Trap whereby evil is confined within the circle – a line with no end – rendering it powerless.

Hexfoil . St Mary . Cerne Abbas . Dorset

‘4-LEAF CLOVER’ and GEOMETRIC SYMBOLS

I haven’t found such a clear example of a 4-petal style before. It is both decorative and protective: again, evil is attracted to it and then caught by the unbroken lines. Strengthening the case, the design to the left is an eroded example of a fairly common protection mark. These involve a geometric shape – usually a rectangle – with a pattern of joined dots. More complex ones look something like a square solitaire board.

SEMICIRCLE

This looks compass drawn. There is a hole on the lowest part of the circumference which – if a sundial – would be significant as marking noon.

MISCELLANEOUS GRAFFITI

GSS Category: Hexfoil; Daisy Wheel; Church Marks; Graffiti; Secular apotropaic symbols

All photos Keith Salvesen, and remembering the Sarsen Stone project

PADUA . VENETO . BASILICA of ST ANTHONY

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SUNDIAL

The oblong dial is located high up on the south side of the Basilica. Its modern design contrasts notably with its setting. I can imagine some debate over modern versus traditional styles. It was installed in 2020; a caption refers to renovation.

The dial’s height and size makes it very visible. John Renner, who took these photos, suggests convincingly that there must always have been a dial of some sort there, I’d have thought, to be visible to the friars from their cloister and help them say their hours on time. I have now managed to locate a photo taken from the cloister of an earlier dial with a much simpler day-marker. Probably it replaced an even earlier one.

The details of the new dial include 4 signs of the Zodiac; 2 midday roman numerals; 1/2 hours marked with pale arrowed lines; and a fairly traditional motto. The most interesting feature is the gnomon, which is tilted for accuracy and looks adjustable. As the photos clearly show, the sun’s rays are focused through a small hole onto the dial face – here, at exactly 9.30 am.

See HERE for the Scaphe Dial in the Padua Botanical Gardens (one of 3 dials there)

Basilica of St Anthony . Padua . Wiki

GSS Category: Modern Dial; Vertical Dial; Dials in Italy

All photos: John Renner, with thanks as always; Expedia for the old dial

LITTLE LANGFORD . WILTS . ST NICHOLAS OF MYRA – SCRATCH DIAL . HEXFOIL . TYMPANUM

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ST NICHOLAS OF MYRA . LITTLE LANGFORD . WILTS

GRADE II* † C12 – C15; Wyatt restoration 1864. Myra (as Church Notice Board; OBS); also, Mira. Charming small church in Little Langford (not nearby Steeple Langford as mostly given in refs) down a side road off a side road. A pleasure to visit and of considerable interest. C12 font bowl; a fine tympanum with symbolic carvings; a large hexfoil re-sited high up on E end N quoin; and – most relevant here – an excellent scratch dial re-sited as quoin stone low down W end of N side (cf Litlington E Sx). 51.1288 /  -1.933 / SU047366

DIAL

Re-purposed, inverted, and making a fine quoin stone. 9 lines (2 faint). Deeper cut noon line. An afternoon dial presumably with Observance ± None.

HEXFOIL

Very visible once noticed re-sited high up N side of E end

TYMPANUM

Well worth examining closely to work out the symbolism before looking it up on HE / BLB

GSS Category: Scratch Dial; Mass Dial; Re-sited dail; Inverted dial; Hexfoil; Tympanum

All photos: Keith Salvesen

PADUA . BOTANICAL GARDENS . SCAPHE DIAL

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This wonderful example of a scaphe dial is one of 3 dials in the Botanical Gardens of Padua. There is also a cube dial and a cylinder dial (separate post). This first-ever public garden* was created in 1545, and the original layout has been preserved. This is not the space for a short wander round, but there’s plenty of interesting material online. It has been an important centre for scientific research since its inception and, unsurprisingly, it is a UNESCO World Heritage Site.

*Pisa’s botanical garden was actually completed a year earlier but disqualified on a technicality that I haven’t pursued.

GSS Category: Scaphe Dial; Botanical Garden Sundial; Europe Dials

All photos: John Renner, with many thanks

WYLYE . WILTS . ST MARY – Scratch Dial (2)

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ST MARY . WYLYE . WILTS

GRADE II* † C13 origins; C15 expansion; 1846 rebuilding by Wyatt. Wonderful pulpit. Well positioned beside an excellent pub to quench congregational thirst after righteousness. An ideal peaceful country church, despite being just S of the hectic A303 raceway. 51.1389 / -1.9898 / SU008377

DIAL 1


I very recently featured the inverted dial on the nave wall, tucked away quite low down on E side of the buttress.

Almost immediately I was contacted by Lee Baines, pointing out that I’d missed a mass dial in poor condition (but at least right way up) with standard three radials in SW quadrant. By chance I was passing Wylye yesterday, and I am pleased to be able to correct the omission so soon.

