GRADE I † C13 origin, chancel & tower C15, porch C17, south chapel C18. Restored 1848. A small hamlet, a fine church, a tithe barn, a manor house. Sir Walter Raleigh prayed here. Perfect rural Dorset – secluded in a valley, reached only by narrow lanes, and very much a longcut for traffic. 2m over the fields from our house, 15+ minutes drive. 50.9127 / -2.5283 / ST629127
Note: St Martin has 3 scratch dials that are featured HERE
Addendum July 2023 below
DIAL
This is a rather special and unusual dial in a lovely setting. It was installed in 1990, and commemorates Robin Higgin (1928 – 1986), as inscribed around the edge of the circular dial stone. On the top of the stone, the words ‘In Loving Memory’ are inscribed around the dial itself.
The dial has an adjustable gnomon, and the plate was clearly made specially rather than being a standard model. It has a pleasingly rustic look. The lines to the numerals are rays from the central sun. On the dial edge, on either side of the gnomon, are the words dawn and dusk look as if handwritten rather than machine-engraved.
MEMORIAL INSCRIPTION
ADDENDUM
In July 2023 I revisited St Martin to check the orientation of this dial following a query by JF (BSS). Since my last visit, and most regrettably, the gnomon has disappeared and the edge of the dial stone has been damaged. As for orientation, the dial is sited (or re-sited) so that XII points NE, negating a time-passage function.
GSS Category: Horizontal Dial; Memorial Sundial; Churchyard Sundial
LOCATION † 3m SW of Yeovil, near E & W Coker 50.9048 / -2.6949 / ST512119
An extended village close to the A30 yet approached by lanes (as they are actually named) rather than roads. A peaceful feel to it, especially at dusk when this poor photo was taken. The church had ‘much work’ carried out in C15 and C18. Tower probably of 1123, in three stages, font possibly from same date. BLB.
I visited St Mary a couple of years ago at dusk (it was last on a list), so I have re-photographed the church and updated the post.
DIAL † At the W. end and quite easily overlooked. DEH did not investigate or list it in 1915. A full circle, one clear radial and a square style hole. Possible trace of outer circle top left. Not noted in BLB, HE, nor in TWC extensive list of Somerset dials. I found only one reference to this dial that led me here; since then, one passing reference to a sundial in the porch – perhaps this dial relocated in C15?
NOTES The circular font is thought to be original dating from 1123, and the clock mechanism was built and installed before 1707. There are 6 bells in the tower, 3 of which are from the Purdue (Closworth) foundry, with the earliest being dated 1591
Renowned RHS gardens near Torrington, Devon. It’s a wonderful place. You can find out all about it HERE. For present purposes, the focus is on the very fine sundial installed in the gardens in 2004. This is a project of the BRITISH SUNDIAL SOCIETY and the description below is from the BSS record:
This is an unusual dial in the form of a triangular section pillar made of Delabole slate and 1820mm high. It was designed by Sir Mark Lennox-Boyd and made by Ben Jones. It carries a motto on the 610mm diameter slate base ‘But only in time can the moment in the rose-garden be remembered’ (T.S.Eliot, modified from a passage in Burnt Norton, the first of the Four Quartets).
On two of the faces are pairs of declining dials one above the other. The upper ones are drawn for December to June and the lower ones for June to December. The hour lines are corrected for the Equation of Time.There are three declination lines on each dial. Arabic numerals are used and the dials show BST. The easterly dial shows 5:30am to 1:30pm in half and quarter hours while the westerly dial shows 12:30pm to 9:30pm similarly divided. The north dial has dedications to V M Dickinson, M J C Wright, H Addy and R Addy.
DIAL IMAGES 1
All Photos: John Renner
DIAL IMAGES 2
Images taken from the designer’s magisterial book Sundials: History, Art, People, Science. The design below seems an excellent example of art meeting science.
