GRADE I † Norman traces; C13, C14; mid C19 restorations. Nave roof thatched; round W tower with octagonal bell stage; high porch; early font. A fascinating and most unusual building to admire, both the exterior and interior. 12m from Norwich. 52.6372 / 1.5474 / TG401102
A fairly conventional encircled dial on a quoin stone on W side of the porch. The forenoon is well-marked, evidently the most important part of the day for religious observance. The emphatic gouge at (very roughly) Nones is presumably not contemporary, being very much at odds with the more carefully incised lines. Possibly it marks a later change of the principal Mass time to the afternoon (a new incumbent?). There are ± 8 lines but erosion and damage prevents an accurate count.
GSS Category: Scratch Dial; Mass Dial
PHOTOS: John Renner, with thanks; ChurchCare / Keltek (header image)
GRADE I † Founded by St. Aldhelm in AD 705 as a Saxon Cathedral, Sherborne Abbey became a Benedictine monastery, and following the Dissolution of the monasteries, a Parish Church of some splendour. Of all the architectural features, the astonishing [earliest majorPEV] fan vaulting is arguably the finest. This is not the place for discussion of the merits of the church. The Wiki entry is a helpful source for an overview of SHERBORNE ABBEY
The large Vertical dial at the E end is impressive and visible from some distance. The Old Shirburnian Society records:
The south-facing vertical dial on the south-east end of Sherborne Abbey was erected in 1745 by Sherborne School at a cost of £5.5s.0d. It was built by the Sherborne architect Benjamin Bastard (1690-1776), son of Thomas Bastard of Blandford Forum.
The modern gnomon is effective and casts an attractive shadow; it could be argued that its style and fixings do not quite do justice to a C18 dial.
The gallery above might suggest overuse of saturation, but the photos – at various distances to show other features – were taken on an iPhone on a bright sunny early winter’s morning, and are un-enhanced (not always the case, I must admit). We were fortunate enough to be married in this glorious building.
GRADE I † A magnificent church, the longest in Suffolk. Exemplar for the conversion of wool prosperity into stonework. Largely C15; W tower rebuilt 1903 (Bodley). SJ rating ***** a treasure house of English medieval art. A good overview at Great English ChurchesLONG MELFORD 4m N of Sudbury. 52.0878 / 0.7209 / TL865467
The dial is located on the buttress E of the porch, and easily visible. The style hole is in the mortar line, with 5 lines radiating downwards LHS to a perimeter arc. The presumed noon line and 1 are emphasised. There is a single, fainter afternoon line. The dial stone fits rather awkwardly into its space and the partly unfilled mortar line is strange. A possible relocation?
Seen in detail, there is a gap between the top end of the lines and the gnomon hole. The angles between the lines are graduated (rather than evenly spaced) as one might expect with a later dial. However, the angles widen as they approach noon rather than (as one would expect) narrowing. A left-field explanation might be that the church itself is at an angle, for which the dial is compensating. At some stage I need to investigate further but meanwhile, best to publish this and hope that someone can provide an answer.
GRADE I † Mostly early C14 and C15. Built with local stone: lias and ham. A fine C17 cube dial, 2 slightly unrewarding scratch dials, impressive gargoyles. A complete set of 5 bells dated 1582, 1621, 1623, 1664 and 1666, all by Purdue family. Some pews have graffiti from C17 on. 3m N of Yeovil. 50.9773 / -2.6086 / ST573199
I have previously posted about St Mary with the emphasis on the splendid CUBE DIAL high on the apex of the E end. I mentioned 2 scratch dials but because they fall into the separate Medieval Dial category I am giving them some more attention here.
MUDFORD: TWO SCRATCH DIALS
The two dials are on the inner face of the buttress at the E end of the church, one above the other – a less than optimal position.They were obviously relocated and incorporated during expansion / restoration and used as quoin stones for the buttress, though pointless as dials where they are now. The stones themselves are similar, but it seems unlikely that the 2 dials were adjacent before being moved.
Dial 1 is very simple: a style hole with 2 lines descending, the noon line and 1pm. A rod gnomon would very clearly mark the noon part of the day, perhaps indicating that Mass was not quite yet… or that it had been missed…
There is a similar 2-line dial at BROADMAYNE Dorset, where the 2 lines are at either side of the vertical (ie at 11 and 1), cut so that ‘noon’ is in effect the space between them. At COMPTON PAUNCEFOOT there is a large dial on the facade with 3 lines: noon and one each side.
Dial 2 has 4 clear lines radiating from the style hole. These are E of the vertical, marking roughly 1 to 4 (there is no noon line). On both dials there are faint hints of other lines now eroded.
