A large double-faceted dial high up on the SW buttress of the Church, above Trumpington Street. The faces are angled due S; and SW. They are easy to read despite the height, and appear to be in excellent condition. Comparing my recent photos with one from 2000, it looked as though the dial must have been repaired / repainted / refreshed since then. BSS confirms that the dial was recently re-gilded at August 2014.
Brooks and Stanier note that the present dial replaces a much earlier dial (date and position unknown) that was ‘designed by a Mr Butterfield and repainted in 1614 at a cost of 18 pence’.
South Face showing gnomon stay (B&W for clarity)
GSS Category: Cambridge Sundial; University Sundial; Double facet dial;
King’s College is one of the best-known Cambridge colleges, not least because of its pre-eminent choral music tradition. This fine dial is on the right side of the Chapel porch. The hour lines and numerals are painted in black directly onto the stone. The gnomon emerges through a golden sunburst, matched by two gold heraldic lions in the lower corners. The dial itself dates to 1733 (BSS) and the inscription J.C. 1578 on the face is a mystery: no specific association has been matched to it.
RESTORATION
As I researched this dial it soon became clear that it had undergone considerable recent restoration. The Brookes / Stanier booklet (L) was published c2000, with this illustration. The BSS entry (R) was made in 2007, and the dial’s condition seems to have worsened. At some stage I hope to find out more.
UT HORA SIC FUGIT VITA
The black-letter motto translates as ‘Life flies away like an hour‘ or an equivalent sentiment. There are a number of Latin variations of this rather gloomy prognostication.
King’s has a second short dial – the SORELY dial – close to the Chapel. I will add a link once I have written it up.
GSS Category: Vertical Dial; University Dial; Sundial Motto
All photos: Keith Salvesen; BSS; Brooks / Stanier ‘Cambridge Sundials’
GRADE 1 ❖ C14, C15, restored 1825 by Jesse Gane of Evercreech; further in 1843; late C19 work. Very tall 3-stage ‘Mendip-type’ tower, visible from some distance. Worthwhile interior. Town prosperity partly from silk and enhanced by railway in 1862 – axed by Beeching in 1966 despite intervention by John Betjeman. 51.1463 / -2.5026 / ST649386
UPDATE: Yesterday I wrote dismissively of the St Peter’s dial, based on camera photos. Now that I have seen my iPhone photos (almost always the best option for close-up shots but I had nearly run out of battery) I have changed my tune a bit…
DIAL
Emphatically not vaux le voyage, and included here mainly because in 1913 DEH counted it as a dial [85] when compiling his exhaustive record of Somerset scratch dials. On SE buttress of the tower he found a ‘quite clear’ circle with a shallow style hole, but without any lines. He put the design in his Doubtful category.
Keith Salvesen
100 + years since the record was made, the circle has eroded away and the hole is not shallow. I had decided to demote this to the not-a-dial category. However, looked at closely and at an angle, it appears that what was once DEH’s ‘shallow hole’ has more recently been neatly drilled deeper into the stone (in fact, a dial would now be workable using a rod or stick). So I conclude that there is evidence of dialishness, though doubtful.
Keith Salvesen
GSS Category: Scratch Dial; Somerset Scratch Dial; Dom Ethelbert Horne
Credits: photos and research – Keith Salvesen (Nov 2025)
We passed this small church on the Swiss / French border several times, noting the dial and the commonplace Motto. The final time we passed through the village I took a photo from the car (I wasn’t the driver). There’s always some joy in collecting an unpretentious dial in congenial place. This is a rather blurry example.
ScreenshotScreenshot
GSS Category: Vertical Dial; Church Dial; Sundial Motto; Carpe Diem
Max Gate is a fine house on the eastern edge of Dorchester, designed and built by Thomas Hardy (with his father and brother) in 1885. He lived there until his death in 1928. He had two wives, Emma and then Florence, and during the ‘Max Gate years’ there were complicated relationships, sadly beyond the scope of this article.
In 1940 the house was bequeathed to the National Trust by Hardy’s sister. It was listed Grade I in 1970 with the stipulation that it should be lived in. The NT gives generous access to the interior, and there are conducted tours of the house and grounds. It is not exactly ‘lived in’, but it does feel homely rather than museum-like. To see Hardy’s desk and other writerly items feels a privilege. ‘Tess’ was written there, also ‘Jude’, the ‘The Mayor of Casterbridge’, and much of his poetry.
MAX GATE – VERTICAL SUNDIAL
High up on the east tower, the dial is a good example of a sundial that (besides its primary use) acts as a memorial, and tastefully reflects the significance of the dedicatee. It is also very visible and easy to read at a distance. The lightly ornamental gnomon is moored at the bottom right corner as you face the dial. The style is simple, with 12 hours marked from 7.00am to 6.00pm and 24 radials to record half hours. The dial plate is white-painted wood. Overall the dial is in poor condition, but I gather that there are plans to carry out complete restoration during 2026.
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MOTTO
QUID DE NOCTE?
Literally, ‘WHAT OF THE NIGHT ?’ Interrogative sundials are relatively unusual, and I am unsure when the inclusion of question-marks began. The simplest reply might be ‘NIHIL’ – the sun is asleep.
.The marriage certificate (1839) of Thomas Hardy’s parents at Melbury Osmond church, Dorset
GSS Category: Vertical Dial; Memorial Dial; Dial Mottoes
Credits: Keith Salvesen (all photos); National Trust; Melbury Osmond church