GSS Category: Pillar Dial; Modern Sundial; Pillar Sundial
Credits: Photos by John Renner; material from the book by Mark Lennox-Boyd; British Sundial Society
GRADE 1 † C14, C15 with C19 restorations. Predominantly Perp. A large and impressive building in a small community, admired by PEV: ‘of great interest’. A companion to nearby Huish Episcopi. 9m NW of Yeovil. 50.9865 / -2.8042 / ST436210
NOTE: this post has been superseded in April 2024 after a visit in sunshine. The faint dial markings owing to poor light are now legible. The text is much the same. See the new post HERE
DIAL
St Martin . Kingsbury Episcopi . Som – Scratch Dial
The dial is located on the W buttress on the S side, and has a gnomon hole large enough to be seen from the church path. DEH visited in Sept 1912 and noted that, because the dial is about 8′ above ground level, it would have been moved to its present position during reconstruction of the tower (the oldest part of the church).
The dial is very eroded, and it is now hard to make out the details. DEH describes a complete wheel of thin lines without a circle. More than a hundred years later, the design is very faint indeed. Neither inspection nor photos reveal what DEH will have seen.
A charming rustic dial incorporated into an iron balcony in Morzine – a surprise find. It seems accurately designed for its specific location and aspect. Included are its longitude and latitude. The hours marked are (most unusually) from 6 to 17: a dial based on the 24-hour clock. The design includes the sun shining cheerfully above the gnomon with a star on either side. A most enjoyable dial to come across by chance. The motto is one we should all abide by…
GRADE I † C13 origin; tower rebuilt and alterations C15 . Modern (C20) restorations. Early C13 font. Unusual appearance with pleasing matched roof-lines. BHO notes On S.E. buttress of S. transept—scratch dial*. 3m SE of Crewkerne. 50.8571 / -2.7514 / ST472066
DIAL
A conundrum. BBS records (1997) show a complex dial, part-encircled and with 10 lines (one extended) and 12 distinct pocks. GLP notes that the continuation of the circumference onto the stone above indicates that the dial is in its original location. He suggests that it may be the remains of a LHS half-circle (cf HOLWELL and HERMITAGE).
GLP also points out disapprovingly an attempted ‘restoration’ with thin lines scratched along some of the original lines and part of the circumference line… and most of the holes ‘cleaned up’. These lines can be seen in the images below.
However, although a close shot shows the recently added lines, the dial did not reveal the considerable detail shown in the diagram. I am equipped with a camera and a pair of eyes, but (as an amateur) I could not read the S Perrott dial as I had hoped to.
Details of a dial can sometimes be seen more clearly in a B&W photo. It works to a limited extent here, but not enough to bring out, in 2023, the overall design as recorded in the past.
*It is slightly unusual for sources such as BHO, HE, BLB, to acknowledge scratch dials
GRADE II* † Saxon origins (vestiges still visible); C13, C15; rebuilt tower 1667 (unusually, lower than the nave roof-line); restorations (Wyatt). Split from Burcombe village (S Burcombe) by A30 and hard to find. St John is the sole remnant of N Burcombe. Declared redundant 2005. I could not gain entry. 5m W of Salisbury. 51.0798 / 1.8971 / SU073311
DIAL
St John . Burcombe . Wilts – Scratch Dial
The Burcombe dial is a slight secret, mentioned in TWC‘s Wiltshire dial list but not elsewhere that I can see. St John is also hard to find: check the location carefully before you try. This is a pretty dial, a messy mix of lines and pocks below the horizontal. The noon line – usually an eye-catcher – is upstaged by lines with varying degrees of curve and pocking. It’s hard to interpret, but the two ‘raking light’ photos add a bit of perspective.
St John . Burcombe . Wilts – Scratch Dial
VERTICAL DIAL
St John . Burcombe . Wilts – Vertical Dial
St John also has a canted vertical dial above the porch, with a pleasingly robust gnomon. It fits in with the stonework around it and looks old. However any details on the dial face have been eroded. Unfortunately I didn’t have a proper camera with me to check closely for lines etc. but I wouldn’t expect revelations.