DEH recorded the Mudford dials in May 2015 during a tour of several churches in the area
GRADE II* † C13 chancel; C14 nave and lower tower with porch (top stage added later); extensive mid-C19 restoration and rebuilding by J Hicks (Thomas Hardy is said to have drawn the plans while apprenticed.) Portland Stone. 5m SE of Dorchester. 50.6788 / -2.3857 / SY728866
There are 3 dials. 2 are adjacent on E side of the porch which is (unusually) set in the tower. Dial 1 is eroded but visible. Dial 2 is vestigial and easily overlooked (eg by BHO / RCHM). Dial 3 is relocated well out of sight on the NE quoin of the church, a place it could never have been originally. It is much the clearest cut of the 3.
Dial 1 is visible as one walks up the path from the gate, but the details remain unclear even close to. The BSS record shows 12 lines within a partial circle, the lower part cut off at the edge of the dial stone, suggesting it may have been relocated during rebuilding. I’ve visited St Martin twice, in sunlight and in early evening, and frustratingly I haven’t been able to make out the complete dial shown below. The colour of the stone is a factor. RHS is quite eroded; or perhaps LHS was more deeply incised because it marked the most signifiant time of day for observance.
As indicated above, dial 2 is unrewarding. Records suggest 4 lines and 2 circles, though I couldn’t see the latter. The images below have been recoloured to bring out the details, such as they are…
Dial 3 is a small and simple one, with 4 lines. The noon line is emphasised; and the Mass line (Tierce) has a cross.
The fact that the hole in this buttress stone is centered made me look at it more closely. In 3D rather than in the photo, it is a plausible dial with 2 quite long lines, being the noon line and ‘1.00pm’. With a stick in the hole, it would have been perfectly serviceable for marking the sun’s progress from morning to afternoon. There is a similar dial at MUDFORD Somerset, where the 2 lines are at 11 and 1, cut so that the noon line is centered between them.
GRADE I † C13 et seq, on early C12 site. Gradual development but (unusually) with little obvious C19 workBHO. Good C16 bench ends. S porch built c1440, originally thatched, with the polar scaphe sundial added later, see LINK. The multiple scratch dials of St Margaret are shown below. DEH recorded 4, but there are several more. 5m NW of Yeovil; just S of dread A303. 50.9746 / -2.7156 / ST498197
I visited St Margaret some time ago and have mislaid my notes on the various locations. The dials are all on the S side and all but one are in predictable locations though a couple are not easy to see. Most are on buttresses. One dial (3) is quite high up and would be easy to overlook. There are enough dials for me to skip – and for you to be spared – analysis of each one individually (for the time being at least).
On the buttress at E end of the church
On the same buttress as dial 1
High on a buttress, E end
On the buttress E of the Priest’s door
Close to Dial 5
S buttress near doorway
E of porch
DIAL 10 (?)
According to the very useful resource Sundials On The Internet, the smallest known scratch dial is at St Margaret’s, location unspecified. It measures a mere 2 inches in height. Possibly it is the hole below. There is a very similar one at Leintwardine Shrops that has been deemed a dial, though it’s just hole with a couple of minimal indentations around it. I saw no other candidate, and had I not known about the 2″ dial I would have passed this by without a second glance.
GRADE II* † Saxon origins, mentioned DB, no remnants remain. Nave dated c1180; rebuilding ± 1200, chancel added; tower added then or soon after. Mid-Victorian restorations; shingled spire rebuilt 1913. Much of interest within the church – see HERE for highlights. 6m NE of Guildford. 51.2509 / -0.5052 / TQ044512
There are 4 dials, each of significance. On the S wall of the chancel, there is a wonderful dial framed in ashlar stone as if to emphasise its qualities. Inside the church – not just inside the porch – are 3 dials cut on the same stone. Interior dials are almost inevitably the result of relocation and are scarce enough (cf THORNFORD); 3 together must be very rare.
POSITION Relocated from a buttress to the S wall of the chancel, enclosed by a surround of 4 stones set into the local flint and described elsewhere as …marred by the addition of an inappropriate stone frame (an arguable view?). BSS notes a possible inversion based on variations in the size of the dots; but that would nullify the point of the emphatic noon line design. Unless the 4 pocks were added later of course…
DATE The dial seems so sophisticated in design and execution that I had thought it ±C15. However BHO records a stone on which is cut an early circular sundial probably of the 12th century; it has three circles and is divided in twenty-four spaces by radiating lines; four dots mark the hour of noon and a small cross that of six p.m. A Surrey survey records Dated c 1180 by Johnston (1900, 74), SyAC, 21 (1908), 83-100. This date certainly corresponds to the construction of the nave / the additions soon after. So this is a very early dial probably dating from the construction of the church in its present form and clearly merits its prominent location and ashlar protection.
