CHARTREUSE DE MÉLAN . TANINGES . FRANCE – Vertical Dial on C13 Abbey

Chartreuse de Mélan . Taninges . France – Vertical Dial

Cat / Salamander Hunky Punk

The Chartreuse was founded in 1285 as a Carthusian nunnery and continued its religious functions until the French Revolution. Thereafter it became a school and in due course an orphanage. A disastrous fire in 1967 destroyed almost all the buildings on the site, with loss of life. Only the church and its cloister now remain. The church is an exhibition space and the lawns around it feature examples of modern art, from interesting via enjoyable to a few that are a matter of personal taste.

Chartreuse de Mélan . Taninges . France – Vertical Dial

The dial is included by MICHEL LALOS in his excellent French Cadrans Solaires site. Anyone who has in interest in sundials in France will benefit hugely by using this free resource. It is accessible, informative, and easy to use – not least because the dials are featured by Départment with a map for dial locations. The entry for Mélan is :

Cadran peu déclinant de l’après-midi, gravé et peint sur enduit, très dégradé, fines lignes, demies, plus de chiffres dans bandeaux, traces de blason et décor

Dial slightly declining in the afternoon, engraved, painted on rendering, very degraded, fine lines, half-hour lines, numbers within a frame, traces of coat of arms and decoration.

There are paint remnants at the top of the dial, where (presumably) it has been protected by the eaves. The gnomon hole at the top of the coat of arms is square. The dial is obviously old and I wondered if it might be dateable. Checking the apparent shape of the escutcheon, I discovered that it was first recorded as an armorial design in late C17 and (conveniently) turns out to be known as French-style. Overall, one might reasonably conclude that this dial is C18.

MEMORIAL STONE 1690

Chartreuse de Mélan . Taninges . France – Memorial Tablet 1690

GSS Category: Vertical Dial; France Sundial; Cadrans Solaires; Dials Abroad

All photos: Keith Salvesen; source used MICHEL LALOS

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