Quaere placename – a mapping mistake
In the early 17th century, when John Speed prepared a map of Wiltshire he copied a version by Christopher Saxton, which showed but did not name North Burcombe. On his own map, Speed labelled the village Quaere (Latin for query), presumably because he intended to check the name later, but never did, and his engraver copied the annotation as if it were the village’s name. Later map printers in turn copied Speed’s map and ‘Quaere’ appeared on maps of Wiltshire for 145 years until Emanuel Bowen corrected the mistake in his 1755 map of the county. (WIKI)
GRADE I † C12 origins; gradual development C13 on, with later restorations C15 / C16. S porch (where the dials are) added C16, with earlier material reused. 8m SW of Dorchester. 50.6709 / -2.5638 / SY602858
DIALS
St Peter has 4 scratch dials, 3 on the E side of the S porch, 1 on the W side. One of my nemesis churches. I have visited in rain, in cloud, and in sunshine. Of the cluster of 3 on E side, I could only make out the obvious one. Eventually I managed to identify them from an enlarged photo. The BSS recorder’s diagram below gives an idea of the dials rather more clearly than my photos can.
DIAL 1
Dial 1 is located on the E side of S porch. Five lines are noted in the BSS records, of which 3 are clear and reasonably accurate. The gnomon hole is in the mortar line, where the lines converge.
DIALS 2 & 3
Dial 2 is very basic, and would be easy to overlook. There are 2 faint lines, with the top part including the gnomon hole cemented over a damaged area.
Dial 3 is even less conspicuous: a faint wishbone shape, 2 (3?) lines, one with a pock at the end.
I would doubtless have passed over this pair; and even had I noticed them I would have discounted them in my amateur way.
DIAL 4
Dial 4 is on the west side of the south porch, on an inner quoin stone. At first glance it might be taken for an area of damage. In fact it is a dial with 6 lines, 4 of which end in pocks. It was described many years ago as not very accurately laid out and the passage of time has not improved the situation.
GRADE I † C12 origins (nave, chancel), gradual expansion C13, C14 and C15; restoration 1889. Norman doorway with fine Tympanum (long predating the inscription 1698). Good C15 wall paintings.Very close to the estuary, perfect for a walk or a bird-watch. 6m W of Lyme Regis. 50.7142 / -3.0546 / SY256910
DIALS
Three dials are recorded for St Michael. They are all similar and, unlike most multi-dial churches, their design give little sense of developing methods of marking the passage of the day.
DIAL 1
Dial 1 is located on the E quoin stone of the transept, with the gnomon hole in the mortar line. There are 3 distinct radials, and a 4th that is a faint trace. BSS records include the comment Rescratched and false gnomon added.
St Michael . Axmouth . Devon – Scratch Dial 1
The last record is dated 1994, since when the false gnomon has been removed. I have used an image from then; the dial is less easy to see now. The diagram below has a theoretical perimeter and time marks for a complete dial. The note no noon [line] is slightly surprising. Radial 3 looks vertical and possibly bifurcated in re-scratching.
St Michael . Axmouth . Devon – Scratch Dial 1
DIAL 2
St Michael . Axmouth . Devon – Scratch Dial 2
Dial 2 is cut on the Chancel chapel, E end of the wall, on a quoin stone. There are 4 lines radiating from a filled gnomon hole in the mortar line
In close-up (below) it is just possible to see that line 3 (L to R) is longer than the others. That could suggest a noon line incised slightly off true vertical. If so, on this simple dial it might be a casual approach to the medieval daylight hours. On a later, more sophisticated dial, it might represent a way to achieve accuracy on a church that was not square on to the true SWNE footprint.
DIAL 3
St Michael . Axmouth . Devon – Scratch Dial 3
Also situated on the wall of the chancel chapel, and again radiating from the mortar line. BSS notes 4 lines, but 2 cannot now be detected. However the suggestion that noon is marked by double lines is plausible. This might be for emphasis (as with a terminal pock or cross); or because the vertical was re-scratched.