DIAL 2

The dial is a good example of a less common feature. The joint between 2 stones acts as an emphasised noon line, with the gnomon hole in the mortar line above it. The mortar line doubles as a 6-to-6 line. There are 3 lines in LLQ, neither straight nor accurately leading to the gnomon hole. The deeper cut line corresponds approximates the Mass time Terce. The overall lack of finesse of this rustic dial suggests that it is rather earlier than Dial 1.

GSS Category: Scratch Dial; Mass Dial

All photos: Keith Salvesen; many thanks to Lee Baines for pointing out my omission

FISHERTON DE LA MERE . WILTS . ST NICHOLAS – Scratch Dial

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ST NICHOLAS . FISHERTON de la MERE. WILTS

GV II* † C12 origins; C13 records; C15; restorations 1833 J Davis, 1861 W Hardwick; and 1912. Now redundant. Cast-iron plaque records 1833 rebuilding. Surprisingly large for a small community hidden away on the banks of the Wylye river (nb close to a very busy A303 intersection; check a map or you may miss the little side-road and could be going back and forth for some time. Close to Wylye. 51.146 / 51°8’45″N / -2 / 2°0’0″W  SU000385

DIAL

Part of the original dial stone was at some stage relocated and reused as a building block in a most unexpected place. You will find it N side, low down on the side of a buttress, facing W. In its working days, it must have been a fine marker of the passage of the day.

From the visible fragment one can tell that the dial was almost certainly cut over 2 (or more?) stones. The double circle – faintly seen RHS – gives an idea of the overall size.

Rotation of the stone 90º anticlockwise reveals well-defined XI – noon – I lines

GSS Category: Scratch Dial; Mass Dial

All photos: Keith Salvesen

CODFORD . WILTS . ST PETER – Scratch Dial

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ST PETER . CODFORD . WILTS

GV II* † C13, C15, 1863 restoration by T.H. Wyatt. PEV notes Very well preserved C9 Saxon cross shaft with fine carving… against north wall of chancel. Worth visiting close-by St Mary (no dial), an agreeable church. 7m SE of Warminster. 51.1586 / -2.0503 /  ST965399

DIAL

An enigma: the dial recorded for St Peter gives the details shown below. However at the position and height specified is a single hole drilled near the centre of the stone. There are no markings whatsoever that I could make out. I looked at similar locations on the S side without success.

Chancel, S wall, to R of priest door. Height 1.4m. Worn.
Dial (Norman?) with tides, with duodec., sometimes both. Mason-cut or roughly scratched

I realise this is a disappointing post. On balance I decided it would be worth writing up. This visit was part of a 3-day project with the Wylye Valley churches. I also failed to locate the dial at nearby Knook; and I didn’t get a full score for the multiple dials noted at Stockton (17) and Sutton Veny (9). There were a couple of new finds to even up the score. Not all older records are accurate; then again, neither am I… Any guidance with the dial(s) on this Church would be welcome.

GSS Category: Scratch Dial

All photos: Keith Salvesen

STEEPLE LANGFORD . WILTS . ALL SAINTS – MILLENNIUM SUNDIAL

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ALL SAINTS . STEEPLE LANGFORD . WILTS

GRADE I † C13 origins; C14, C15 development; extensive restoration 1873 (Carpenter). C12 font. 3 scratch dials (separate post). 10m NW of Salisbury. 51.1363 / -1.9493 / SU036374

DIAL

The dial is 10′ up on the SE corner of the nave. Gold lines on slate ground. Open gnomon. Numerals not gold. Date at top with scrolls all in Red. Uses XII and IV, with all numerals vertically arranged, and shows 6am to 6pm in half hours. Lines drawn from small semicircle at root. Full length half hour lines (BSS).

This is a fine MM dial and a pleasure to walk towards. Hopefully the gnomon can soon be pegged back into the upper hole, making the time of day easier to determine.

GSS Category: Vertical Dial; Millennium Dial; Dial Dates

All photos: Keith Salvesen

GREAT WISHFORD . WILTS . ST GILES – Circular Vertical Dial

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ST GILES . GREAT WISHFORD . WILTS

GRADE II* † C13 origins; C15 tower; C19 restorations esp by Wyatt, some work reflecting the older styles. PEV – with an eye for quirks – notes Manual fire engine said to be early C18. 4m N of Wilton. 51.1188 / -1.8863 / SU080355

VERTICAL DIAL

On a recent trip to the Wylye Valley to look at specific churches for scratch dials, I passed through Great Wishford. I stopped, not because I expected to find a scratch dial, but because I noticed an unusual circular dial on the E end – something like a satellite dish for receiving the sun’s rays. I hope someone will enjoy working out how the dial works in practice; or even whether, in its position and at that angle, it is accurate.

My amateur skills fall well short of understanding how the dial works in the technical sense. The position and angles of the dial and gnomon seem all wrong. The numbering, too. On a dull day I was fortunate to catch a moment when the sun cast a shadow.

GSS Category: Vertical Dial

All photos: Keith Salvesen