DEREK RENN in his research on the dials of Surrey considered this dial to be the most elaborate in the county, describing it as three concentric circles divided by 24 equidistant radii, having drilled holes at the intersections, as well as on the arms of an external cross and beside another line at right angles to the cross.
HOW THE DIAL WORKS AS A CALENDAR
DR also explains ingeniously how the dial might have worked: This would function best as an equatorial dial… mounted in the plane of the equator with its upright pointer parallel to the earth’s axis and not vertical, but even then little more than one-half of the dial would be necessary. A possible explanation is that the dial also functioned as a calendar: a peg was moved daily from hole to hole, the cross marking the point at which the peg progressed to the next circle. Another peg counted the number of complete circuits of the ‘board’ for the year on the four separate holes, with the odd days as well. In arithmetical terms: 24 x 3 x (4+1) – 360, +(4+1) = 365
DIALS 2 – 4
These 3 dials are closely grouped on a single stone on the north face of the west jamb of the south doorway. It would be interesting to know where they were originally located, and when / why they were moved to their present position with a purely decorative function.
DIAL 1 has 7 lines including the horizontals in a late a.m. to early p.m. formation. They are rather untidily incised and only 6 are clearly distinguishable. They are within a very faint perimeter curve, with 3 extending beyond it.
DIAL 2 has 5 lines radiating from a large (for its size) style hole. The lines are interestingly formed: 2 lightly cut a.m. lines; 2 deeper cut p.m. lines and extended noon line. The incisions of the latter 3 are unusually decorative, with one being slightly wedge-shaped. Overall, it seems clear that the afternoon was the most important time for daily religious purposes.
DIAL 3 is fully encircled with one clear line roughly corresponding to Tierce. The other 2 (3?) are faint and rudimentary in comparison. Another large style hole completes the design.
GSS Category: Scratch Dial; Multiple Dials; Early Dials
All photos: Keith Salvesen. Research material: usual resources BLB HE BHO &co; David Ross; Derek Renn
A painted (gold Roman numerals and hour lines on white) vertical timber dial 1000 mm wide by 1200 mm high on the south wall of the courtyard of the Royal Hospital Kilmainham over the entrance to the dining hall. It has an ornate scroll gnomon also painted gold. The RHK, built in 1684, was in use as a retirement home for soldiers until 1927. Following restoration the building was reopened in 1991 as the Irish Museum of Modern Art .
I am hoping to be able to get more detailed / close-up photos of the dial…
GSS Category: Vertical Dial
Photos: Keith Salvesen; BSS Archive; Text M. J. Harley BSS
GRADE I † Early C13 chancel with trace transepts (BHO); C14 crossing tower; C15 south chapel and nave; restoration mid-C19 (Ferrey). A most unusual late C17 octagonal dial; 6m SW of Blandford Forum, just off the main road to Dorchester (12m). 50.8004 / -2.234 / ST836001
VERTICAL DIAL C17
The remarkable vertical dial is located at the apex of the S Chapel gable. It dates to late C17 (BHO). The lines radiating from the top end of the gnomon are reminiscent of a scratch dial. The dial is canted for accuracy, and deeply enough to accommodate a rare E dial. Both gnomons are unusual, not least by being more toothed than merely serrated.
THE EAST DIAL
It is very unusual (and possibly unique) to bother to delineate the east or west edge of a canted dial; and really quite strange to use such a tall gnomon, which will only cast a shadow for an hour or two at most.JF / BSS
John Foad (BSS) kindly marked up a close-up of the E. dial to show how it would have worked. He writes: It should have diagonal hour lines on it, though there is probably only room for a couple, as it will only see the sun briefly around 6 each morning. There is a suggestion in the records that there were at one time 2 raised lines, but a magnified image reveals no surviving evidence.
The Close in Salisbury has plenty to recommend it besides a central building for which superlatives are inadequate. Malmesbury House (GV I) by St Ann’s Gate has a particular claim to fame in sundial terms, with the context succinctly explained in the image below. 51.0659 / -1.7938 / SU145296
The very fine sundial on the house is dated 1749. The motto is part of the familiar speech taken from Macbeth Act 5 Scene 5 as Macbeth reacts to the news of Lady Macbeth’s death. It’s not exactly uplifting.
Below is a short text from the Gospel of St John. The dial itself is in very good condition. My amateurishness precludes any meaningful interpretation of the scientific aspect. I will add any significant details in due course.