GSS Category: Scratch Dial
Photos. Keith Salvesen; diagram and other material, BSS
GRADE II* † Norman origins; rebuilding C15 & early C16; substantial restoration 1877. A church that repays one’s interest, with an intriguing Rood screen / reredos repositioning conundrum; and unusual chest tomb: on top lies the effigy of an emaciated cadaver partly covered by a shroudBLB. 14m E of Exeter, 5m W of Honiton. 50.7875 / -3.2659 / SY108994
DIALS
St Andrew has 3 scratch dials, the most obvious being visible from the lych gate and as one approaches S porch. The other 2 dials, very close together, are remarkable and probably unique (certainly so as a pair). Dial 3 may be doubtful. An additional basic but dial-ish scratching is shown below, as are various other church marks including a good example of a Consecration cross.
DIAL 1
St Andrew . Feniton . Devon – Scratch Dial 1
Dial 1 on the porch buttress is a straightforward design and easy to make out, but damaged and cement patched UR. There are 13 lines, some now very faint. The angles are more or less accurate at 15º. The vertical / noon line is not emphasised in any way, which is slightly unusual. The main Mass was presumably Terce, marked with a deeper cut line LHS. The gnomon hole has been filled with a rather well-chosen rounded arrow design; it is modern yet respectful of its purpose.
DIAL 2
St Andrew . Feniton . Devon – Scratch Dial 2
Dials 2 & 3 are adjacent low down on the same porch buttress as Dial 1. It is a remarkable juxtaposition. BSS suggests they are early dials – pre-1400?
Dial 2 consists of a pattern of pocks contained within what could be termed geometrically as the major segment of a circle. The horizontal line is incised more deeply. BSS suggests that 13 pocks are identifiably associated with the dial, with a few random ones besides. The quite shallow gnomon hole in such a small design presumably contained a stud rather than a rod.
A noon line is seemingly marked by the sightly offset double pocks just R of the vertical. Theres’s also a very small pock directly above the gnomon hole, conceivably a decorative-use-only marker for midnight and symmetry.
DIAL 3
Dial 3 The BSS entry for this little configuration of dots describes a semi-circle of 8 pocks, with other associated pocks and no obvious gnomon hole. It concludes closely related to dial no. 2, possibly never used as a dial.
Perhaps it is not a dial at all. The rather untidy part-circle curves away NE after noon – pointlessly, if part of a dial. BSS notes that there is no central style hole. There is a single pock inside the perimeter that might have held a stud – but unlikely to be much use in that position. Some might suspect unserious pattern-copying efforts along the lines of Dial 2.
St Andrew . Feniton . Devon – Scratch Dial 3
My amateur reading of this buttress as a whole is firstly, that the low stone on which Dials 2 & 3 are located is not its original location. At some stage during all the rebuilding and restoration over the centuries it was re-sited. The little dial that ‘worked’ was then too low and would anyway have been an obsolete design. It was therefore superseded by a far larger, more modern (? mid C16) and very visible dial, accurately cut and ideal for marking the passage of the day for a larger, better educated community in a more modern era. Comparatively.
DIAL 4?
Both lines seem deliberately scratched. One is approximately vertical, the other could mark the Mass time Terce (cf Dial 1). The lines diverge from the mortar line, as do many simple dials – it means not having to drill a dial gnomon into stone. I have seen less convincing 2-line versions that have been recorded as dials. I am slightly in favour of it being a dial.
CONSECRATION CROSS
This is a good example of a rural consecration cross, incised on a buttress between 2 windows. From a distance the design might mislead and be seen as four petals, rather than a compass drawn cross. There are hints of an outer circle. This is a fairly common type of cross, but good see one that is relatively unworn. The four distinct quarters rule out ID as a protective hexfoil, although there is a similarity.
GRAFFITI
Graffiti on two adjacent stones, one example dated ?1675
PROTECTION MARK
This is very likely a ritual protection mark / apotropaic symbol designed both to prevent evil from entering the church, and to repel it. For that reason they are most often found inside or near porches. I haven’t encountered the pattern below before, but a group of dots with some joined by deep cut lines is a commonly found design – see an example from Dorset below.
GAUDIUM SUB SOLE . SUNDIALS . MEDIEVAL TO MODERN 