GRADE I † C13 origins, gradual expansion to C16 – nave, tower, north aisle, chancel, south porch. General restoration first half of C19, further restoration later C19. A fine Dorset church in a lovely setting. 6m W of Shaftsbury. 50.9932 / -2.2948 / ST794215
St Michael has 3 dials, all different in style and complexity. With the lengthy development of the church over 3 centuries, and subsequently 2 significant C19 restorations, not all may be in their original positions (for example dial 3 is nearly 3m from ground level). If moved, at least they remained the right way up.
Dial 1 is on W side of the S porch. The squared-off stone looks relocated – especially as the porch was a late (C16?) addition. There are 9 lines of varying length, with bad erosion in lower R quadrant.
The dial is / was encircled but little of the circumference line remains. GLP notes that the noon line is marked with a pock where is meets the circle and that the dial is rather inaccurately laid out and the lines do not converge on a point.
Dial 2 is on a quoin stone on the SW corner of the tower. 6 long lines radiate from the blocked gnomon hole to the lower L quadrant, in effect forming a ‘morning dial’. It is not accurate.
The dial stone seems to match the others round it. Possibly it is in its original position, but it could have been moved as a block with similar stones either during the medieval period or (more probably) in C19.
Dial 3 is quite high up on the S wall of the tower and difficult to examine closely. Luckily the lines, though lightly incised, are legible and the overall design is clear.
The are 12 in all, with the noon line extending upwards from the style hole to the mortar line above. Unlike the other dials, GLP notes that this one is accurately laid out, suggesting that it may have been the last dial to be cut.
ACTUAL / PLAUSIBLE / DOUBTFUL / NOT
2 other stones caught my eye during my visit. Both are dial-ish and in appropriate locations. Which category do these fall into?
GSS Category: Scratch Dial; Multi-dials
All photos: Keith Salvesen